- •Contents
- •Preface and Acknowledgements
- •Imagining Eden
- •Native American Oral Traditions
- •Spanish and French Encounters with America
- •Anglo-American Encounters
- •Writing of the Colonial and Revolutionary Periods
- •Making a Nation
- •The Making of American Myths
- •The Making of American Selves
- •The Making of Many Americas
- •The Making of an American Fiction and Poetry
- •Rebuilding a Nation
- •The Development of Literary Regionalisms
- •The Development of Literary Realism and Naturalism
- •The Development of Women’s Writing
- •The Development of Many Americas
- •Changing National Identities
- •Between Victorianism and Modernism
- •The Inventions of Modernism
- •Traditionalism, Politics and Prophecy
- •Community and Identity
- •Mass Culture and the Writer
- •Towards a Transnational Nation
- •Formalists and Confessionals
- •Public and Private Histories
- •Beats, Prophets and Aesthetes
- •The Art and Politics of Race
- •Realism and its Discontents
- •Language and Genre
- •Creating New Americas
- •Further Reading
- •Index
Index
‘A’ (Zukofsky), 394 |
Address to the Whites |
gender issues, 670–1, |
Abbey, Edward, 618 |
(Boudinot), 157 |
696–8, 698–9 |
Abel (House Made of Dawn), |
Adorno, Theodor, 742 |
Great Migration, 342, 530, |
806–8 |
adultery: literary treatments, |
531, 534 |
Abish, Walter, 619, 742 |
203–6 |
magazines, 351, 511 |
abolition movement, see |
Adventures in the Alaskan |
music, 523–4, 526, 530–1, |
slavery: abolition and |
Skin Trade (Hawkes), |
669–70, 671 |
abolitionism |
737 |
and the Revolution, 83–4 |
Absalom, Absalom! (Faulkner), |
The Adventures of Augie |
Tuskegee Institute, 349–50 |
448, 450 |
March (Bellow), 610–11 |
women’s rights, 323–4 |
Acoma people |
The Adventures of Huckleberry |
see also civil rights |
and Ortiz, 802 |
Finn (Twain), 128, |
movement; race issues |
and Spaniards, 23 |
253–6 |
and relations; slavery |
stories, 7, 152 |
and Salinger, 660 |
African Americans: conditions |
Acosta, Oscar Zeta, 779 |
The Adventures of Tom |
early 20th century, 342, |
acting, 702, 712 |
Sawyer (Twain), 252–3 |
509–10 |
Action (Shepard), 715 |
‘Advice to a Prophet’ |
freed slaves, condition of, |
Adams, Abigail, 79–80 |
(Wilbur), 581 |
247 |
Adams, Brooke, 318 |
Africa |
postwar, 561 |
Adams, Henry, 79, 95, |
Baraka on, 667 |
see also slavery |
318–21, 336–7 |
bibliographies, 511 |
African Americans: literary |
and Pynchon, 729 |
and Cullen, 527 |
treatments |
Adams, John, 79–80, 90 |
as Eden, 85, 87 |
19th century, 118–19 |
Adams, John Quincy, 79, |
Jordan on, 671 |
20th century, 460, 482, |
102 |
and Kennedy, 688 |
547, 548–9 |
Adams, Léonie, 421, 422 |
and Knight, 671 |
bibliographies, 511 |
The Adding Machine (Rice), |
and Malcolm X, 679 |
colonial writers, 52–3, 78 |
455–6 |
Wheatley on, 87 |
Southern regionalists, |
Addison, Joseph, influence, |
African Americans |
267–8, 270, 271, 277 |
106 |
arrival in America, 32, |
see also African Americans: |
Address to the Negroe |
55 |
writings; slavery: literary |
(Hammon), 86 |
folklore, 514, 515, 693 |
treatments |
Index |
845 |
African Americans: writings |
The Age of Innocence |
All (Zukofsky), 393–4 |
18th century, 83–8 |
(Wharton), 356–8 |
All God’s Chillun (O’Neill), |
19th century, 160–4, 176, |
The Age of Reason (Paine), |
459–60 |
181–94, 260, 278–81 |
75–6 |
‘All My Pretty Ones’ (Sexton), |
19th-century women’s, |
Agee, James, 347 |
572 |
309–12, 323–4 |
Agnes of Sorrento (Stowe), |
All My Sons (Miller), 703 |
bibliographies, 511 |
200 |
All the King’s Men (Warren), |
effect of white culture, 164 |
Agrarians, 466, 471, 490 |
474–5 |
first detective novel, 512, |
Ah, Wilderness (O’Neill), 460 |
All the Pretty Horses |
755 |
Ahab, Captain (Moby-Dick), |
(McCarthy), 618–19 |
first novel, 184 |
111, 132, 209–10, |
Allan, John, 119 |
first novel with first-person |
211–12, 213 |
allegory |
narrator, 354 |
Ai, 598–9 |
in Barth, 735 |
first published novel by |
Aiiieeee!, 792 |
in Cabell, 368–9 |
woman, 193–4 |
Aiken, Conrad, 396–7, 403 |
in Hawthorne, 201, 205 |
first short story, 183 |
The Air-Conditioned |
in Melville, 208–9 |
first travel writing, 186 |
Nightmare (Miller), 658 |
reasons for prevalence, |
journals, 104 |
‘Ajanta’ (Rukeyser), 425 |
34 |
publication, problems of, |
Albee, Edward, 713–14 |
in Shepard, 715 |
86–7, 88 |
Alcott, Bronson, 131, 135, |
Allen, James Lane, 267, 268 |
regionalist, 260 |
312 |
Allen, Paula Gunn, 805 |
slave narratives, 84–5, 86, |
Alcott, Louisa M., 312–14 |
Allison, Dorothy, 626, 627 |
144–51, 181, 185–6 |
Alcuin (Brown), 96 |
allusion |
slave writings, 62 |
Aldington, Richard, 388–9 |
in Eliot, 229, 397, 403–4 |
spirituals, 220–2 |
Alexander, Meena, 800 |
in Longfellow, 229 |
studies, 525 |
Alexei, Sherman, 805, |
in Melville, 209–10, 212 |
African Americans: writings |
815–17 |
in Pound, 400 |
of the 20th century |
Algarin, Miguel, 772 |
almanacs |
Black Arts movement, |
Alger, Horatio, 248–9 |
Crockett Almanacs, 124, |
664–8 |
Algren, Nelson, 605 |
125 |
crime novels and thrillers, |
The Alhambra (Irving), 107 |
and Franklin, 71 |
755–6 |
alienation |
The Alphabet (Silliman), 746 |
early, 342–3, 344, 348–55 |
1950s society, 556 |
Alphabetical Africa (Abish), |
Harlem Renaissance and |
alienation: literary treatments |
742 |
beyond, 342–3, 509–37 |
Albee, 713–14 |
Alsea people, 13 |
postwar drama, 686–91 |
Anderson, 372–3 |
Alsop, George, 41 |
postwar poetry, 598, |
beat poets, 641 |
alternative culture, see culture, |
599–600 |
Bowles, 605 |
alternative |
postwar prose, 674–86, |
Didion, 628 |
Alther, Lisa, 741 |
691–701 |
Gardner, 739 |
Alvarez, Julia, 784 |
protest writing, 663–74 |
Kincaid, 701 |
Amazing Stories, 759 |
science fiction, 761–2 |
Momaday, 806–8 |
The Ambassadors (James), |
slave narratives, modern |
Okada, 794–5 |
295–6, 752 |
versions, 682, 685, 693, |
Salinger, 659–61 |
The Amber Gods (Spofford), |
699 |
Shepard, 715–17 |
314 |
After the Fall (Miller), 706 |
Sontag, 627–8 |
ambiguity, Welty on, 620–1 |
‘Aftermath’ (Longfellow), |
Tuckerman, 232 |
America |
229 |
Updike, 614–15 |
19th century, 100–1, |
Agassiz, Louis, 165 |
Welch, 810 |
246–7 |
846 |
Index |
20th century, 336–48, |
‘America and I’ (Yezierska), |
An American Dream (Mailer), |
553–64 |
499–500 |
604 |
20th-century |
America Hurrah (van Italie), |
The American Dream (Albee), |
disillusionment with, |
712 |
713 |
298–9 |
America is in the Heart |
The American Frugal |
20th-century immigrants |
(Bulosan), 505 |
Housewife (Child), 175 |
on, 499–500, 505 |
América’s Dream (Mohr), 783 |
American Hunger (Wright), |
Adams on, 321, 336–7 |
The American (James), 290 |
534, 535 |
American identity, Roth |
American Anti-Slavery |
American Indian Stories |
on, 614 |
Society, 178 |
(Bonnin), 326 |
Crèvecoeur on, 73–4 |
American Buffalo (Mamet), |
American literature, histories |
as Eden, 2–3, 6, 25–31, |
718 |
of, 112, 121 |
57–8, 109–10 |
American character |
American Mercury, 368 |
ethnic mix, 18th century, |
development of, 55 |
American Pastoral (Roth), |
55 |
early 20th century, 345–6 |
614 |
and Europe, literary |
Franklin on, 69–70, 72 |
American Psycho (Ellis), |
treatments of contrast, |
Revolutionary period |
758 |
283, 289–94, 295–6 |
writers on, 89, 92 |
American Review, 348 |
Franklin on, 55, 72 |
American Civil War |
American Revolution, 72–3, |
Freneau on, 88 |
and African Americans, |
75, 76 |
Holocaust survivors on, |
148, 163, 166 |
writings of the period, |
765–7 |
end and effects, 245 |
68–99 |
James on, 290–4, 295–6 |
as the Fall, 257 |
The American Rhythm |
Jefferson on, 76–7 |
Lincoln on Stowe as cause, |
(Austin), 326 |
as land of opportunity, 72 |
196 |
‘The American Scholar’ |
Laviera on, 781 |
American Civil War: literary |
(Emerson), 131, 133–4 |
Mailer on, 600–1 |
treatments |
American Tabloid (Ellroy), |
Martí on, 323 |
diaries, 173–5 |
754 |
Miller on, 658 |
novels, 184, 469–70, 546–9 |
An American Tragedy |
Morrison on, 691 |
poetry, 233–4, 265–6 |
(Dreiser), 365, 367–8 |
Olson on, 631–2 |
stories, 286–7 |
Ammons, A. R., 577–8 |
as place of exile, 32, 57–8 |
The American Clock (Miller), |
Anaya, Rudolfo A., 757, |
as place to be civilized, 33 |
707 |
775–7 |
radicals on, 481–95 |
American dream |
The Ancient Child |
Reznikoff on, 396 |
and African Americans, |
(Momaday), 806 |
Sandburg on, 479–80 |
162–3, 667 |
Ancient Evenings (Mailer), |
Shepard on, 715–17 |
and capitalism, 248–9 |
604 |
Stein on being American, |
American dream: literary |
Anderson, Maxwell, 456 |
430–1 |
treatments |
Anderson, Robert, 711 |
Steinbeck on, 498–9 |
Albee, 713 |
Anderson, Sherwood, 347, |
Whitman on, 89, 232–7, |
Brautigan, 661 |
368, 371–3, 488 |
481 |
Cheever, 605 |
Andrews, Bruce, 744, 745, |
Wilson on, 717 |
Douglass, 148 |
746 |
Wolfe on, 495–7 |
Fitzgerald, 438–9 |
‘Anecdote of the Jar’ |
see also American |
Mamet, 718 |
(Stevens), 415 |
character; American |
Miller, 703–5, 707 |
Angelou, Maya, 664 |
dream; government, |
Mohr, 783 |
Angels Fall (Wilson), 717 |
American; myths and |
Warren, 472 |
Angle of Repose (Stegner), |
legends: American |
Westerns, 538–9 |
606–7 |
Index |
847 |
animals |
The Archbishop’s Calling |
Asimov, Isaac, 760 |
Moore on, 419 |
(Miller), 706–7 |
‘Asphodel, That Greeny |
in Native American stories, |
Archer, Isabel (The Portrait |
Flower’ (Williams), |
5–6, 8, 10, 14–15 |
of a Lady), 291–4 |
408–9, 581 |
see also nature |
Archer, Lew (Macdonald |
The Assistant (Malamud), |
‘Animals are Passing from |
character), 752–3 |
609–10 |
our Lives’ (Levine), |
Archer, Newland (The Age of |
Astoria (Irving), 107 |
576–7 |
Innocence), 356–8 |
Astounding Science Fiction, |
Anna Christie (O’Neill), |
Arenas, Reinaldo, 786 |
759 |
459 |
Argosy, 539 |
‘At Melville’s Tomb’ (Crane), |
Annie John (Kincaid), 701 |
Arias, Ron, 779 |
428 |
‘Annunciation’ (Le Sueur), |
Ariel (Plath), 594–6 |
‘At the Bomb Testing Site’ |
493 |
Armies of the Night (Mailer), |
(Stafford), 580 |
Another Country (Baldwin), |
604 |
‘At the Fishhouses’ (Bishop), |
678 |
Armstrong, Louis, 531 |
585 |
Anthology of Magazine Verse, |
Armstrong, Samuel, 349 |
‘The Atlantic Cable’ (Ridge), |
527 |
Army Life in a Black Regiment |
153 |
Anthony, Susan B., 432 |
(Higginson), 166 |
Atlantic Monthly, 231, 239, |
Anti-Slavery Catechism |
Arnaz, Desi: literary |
262, 282, 289 |
(Child), 175–6 |
treatments, 785 |
Auchincloss, Louis, 604–5 |
Antin, David, 772 |
Arnow, Harriette S., 490 |
Auden, W. H., 566, 591 |
Antin, Mary, 329 |
The Arrivistes (Simpson), |
audience, see readers, authors’ |
‘Antique Harvesters’ |
565 |
relationship with |
(Ransom), 468–9 |
‘Arrow’ (Dove), 672–3 |
Audubon (Warren), 472, |
antiquity |
art, and New York poets, |
473 |
Pound’s use of, 397–9 |
645, 647, 648, 650–1 |
Augie March, The Adventures |
see also classical writers; |
Art Decoration Applied to |
of (Bellow), 610–11 |
myths and legends |
Furniture (Spofford), |
‘Aunt Jennifer’s Tigers’ |
Anzaldúa, Gloria, 159 |
314 |
(Rich), 572 |
Apache people, 7, 13 |
‘The Art of Fiction’ (James), |
Aupaumut, Hendrick, 81–2 |
Apess, William, 154 |
289, 290 |
Austen, Jane, influence, 293 |
apocalypse |
Arthur Mervyn (Brown), 96, |
Auster, Paul, 617 |
in early 20th-century works, |
98 |
Austin, Mary, 326–7 |
347 |
Artifice of Absorption |
authority, resistance to |
Merrill on, 653 |
(Bernstein), 747–8 |
in Native American |
in Native American stories, |
As I Lay Dying (Faulkner), |
stories, 13–14 |
7 |
449, 450 |
in 1950s, 556 |
Pynchon on, 729 |
Asa Vickers (Lewis), 371 |
postwar novels, 654–63 |
and science fiction, |
Ash Wednesday (Eliot), 402, |
Twain on, 254 |
759–60, 761–2 |
405 |
Whitman on, 234 |
Appeal for the Indians (Child), |
Ashbery, John, 645, 646–7, |
see also beat movement; |
176 |
649, 650–2, 742 |
protest; social |
An Appeal in Favor of That |
Ashbridge, Elizabeth, 65 |
convention and |
Class of Americans |
Asian Americans: writings |
conditioning |
Called Africans (Child), |
early and mid-20th |
autobiographies |
175–6 |
century, 332–5, 502–5, |
Adams, 318–21, 336 |
An Appeal to the Christian |
559 |
Apess, 154–5 |
Women of the South |
late 20th century, 600, |
Asian American writers, |
(Weld), 176–7 |
722–3, 757, 786–801 |
793–4, 797, 798 |
848 |
Index |
Austin, 327 |
backwoods life: literary |
Beadle, Erasmus, 537 |
Bonnin, 325–6 |
treatments, 95–6, 124–9 |
beat movement, 604, 641–5, |
Bulosan, 505 |
‘Bad Times’ (Oppen), 394 |
654–8, 666 |
Eastman, 324 |
Bailey’s Café (Naylor), 698 |
Beattie, Ann, 626 |
Equiano, 84–5 |
Baker, George Peirce, 459 |
Beauvoir, Simone de, 536 |
first Native American |
Baker, Nicholson, 740 |
‘Because I could not stop for |
female, 325–6 |
Bakutahl, 8–9 |
death’ (Dickinson), 240, |
Foote, 309–10 |
Baldwin, James, 530, 676–8, |
243 |
Garrison, 164–5 |
688 |
Because it is Bitter (Oates), |
Hejinian, 744–5 |
Baldwin, Joseph Glover, 126 |
625 |
Hellman, 491 |
The Ballad of the Sad Café |
Beckett, Samuel, 628, 686 |
James, 296 |
(McCullers), 624 |
Becky and Her Friends |
McCarthy, 492 |
‘Balloon’ (Barthelme), 737 |
(Hinojosa), 562 |
Malcolm X, 679–80 |
Balm of Gilead (Wilson), 717 |
Beecher, Catharine, 103, 195 |
Parkman, 113–15 |
Bambara, Toni Cade, 663–4 |
Beecher, Lyman, 195 |
Thoreau, 138–42 |
Bancroft, George, 113 |
The Beet Queen (Erdrich), 811 |
Truth, 181 |
Banks, Russell, 619 |
Before Columbus |
Washington, 349, 350 |
Baraka, Imamu Amiri (Leroi |
Foundation, 681 |
Wong, 503 |
Jones), 568, 664–8, 681, |
Behind a Mask (Alcott), |
Wright, 533–5 |
688–9 |
312–13 |
see also diaries; slavery, |
Barbary Shore (Mailer), 603 |
Behrman, S. W., 454–5 |
slave narratives |
Barker, James Nelson, 453 |
Belasco, David, 454 |
Autobiography (Franklin), |
Barlow, Joel, 63, 88, 89, 90–1 |
belief, see faith; religion |
69–71 |
Barnes, Djuna, 432, 434–5 |
Bell, Christine, 786 |
The Autobiography of Alice B. |
Barnes, Jake (The Sun Also |
Bell, Madison Smartt, 617 |
Toklas (Stein), 432 |
Rises), 446–7 |
Bellamy, Edward, 285 |
The Autobiography of an |
Barren Ground (Glasgow), |
‘Belles Demoiselles Plantation’ |
Ex-Coloured Man |
360 |
(Cable), 274 |
(Johnson), 352–3, |
Barrio, Raymond, 774 |
Bellow, Saul, 610–13, 766 |
353–5 |
Barrio on the Edge (Morales), |
Beloved (Morrison), 693–4, |
The Autobiography of Miss |
779 |
694–5 |
Jean Pittman (Gaines), |
Barry, Philip, 454–5 |
Ben Hur (Wallace), 249 |
683 |
‘Bars Fight’ (Terry), 62, 86 |
Benchley, Robert, 544, 549 |
The Autocrat of the Breakfast |
Barth, John, 729, 733–5, 741 |
Bend Sinister (Nabokov), 768 |
Table (Holmes), 230 |
Barth, Karl, 614 |
‘Beneath the Shadow of the |
automatic writing, 601, 653, |
Barthelme, David, 735–7 |
Freeway’ (Cervantes), |
747 |
Barthelme, Frederick, 618 |
773 |
Awake and Sing! (Odets), |
Barthes, Roland, 743 |
Benét, Stephen Vincent, 528 |
457, 458 |
baseball: literary treatments, |
Benjamin, Walter, 549, 742 |
The Awakening (Chopin), |
609, 617 |
Benn, Gottfried, 593 |
271–4 |
The Basic Training of Pavlo |
Bennett, Gwendolyn, 525 |
The Awakening of Helen |
Hummel (Rabe), 719 |
Beowulf, 739 |
Richie (Deland), 299 |
Bass, Rick, 618 |
bereavement: literary |
Azarian (Spofford), 314 |
‘The Battle Hymn of the |
treatments |
|
Republic’ (Howe), 224 |
Berrigan, 650 |
Babbitt (Lewis), 370 |
Battlepieces and Aspects of the |
Bradstreet, 45–6 |
Baca, Jimmy Santiago, |
War (Melville), 214 |
Ginsberg, 643–4 |
772 |
The Bay Psalm Book, 42–3 |
Taylor, 47–8 |
Bach, J. S., 394 |
Bayou Folk (Chopin), 270–1 |
see also death |
Index |
849 |
Berger, Thomas, 738–9 |
The Black Book, 693 |
blues, 511, 530–1, 669 |
Bernstein, Charles, 742, 743, |
Black Boy (Wright), 533–4, |
literary treatments, 671, |
744, 745, 747–8 |
534–5 |
683–4, 697, 815, 816 |
Berrigan, Ted, 645, 649–50 |
‘The Black Christ’ (Cullen), |
and Williams, 699 |
Berry, Walter, 355 |
527 |
The Bluest Eye (Morrison), |
Berry, Wendell, 476 |
The Black Dahlia (Ellroy), |
691–2 |
Berryman, John, 568, 573, |
753–4 |
Bly, Robert, 569, 574, 578, |
591–3 |
Black House Theatre, 688, |
579–80 |
Berryman’s Sonnets |
689 |
body, Olds on, 600 |
(Berryman), 591 |
black humour, 741 |
Bogan, Louise, 421–2, 665 |
Betts, Doris, 628 |
Black Mask, 368, 540–1 |
The Bondswoman’s Narrative |
Beverley, Robert, II, 56–7 |
Black Mountain Review, 632 |
(Crafts), 187–92 |
Beyond Baroque, 772 |
Black Mountain writers, |
Bonifacius; or, Essays to Do |
Bibb, Henry, 185 |
629–37, 645–6, 665–6, |
Good (Mather), 52 |
Bidart, Frank, 599, 600 |
673, 748 |
Bonnin, Gertrude, 325–6 |
Bierce, Ambrose, 250, 286–7 |
Black Muslim movement, |
Bontemps, Arna, 510, 520–2 |
The Big Knife (Odets), 457 |
663, 679 |
The Book of Daniel |
The Big Money (Dos Passos), |
Black No More (Schuyler), |
(Doctorow), 608 |
440, 441–2 |
512 |
Book of Life (Truth), 181, |
The Big Nowhere (Ellroy), |
black power, 558 |
182 |
753–4 |
‘The Black Spear’ (Hayden), |
Book of My Nights (Lee), 600 |
‘Big Two-Hearted River’ |
528 |
Border Romances (Simms), |
(Hemingway), 444 |
Black Thunder (Bontemps), |
168–9 |
Bigger (Native Son), 535–6 |
520–2 |
Border trilogy (McCarthy), |
The Biglow Papers (Lowell), |
Black Tickets (Phillips), 626 |
618–19 |
231–2 |
The Black Woman, 663 |
The Bostonians (James), 294 |
Billy Bathgate (Doctorow), |
Blackburn, Paul, 632–3 |
Boudinot, Elias, 157–8 |
608 |
The Blacker the Berry |
Bourne, Randolph, 486–7, |
Billy Budd (Melville), 214 |
(Thurman), 511 |
500 |
Biloxi Blues (Simon), 720 |
Blackfoot people, 9, 10 |
Bowers, Edgar, 507, 582 |
The Bingo Palace (Erdrich), |
Blackwood’s Magazine, 112 |
Bowles, Paul, 605 |
811–12 |
Blake (Delany), 192–3 |
Box (Albee), 714 |
Bird, Robert Montgomery, |
Blake, William, 236, 412, |
‘Boy with His Hair Cut |
112–13 |
642 |
Short’ (Rukeyser), 425 |
Birds of America (McCarthy), |
Bless Me, Ultima (Anaya), |
Boyle, Kay, 482 |
492 |
775–7 |
The Boys in the Band |
Bishop, Elizabeth, 567, |
The Blithedale Romance |
(Crowley), 721 |
582–5, 587, 665 |
(Hawthorne), 135, 203 |
Bracebridge Hall (Irving), 107 |
Bishop, John Peale, 348, |
Blood, Tin, Straw (Olds), |
Bracey, Ishmon, 531 |
475–6 |
600 |
Brackenridge, Hugh Henry, |
‘Bitches Don’t Wait’ |
Blood Meridian (McCarthy), |
88, 95–6 |
(Mirikitani), 795 |
618–19 |
Brackett, Leigh, 752 |
‘Black Art’ (Baraka), 664, |
The Bloodworth Orphans |
Bradbury, Ray, 760–1 |
667 |
(Forrest), 686 |
Bradford, Elizabeth Sowle, 41 |
Black Arts movement, 529, |
The Bloody Tenent of |
Bradford, William, 32–4, |
558, 664–8, 680 |
Persecution (Williams), |
37–8, 39 |
Black Arts Repertory |
39 |
Bradley, David, 685, 686 |
Theatre/School, 667 |
‘Blue Winds Dancing’ |
Bradstreet, Anne, 44–6 |
Black Arts West, 688 |
(Whitecloud), 506–7 |
and Berryman, 591–2 |
850 |
Index |
Braithwaite, William Stanley, |
Brooks, Van Wyck, 344 |
Bullock, William, 29 |
526–7 |
Broom, 518 |
Bulosan, Carl, 504–5 |
Brand, Max, 540 |
Brother Antoninus, see |
Bumppo, Natty |
A Brand Plucked from the |
Everson, William |
(Leatherstocking Tales), |
Fire (Foote), 309–10 |
Broumas, Olga, 599, 600 |
108–11 |
Brando, Marlon, 556 |
Brown, Charles Brockden, |
Buntline, Ned (Edward |
Braque, Georges, 431 |
96–9 |
Judson), 538 |
Brautigan, Richard, 654, 661 |
Brown, Dee, 559 |
A Buried Child (Shepard), |
Brazil (Updike), 615 |
Brown, Jake (Home to |
716 |
Breakfast at Tiffany’s (Capote), |
Harlem), 513 |
Burke, Edmund, 75 |
724–5 |
Brown, John (abolitionist) |
Burke, Fielding (Olive Tilford |
‘Breaking Silence’ |
and abolition, 103, 143, |
Dargan), 347 |
(Mirikitani), 795 |
162, 166 |
Burke, James Lee, 754 |
‘Breaking Tradition’ |
‘John Brown’s Body’, 224 |
Burns, John Horne, 601 |
(Mirikitani), 796 |
literary treatments, 143, |
Burns, Robert, influence, |
Brer Rabbit (Uncle Remus |
214, 471 |
261 |
stories), 267–8 |
Brown, John (slave), 185 |
‘Burnt Norton’ (Eliot), 402 |
Brewster, Maude (The Sea- |
Brown, Larry, 618, 726 |
Burroughs, William, 654, |
Wolf ), 308 |
Brown, Norman O., 642 |
655–8 |
The Bridge (Crane), 347, |
Brown, Sterling A., 525–6 |
literary treatments, 655–6 |
428–9 |
Brown, William Hill, 92–3 |
Bury My Heart at Wounded |
A Bridge Between Us |
Brown, William Wells, 184, |
Knee (Brown), 559 |
(Shigekuni), 797 |
185–7, 310 |
Bush, George, 561–2 |
The Bridge of San Luis Rey |
Brown Girl, Brownstones |
Bush, George W., 561–2 |
(Wilder), 456 |
(Marshall), 700 |
Bush, Ishmael (The Prairie), |
‘A Brief Sketch of the Life |
Browning, Elizabeth Barrett, |
110 |
and Character of David |
389 |
Butler, Octavia, 761, 762 |
Walker’ (Garnet), 162 |
Brownson, Orestes, 135 |
Butler, Robert Olen, 618, |
Bright Lights, Big City |
Bryan, Mary E., 104 |
727 |
(McInerney), 617–18 |
Bryan, William Jennings, 480 |
Butler, Samuel, 63 |
Brighton Beach Memoirs |
Bryant, William Cullen, 104, |
Butor, Michel, 741, 742 |
(Simon), 720 |
226–7 |
By Lingual Wholes (Cruz), |
British cultural influence, |
Buchan, Major Lewis (The |
781 |
88–9, 153 |
Fathers), 469–70 |
By the Light of My Father’s |
on Bryant, 227 |
Buchanan, Daisy (The Great |
Smile (Walker), 698 |
Emerson on, 134 |
Gatsby), 437, 438 |
‘By the road to the contagious |
British imperialism |
Buchanan, James: literary |
hospital’ (Williams), 409 |
Franklin on, 72 |
treatments, 615 |
By the Waters of Manhattan |
Freneau on, 88–9 |
Buchanan, Tom (The Great |
(Reznikoff ), 396 |
Broadway, 701–2, 703, 712 |
Gatsby), 437, 438–9 |
Byrd, William, 55–60 |
Broadway Bound (Simon), |
Buddhism, 640, 644–5, 654 |
Byron, Lord, 420 |
720 |
buffalo, in Native American |
|
Broadway Journal, 121 |
stories, 6, 10, 14–15 |
Cabell, James Branch, 368–9 |
Brodkey, Harold, 619 |
‘Buffalo Bill’ (Buntline), 538 |
Cabeza de Vaca, Alvar Nuñez, |
Bromden (One Flew Over the |
Bukowski, Charles, 654, |
18, 24–5 |
Cuckoo’s Nest), 662 |
658–9 |
Cable, George Washington, |
Brook Farm, 135 |
bullfighting, and Hemingway, |
274–8 |
Brooks, Cleanth, 466 |
446, 447 |
Cabot Wright Begins (Purdy), |
Brooks, Gwendolyn, 529–30 |
Bullins, Ed, 688–90 |
617 |
Index |
851 |
Cade, Toni, see Bambara, |
Dos Passos on, 440–2 |
Cassady, Neal, 654–5 |
Toni Cade |
drama about, 454 |
Casteñeda, Pedro de, 19–20 |
Cahan, Abraham, 283, 328–9 |
Fern on factory girls, |
Castillo, Ana, 779 |
Cain, James M., 543, 549 |
179–80 |
Cat on a Hot Tin Roof |
Caldell, Ben, 688 |
Lanier on, 266–7 |
(Williams), 710 |
Caldwell, Erskine, 371, 490, |
Larcom on textile mills, |
The Catcher in the Rye |
619 |
226 |
(Salinger), 556, 659–61 |
California: literary treatments, |
Le Guin on, 761 |
Cathay (Pound), 399–400 |
385–7 |
Olson on, 631–2 |
Cather, Willa, 262, 264, 344, |
Call Me Ishmael (Olson), 630 |
pro-slavers on, 169, 171, |
355, 361–4 |
The Call of the Wild |
172–3 |
Catholicism |
(London), 305, 307 |
Rukeyser on, 425 |
Adams on, 318, 319–20 |
‘Call to Rebellion’ speech |
Sinclair on, 329–32 |
literary treatments, 727 |
(Garnet), 162–3 |
Capote, Truman, 724–6 |
and Lowell, 588 |
Calvino, Italo, 742 |
captivity narratives |
and O’Connor, 621–3 |
CAMBRIDGE M’ASS |
Cabeza de Vaca, 24–5 |
Williams on, 51–2 |
(Grenier), 746 |
Rowlandson, 50–1 |
The Cavaliers of Virginia |
campus life: literary |
Smith, 29–31 |
(Caruthers), 172 |
treatments, 625, 727, |
Williams, 51–2 |
Cavedweller (Allison), 627 |
735 |
Caputo, Philip, 728 |
Cawein, Madison, 299 |
Camus, Albert, 536, 756 |
Caras viejas y vina nuevo |
‘The Celebrated Jumping |
Can Such Things Be? (Bierce), |
(Morales), 779 |
Frog of Calaveras |
287 |
Carbone, Eddie (A View |
County’ (Twain), 251 |
Cane (Toomer), 518–20 |
from the Bridge), 705 |
censorship: literary |
The Cannibal (Hawkes), 737, |
A Careful and Strict Enquiry |
treatments, 760 |
738 |
into the Modern |
The Centaur (Updike), |
The Cannibal Galaxy (Ozick), |
Prevailing Notions of |
614–15 |
766–7 |
that Freedom of Will |
‘Centennial for Whitman’ |
Cannibals All! (Fitzhugh), |
(Edwards), 67 |
(Eberhart), 478 |
168 |
Carlyle, Thomas, 130 |
Century, 333 |
Cannibals and Missionaries |
Carnegie, Andrew, 248, 349 |
Ceremonies (Hemphill), 674 |
(McCarthy), 492 |
Carraway, Nick (The Great |
Ceremony (Silko), 808–9 |
Can’t Quit You Baby |
Gatsby), 436–7, 438, |
Cervantes, Lorna Dee, 772–3 |
(Douglas), 627 |
439 |
Cervantes, Miguel de, |
‘A Canticle to the Waterbirds’ |
Carroll, Lewis, 625 |
influence, 95 |
(Everson), 638 |
cars, spread of, 338–9 |
Cha, Theresa Hak Kyung, |
Cantos (Pound), 390, 392, |
Carter, Jimmy, 561 |
798 |
393, 400–1 |
Carter, Landon, 58 |
The Chainbearer (Cooper), |
Cantwell, Robert, 347 |
Carter, Nick (fictional |
112 |
Cao, Lan, 799–800 |
detective), 540 |
Challenge, 532 |
capitalism |
Carter, Robert ‘King’, 57, |
‘The Chambered Nautilus’ |
19th century, 248, 286 |
58 |
(Holmes), 230 |
20th century, 338, 341 |
Cartwright, Samuel, 165 |
Champlain, Samuel de, |
20th-century radicals on, |
Caruthers, William A., |
20–1 |
481–4, 489, 494 |
172 |
Chandler, Raymond, 537, |
Anderson on, 372 |
Carver, Raymond, 726, |
541, 542 |
Davis on factory life, |
728–9 |
The Chaneysville Incident |
219–20 |
Cary, Alice, 214, 216–17 |
(Bradley), 686 |
Dorn on, 635 |
Cass, Leroy, 531 |
Chang, Diana, 792 |
852 |
Index |
change: literary treatments |
Childhood’s End (Clarke), |
The Christian Philosopher |
Lawrence, 340 |
759–60 |
(Mather), 52 |
Stevens, 412 |
children and childbirth: |
Christianity |
Warren, 472–3 |
literary treatments |
18th-century secularization, |
see also social change |
18th-century women’s |
55–61 |
A Change of World (Rich), |
poetry, 61, 62 |
early 19th century, 102 |
572 |
Le Sueur, 493 |
in Hispanic folklore, 158 |
The Changing Light at |
Mohr, 783 |
influence on African |
Sandover (Merrill), 581, |
Nabokov, 770–1 |
American writings, 86, |
653 |
Native American stories, 8 |
161 |
Changing Woman (Navajo |
Plath, 581 |
influence on Native |
character), 9 |
Ransom, 467–8 |
American writings, 154, |
Channing, William, 152 |
Snodgrass, 571 |
155 |
Charlotte Temple (Rowson), |
‘Children of Light’ (Lowell), |
Paine on, 75–6 |
92, 93–4 |
588 |
and social change, 102–3, |
Chase, Owen, 209 |
Children Sing in the Far West |
164 |
Chateaubriand, Vicomte |
(Austin), 326 |
Virgin of Guadalupe, |
François René de, 215 |
The Children’s Hour |
64–5, 159 |
‘Chaucer’ (Longfellow), 229 |
(Hellman), 490 |
Williams on, 39 |
Chavez, César, 559 |
children’s literature |
see also Catholicism; |
Chávez, Denise, 779 |
Alcott, 312 |
conversion to |
Chayefsky, Paddy, 711 |
Bontemps, 520 |
Christianity; religion |
Cheever, John, 605 |
colonial period, 43–4 |
Chu, Louis, 559, 787 |
Cherokee people, 102, 157–8 |
Hawthorne, 206 |
‘The Church Mouse’ |
stories, 152 |
late 19th century, 267–8 |
(Freeman), 264, 265 |
Cherokee Phoenix, 104, 157 |
magazines, 175, 176 |
Ciardi, John, 575, 576 |
Chesnut, Mary Boykin, 171, |
school readers, 249 |
cinema |
173–5 |
Twain, 252–6 |
Stein on, 430 |
Chesnutt, Charles W., |
Childwold (Oates), 625 |
see also Hollywood |
278–81, 283 |
Chillingworth, Roger (The |
cinematic devices |
Cheyenne people, 10, 11–12, |
Scarlet Letter), 203, 204, |
and Bernstein, 748 |
13 |
205–6 |
and Dos Passos, 441 |
Chicago |
Chin, Frank, 792–3 |
and Rice, 455 |
19th-century development, |
China Men (Kingston), 791 |
and Wilson, 717 |
246 |
The Chinaman Pacific & |
circumstance: literary |
literary treatments, 327–8, |
Frisco R.R. Co. (Chin), |
treatments |
331–2, 535–6 |
792–3 |
Dreiser, 364–5, 367–8 |
World’s Columbian |
Chinese Americans, 100, 247, |
James, 289, 291–4 |
Exposition (1893), 336 |
502 |
Stevens, 411–12 |
‘Chicago’ (Sandburg), 479 |
literary treatments, 258 |
‘Circumstance’ (Spofford), |
Chicago Renaissance, 371–2, |
writings, 332–5, 502–3, |
314–15 |
479–81 |
722–3, 787–93 |
Cisneros, Sandra, 778–9 |
Chicano (Vãsquez), 779 |
Chinese poetry, influence on |
Cities of the Plain (McCarthy), |
Chicano/a writings, 771–80 |
Pound, 399–400 |
618–19 |
‘Chickamauga’ (Bierce), |
Chippewa people, 811–13 |
city life: literary treatments |
287 |
Chopin, Kate, 269, 270–4 |
Barthelme, 736 |
Chief Standing Bear, 509 |
choreopoems, 673 |
Brooks, 529–30 |
Child, David Lee, 175 |
Christ in Concrete (Di |
Bullins, 689 |
Child, Lydia Maria, 175–6 |
Donato), 501–2 |
Cisneros, 778 |
Index |
853 |
city life: literary treatments |
Frost, 380, 381 |
Columbus, Christopher, |
(cont’d) |
Hawthorne, 205 |
1–4 |
crime novels, 540–2, |
Melville, 210 |
literary treatments, 91, |
753–6 |
Plath, 595 |
814–15 |
dispossession, 347 |
Pynchon, 730 |
‘La comadre Sebastiana’, |
Dreiser, 365–6 |
Wright, 536 |
158–9 |
Fearing, 485 |
Cleaver, Eldridge, 663 |
Come Back, Little Sheba |
Howells, 285 |
Clemens, Samuel Langhorne, |
(Inge), 711 |
Odets, 458 |
see Twain, Mark |
comedy and humour |
Patchen, 486 |
Cleveland, Grover, 349–50 |
18th-century drama, |
Sandburg, 479 |
The Cliff-Dwellers (Fuller), |
91–2 |
Selby, 727 |
299 |
19th-century novels, |
Wright, 535–6 |
Clifton, Lucille, 599–600, |
250–7 |
Yezierska, 499–500 |
671 |
comedy and humour: 20th |
see also New York City; |
Clinton, Bill, 561 |
century |
street life |
Clock Without Hands |
African American postwar |
civil rights movement, 558, |
(McCullers), 624 |
drama, 690 |
559–60, 561, 663 |
Close Range (Proulx), 629 |
African American postwar |
leaders’ writings, 678–80 |
Clotel (Brown), 184, 186–7 |
novels, 681–2 |
literary treatments, 684, |
Clothes for a Summer Hotel |
drama, 454–5, 719–20 |
696 |
(Williams), 711 |
poetry, 423 |
and Smith, 490 |
Clovernook (Cary), 216–17 |
beat poetry, 643, 646 |
Clampitt, Amy, 597 |
Clurman, Harold, 456 |
immigrant novels, 763, |
Clara Howard (Brown), 98 |
Cody, William F. (‘Buffalo’ |
769–70, 787, 789 |
Clarel (Melville), 208, 214 |
Bill), 538, 713, 757 |
mid-century, 544–6 |
Clari (Payne), 453 |
Cofer, Judith Ortiz, 782–3 |
Native American novels, |
Clark, Kenneth, 584 |
Cogewea, the Half-Blood |
810 |
Clark, Sappho (Contending |
(Mourning Dove), 509 |
postmodern novels, 738, |
Forces), 311–12 |
Cold War, 555–6 |
741 |
Clark, Walter Van Tilburg, |
literary treatments, 735 |
postwar essays, 724 |
606 |
Coleman, Wanda, 673 |
postwar novels, 602, 605, |
Clarke, Arthur C., 759–60 |
Coleridge, Samuel Taylor, |
609–13, 616–17 |
Clarke, Lewis, 185 |
106, 130, 135, 210, 412 |
postwar poetry, 650 |
Clarke, Mathew St Claire, |
Collier’s, 330 |
postwar women’s novels, |
124 |
The Colonel’s Dream |
621–3 |
Clarke, Milton, 185 |
(Chesnutt), 281 |
see also satire; Southwest |
classical writers, influence |
colonization |
humorists |
on Evans, 61 |
English, 25–31 |
Comfort Woman (Keller), |
on H. D., 391 |
French and Spanish, 18–25 |
797–8 |
on Longfellow, 228 |
groups disadvantaged by, |
comic strips, 662 |
on Wheatley, 87 |
32 |
commodity culture: literary |
on Wilder, 456 |
Puritan colonies, 32–7 |
treatments, 758 |
see also Virgil |
The Color Purple (Walker), |
see also consumerism; |
Clay Walls (Ronyoung), 798 |
696–8 |
materialism |
clearing vs. wilderness: |
Colored American Magazine, |
Common Sense (Paine), 75 |
literary treatments |
310 |
‘A Communication to Nancy |
Chopin, 272 |
Coltrane, John, 671–2 |
Cunard’ (Boyle), 482 |
Dickinson, 241 |
The Columbiad (Barlow), 63, |
communion, Stevens on, |
Ellison, 675 |
90–1 |
414–16 |
854 |
Index |
Communism |
The Conjure Woman |
cooperative communities, |
and Dos Passos, 442 |
(Chesnutt), 278–9 |
135, 203, 313 |
and Gold, 487–8 |
Connecticut Wits, 90 |
Coos people, 15 |
literary treatments, 675 |
A Connecticut Yankee in King |
Coover, Robert, 617, 740–1 |
McCarthyism, 555–6 |
Arthur’s Court (Twain), |
copyright laws, 104 |
and Oppen, 395 |
256 |
Copway, George, 155–6 |
and Wright, 534 |
The Connection (Gelber), 712 |
Copway’s American Indian, |
see also House Un- |
Conquistador (MacLeish), |
156 |
American Activities |
484 |
The Coquette (Foster), 92, |
Committee; Marxism |
Conrad, Joseph, 287, 303 |
94–5 |
community: literary |
Conroy, Jack, 347, 520, 521 |
Coronado, Francisco |
treatments |
conscience, personal: literary |
Vasquez de, 19–20 |
Baldwin, 677–8 |
treatments, 703, 705–7 |
The Corrector, 105 |
Blackburn, 633 |
conspiracy: literary |
corridos, 321–2 |
Crane, 303, 305 |
treatments, 729, 732 |
corruption: literary |
Heinlein, 759 |
conspiracy theory |
treatments |
Hurston, 514 |
in Miller, 705–6 |
crime novels, 751–6 |
McPherson, 685 |
in Puritan writings, 52 |
Davis, 220 |
Mori, 793 |
consumerism: literary |
muckrakers, 330–2 |
Native American writers, |
treatments |
Corso, Gregory, 641, 645 |
802–17 |
DeLillo, 616–17 |
‘Corson’s Inlet’ (Ammons), |
Rexroth, 483–4 |
Fitzgerald, 435 |
577 |
Viramontes, 780 |
Olson, 631–2 |
Cortez, Jayne, 772 |
Wilson, 717 |
Perelman, 746 |
Cosmopolitan, 282, 330 |
community vs. individualism |
see also commodity |
The Cotillion (Killens), 684 |
in Hawthorne, 204–5 |
culture; materialism |
Cotton, John, 43, 52 |
Whitman on, 234–6 |
Contending Forces (Hopkins), |
cotton industry, 101, 266 |
see also social convention |
310, 311–12 |
The Country Girl (Odets), |
and conditioning |
‘Continent’s End’ (Jeffers), |
457 |
The Company She Keeps |
385 |
Country Music (Wright), 596 |
(McCarthy), 491 |
‘The Continuity’ (Blackburn), |
The Country of the Pointed |
Compson, Caddy (The |
633 |
Firs (Jewett), 261–4 |
Sound and the Fury), |
The Contrast (Tyler), 91–2 |
Coupland, Douglas, 758 |
450–2 |
conversion to Christianity |
Couples (Updike), 614, 615 |
Compson brothers (The |
of African Americans, |
The Courtship of Miles |
Sound and the Fury), |
52–3 |
Standish (Longfellow), |
451–2 |
as justification of slavery, |
228 |
Condon, Richard, 605 |
86 |
Covey, Edward, 146–7 |
A Confederacy of Dunces |
of Native Americans, |
Cowperwood, Frank (The |
(Toole), 741 |
21–3, 31, 52–3 |
Financier), 366–7 |
The Confessions of Nat |
conversion to Islam, 679 |
Coyote (Native American |
Turner (Styron), 605–6, |
Cook, Ebenezer, 63 |
character), 7, 12–14, |
699 |
A Cool Million (West), 550 |
509, 805 |
The Confidence-Man |
Coolidge, Calvin, 546, 554 |
Coyote Stories (Mourning |
(Melville), 214 |
Coolidge, Clark, 743 |
Dove), 509 |
‘The Congo’ (Lindsay), |
Cooper, Anna Julia, 323–4 |
Cozzens, James Gould, 727 |
480 |
Cooper, Dennis, 772 |
Crabb, Jack (Little Big Man), |
The Conjure Man Dies |
Cooper, James Fenimore, 99, |
738–9 |
(Fisher), 512, 755 |
107–12, 155 |
Craft, Ellen, 185, 187 |
Index |
855 |
Craft, William, 185, 187 |
(Riding) Jackson on, 426 |
‘Crossing Brooklyn Ferry’ |
Crafts, Hannah, 187–92 |
Rukeyser on, 425 |
(Whitman), 235 |
Crane, Hart, 347, 373, 424, |
Schwartz on, 575 |
Crossings (Hua), 559, 792 |
426–9, 470 |
Spicer on, 638–9 |
Crouse, Russel, 455 |
Crane, Helga (Quicksand), |
Stafford on, 575 |
Crow (The Tooth of Crime), |
516–17 |
Stein on, 429–30, 432 |
715–16 |
Crane, Stephen, 299–300, |
Stevens on, 412–13 |
Crow Indians, 7 |
303–5 |
Wharton on, 356 |
Crowley, Mart, 721 |
Crashaw, William, 27 |
Wilbur on, 566–7 |
The Crucible (Miller), 705–6 |
Crawford, Cheryl, 456 |
Williams on, 390, 408 |
Crumbling Idols (Garland), |
The Crayon Miscellany |
Wolfe on, 723–4 |
297 |
(Irving), 107 |
Wright on, 537 |
Cruz, Victor Hernández, |
creation |
Zukofsky on, 393 |
781–2 |
in Miller, 706 |
Creek people, 260 |
Cruz-Smith, Martin, 805 |
in Native American |
Creeley, Robert, 633–4, 635, |
The Crying of Lot 49 |
stories, 4, 5, 6, 7–10 |
646 |
(Pynchon), 732 |
The Creation of the World |
Creoles: literary treatments, |
Cuba and Cuban Americans, |
(Miller), 706 |
274–7 |
2 |
creative process |
Crèvecoeur, Hector St Jean |
writings, 784–6 |
Ashbery on, 651–2 |
de, 73–4 |
Cullen, Countee, 510, 512, |
Barth on, 735 |
Crews, Harry, 618, 726 |
520, 527 |
Barthelme on, 736 |
The Cricket (Tuckerman), |
culture |
Cather on, 362 |
232 |
MacLeish on, 484–5 |
Ciardi on, 575 |
crime novels, 122, 540–2, |
Pound on, 400–1 |
Crane on, 426, 427 |
751–7 |
culture, alternative, 560–1 |
cummings on, 422–3 |
first African American, |
African American drama, |
Dugan on, 575 |
512, 755 |
688–90 |
Duncan on, 635–6 |
postmodern, 618, 738, |
African American protest |
Ellison on, 674–5 |
814–15 |
writing, 663–74 |
Faulkner on, 447–8 |
see also thrillers |
language poetry, 742–9 |
Ferlinghetti on, 637 |
Crimes of the Heart (Henley), |
newspapers, 680 |
Gardner on, 739 |
720 |
postwar novels, 654–63 |
Ginsberg on, 642, 643 |
The Crisis, 351, 510, 518, 525 |
theatre, 712–17 |
H. D. on, 391 |
Crisis papers (Paine), 75 |
culture, mass: literary |
Hawkes on, 736 |
criticism: New Criticism, |
treatments |
Hawthorne on, 204 |
466–7, 471 |
Alexei, 815, 816–17 |
Hemingway on, 444–5 |
Criticism and Fiction |
DeLillo, 616–17 |
Ignatow on, 575 |
(Howells), 282, 286 |
Dorn, 635 |
James on, 289, 290, 296 |
‘Critics’ (Fern), 179 |
Gardner, 739 |
language poets on, 742–9 |
Crockett, Davy, 124–5 |
Hagedorn, 799 |
Merrill on, 653 |
Croft, Sergeant (The Naked |
Olson, 631–2 |
Moore on, 418 |
and the Dead), 602, |
A Cumberland Vendetta |
Nabokov on, 768–9 |
603 |
(Fox), 269 |
O’Hara on, 645–6 |
The Cross and the Arrow |
Cummings, General (The |
Olson on, 629–30 |
(Maltz), 489 |
Naked and the Dead), |
Pound on, 388–90, 397, |
Crossbloods (Vizenor), |
602, 603 |
398 |
813–14 |
cummings, e. e., 393, 411, |
Pynchon on, 729 |
The Crossing (McCarthy), |
422–4 |
Rexroth on, 482–3 |
618–19 |
Cummins, Maria, 104 |
856 |
Index |
Cunningham, J. V., 477 |
death: literary treatments |
deconstruction, and |
Curse of the Starving Class |
Albee, 714 |
Pynchon, 731 |
(Shepard), 716 |
cummings, 424 |
The Decoration of Houses |
|
Dickinson, 240–3 |
(Wharton), 355 |
‘Daddy’ (Plath), 595–6 |
Eberhart, 478 |
Deephaven (Jewett), 262 |
Daisy Miller (James), 291 |
Edwards, 66 |
‘Deer Dancer’ (Harjo), 804 |
‘The Dalliance of Eagles’ |
Frost, 382–3 |
The Deer Park (Mailer), 603 |
(Whitman), 237 |
Ginsberg, 644–5 |
The Deerslayer (Cooper), 109 |
Daly, Carroll John, 540–1 |
Hemingway, 443, 444 |
Deland, Margaret, 299 |
Damballah (Wideman), |
Hispanic folklore, 158–9 |
Delany, Martin, 192–3 |
685 |
Jeffers, 388 |
Delany, Samuel R., 761–2 |
The Damnation of Theron |
Le Guin, 761 |
A Delicate Balance (Albee), |
Ware (Frederic), 299 |
MacLeish, 484–5 |
714 |
dance, in musicals, 702 |
Native American stories, 8, |
DeLillo, Don, 616–17 |
Dangling Man (Bellow), 610 |
15–16 |
Dell, Floyd, 371–2, 487 |
Dannay, Frederic, see Queen, |
Plath, 594–6 |
Deloria, Vine, 805 |
Ellery |
Poe, 120, 123 |
Delta Wedding (Welty), 620 |
Dargan, Olive Tilford, see |
Ransom, 467–8 |
Delusions (Berryman), 593 |
Burke, Fielding |
Sigourney, 224 |
democracy |
‘The Dark of the Time’ |
Updike, 614–16 |
Cooper on, 111–12 |
(Le Sueur), 494 |
Whitman, 237 |
Lindsay on, 480 |
Darwinism, effects, 338, 341, |
see also bereavement |
Poe on, 118 |
465–6 |
Death and Fame (Ginsberg), |
Sandburg on, 479–80 |
A Daughter of the Samurai |
644–5 |
Democracy (Adams), 318 |
(Sugimoto), 503–4 |
‘A Death Bouquet’ |
Democracy in America (de |
David Walker’s Appeal |
(Whitman), 237 |
Tocqueville), 140 |
(Walker), 160–2 |
Death Comes for the |
Depression, Great, 345–6 |
Davidson, Donald, 464, |
Archbishop (Cather), |
Depression, Great: literary |
471 |
364 |
treatments |
Davidson, Michael, 746 |
Death of a Salesman (Miller), |
drama, 707, 708, 720 |
Davis, Jefferson, 173 |
703–5 |
novels, 497–9, 542–3, 621 |
Davis, Miles, 633 |
‘Death of an Infant’ |
poetry, 481–2, 576–7 |
Davis, Rebecca Harding, 215, |
(Sigourney), 224 |
Derrida, Jacques, 743 |
219–20, 355 |
The Death of Bessie Smith |
Descartes, René, 67, 68 |
Day, Clarence Shepard, 544 |
(Albee), 713 |
A Description of New England |
Day by Day (Lowell), 590 |
The Death of Jim Loney |
(Smith), 29, 31 |
The Day of Doom |
(Welch), 810 |
Desire under the Elms |
(Wigglesworth), 42 |
‘The Death of the Ball Turret |
(O’Neill), 459, 460 |
The Day of the Locust (West), |
Gunner’ (Jarrell), 565 |
‘Désirée’s Baby’ (Chopin), 271 |
347, 550, 552 |
‘The Death of the Hired |
Dessa Rose (Williams), 699 |
Days without End (O’Neill), |
Man’ (Frost), 381 |
detective magazines, 368, 750 |
460, 461 |
The Death of the Novel |
detective stories and novels, |
De Vries, Peter, 605 |
and Other Stories |
122, 540–2, 750–1, |
‘The Dead’ (Very), 230 |
(Sukenick), 740 |
752–7 |
The Dead Lecturer (Baraka), |
Debs, Eugene, 341 |
first African American, |
666 |
Declaration of Independence, |
512, 755 |
Dean, James, 556 |
72, 76, 80 |
postmodern, 618, 738, |
The Dean’s December |
Declaration of Sentiments, |
814–15 |
(Bellow), 612 |
178 |
see also thrillers |
Index |
857 |
Dew, Thomas, 168, 170 |
dispossession: literary |
Dove, Rita, 672 |
Dewey, John, 500 |
treatments, 347, 802–17 |
Dr Zay (Phelps), 315 |
Dhalgren (Delany), 761–2 |
Divakaruni, Chitra Banerjee, |
Drake, Joseph Rodman, 105 |
Di Donato, Pietro, 500–2 |
800 |
drama |
Di Palma, Ray, 745, 747 |
The Divine Pilgrim (Aiken), |
17th and 18th centuries, |
Di Prima, Diane, 599 |
397 |
91–2, 453 |
The Dial, 131, 135–6, 140 |
divine providence |
19th century, 294, 453–4 |
The Diamond Cutters (Rich), |
and Douglass, 148 |
drama: 20th century |
572 |
and Puritans, 33–6 |
African American, 511, |
diaries |
see also Christianity; |
522, 665, 666, 667, |
Byrd, 60 |
religion |
686–91 |
Chesnut, 173–5 |
‘Divinely Superfluous |
alternative theatre, 712–17 |
James (Alice), 288–9 |
Beauty’ (Jeffers), 384–5 |
Black Arts Repertory |
Sewall, 54 |
‘Diving into the Wreck’ |
Theatre/School, 667 |
Winthrop, 36 |
(Rich), 572–3 |
Black House Theatre, 688, |
Woolman, 65 |
‘Division of Estate’ (Horton), |
689 |
see also travel writings |
163–4 |
Broadway, 701–2, 703, 712 |
A Diary from Dixie (Chesnut), |
divorce: literary treatments |
comic, 545 |
173–5 |
Austin, 326 |
early, 299, 372, 454–63 |
Dick, Philip K., 761 |
Exley, 726–7 |
Federal Theatre Project, |
Dickens, Charles, 104, 188 |
Howells, 283 |
348 |
Dickey, James, 476–7 |
Doctorow, E. L., 608–9 |
Group Theatre, 456–8 |
Dickinson, Edward, 238 |
Dodsworth (Lewis), 370–1 |
Method acting, 702 |
Dickinson, Emily, 237–44, |
Dog Soldiers (Stone), 727 |
postwar, 650, 701–23 |
382 |
Dogeaters (Hagedorn), 799 |
Provincetown Players, 434, |
on exultation and |
The Dolphin (Lowell), 590 |
459, 488 |
madness, 662 |
Dominican Americans: |
radicals, 490–1 |
and Higginson, 166 |
writings, 783–4 |
Spirit House, 667 |
influence, 303, 806 |
Donald Duk (Chin), 792–3 |
El Theatre Campesino, |
and Lowell, 389 |
Donleavy, J. P., 741 |
559 |
Dictee (Cha), 798 |
Dooley monologues (Dunne), |
‘The Dream’ (Bogan), 421 |
Didion, Joan, 628, 724 |
327–8, 330 |
The Dream Life of Balso Snell |
dime novels, 249, 537–40 |
Doolittle, Hilda, see H. D. |
(West), 549 |
Dimmesdale, Rev. Arthur |
The Doorman (Arenas), 786 |
The Dream Songs (Berryman), |
(The Scarlet Letter), 203, |
Dorn, Ed, 633, 634–5 |
591, 592–3 |
204, 205 |
Dorris, Michael, 805 |
Dreamer (Johnson), 685 |
Dimple, Bill (The Contrast), |
Dos Passos, John, 440–2 |
Dreaming in Cuban (Garcia), |
91–2 |
Double Indemnity (Cain), 543 |
785–6 |
The Discovery and Conquest |
Double Star (Heinlein), 759 |
‘Dreamland’ (Poe), 120 |
of Terra Florida |
Douglas, Ellen, 626, 627 |
dreams (yearnings): literary |
(Gentleman of Elvas), |
Douglass, Frederick, 144–8, |
treatments |
24 |
151–2 |
Anderson, 372 |
Discrete Series (Oppen), |
and abolitionism, 145, |
Bellow, 612 |
394–5 |
147–8, 163, 165 |
Cuban writers, 785–6 |
The Disenchanted (Schulberg), |
influence, 685 |
Dreiser, 364–5, 366, 367 |
439 |
and magazines, 104, 108 |
Fitzgerald, 435–40 |
Dispatches (Herr), 728 |
and Truth, 181 |
Hemingway, 447 |
The Dispossessed (Le Guin), |
writings, 145–7, 148, |
Inge, 711 |
761 |
184–6 |
Lewis, 370 |
858 |
Index |
Miller, 703–5 |
Duncan, Robert, 633, 635–7, |
Eden |
O’Neill, 462 |
673, 748 |
Africa as, 85, 87 |
postwar novels, 617–18 |
Dune novels (Herbert), 760 |
America as, 2–3, 6, 25–31, |
Roberts, 434 |
Dunlap, William, 453 |
57–8, 109–10 |
Robinson, 377–9 |
Dunne, Finlay Peter, 327–8, |
Eden, Martin (Martin Eden), |
Roth, 614 |
330 |
306 |
Stevens, 413 |
‘During the Passaic Strike of |
Edgar Huntly (Brown), 96, |
The Dreams of Two Yi-min |
1926’ (Zukofsky), 394 |
97, 98 |
(Pai), 798 |
Dutchman (Baraka), 688–9 |
Edgerton, Clive, 727 |
Dred (Stowe), 199–200 |
duty: literary treatments, |
education, Fuller on, 137 |
Dreiser, Theodore, 299–300, |
357–8 |
‘The Education and Elevation |
364–8 |
Duyckinck, Evert, 121 |
of the Colored Race’ |
drugs |
Duyckinck, George, 121 |
(Harper), 183 |
and Burroughs, 656–7 |
Dwight, Timothy, 88, 89–90 |
The Education of Henry |
and Dick, 761 |
Dynamo (O’Neill), 460 |
Adams (Adams), 318, |
in Gelber’s drama, 712 |
|
319–20, 336 |
in Ginsberg’s poetry, 644 |
Earth Horizon (Adams), 327 |
Edwards, Jonathan, 55, 65–8, |
Drums at Dusk (Bontemps), |
Earthsea trilogy (Le Guin), |
69, 89 |
520 |
761 |
Eggleston, Edward, 259 |
‘The Dry Salvages’ (Eliot), 403 |
The Easiest Way (Walter), |
Einstein, Albert, 338 |
Dryden, John, 41, 63 |
453 |
The Einstein Intersection |
Du Bois, W. E. B., 342, 348, |
‘East Coker’ (Eliot), 402, 405 |
(Delany), 761 |
350–2, 510, 511 |
East Goes West (Kang), 504 |
Eisenhower, Dwight D., 554, |
and Larsen, 516 |
East Village Other, 680 |
555, 556 |
on spirituals, 222 |
Eastlake, William, 606 |
Eisenstein, Sergei, 441 |
duality |
Eastman, Charles Alexander, |
Elbow Room (McPherson), |
in Chopin, 272 |
323, 324–5 |
685 |
in Dickinson, 241 |
Eastman, Max, 487 |
The Elder’s People (Spofford), |
and Eliot, 406 |
Eat a Bowl of Tea (Chu), |
314 |
in Frost, 380, 381 |
559, 787 |
The Electric Kool-Aid Acid |
in Hawthorne, 205 |
Eaton, Edith (Sui Sin Far), |
Test (Wolfe), 663 |
and Mailer, 601, 604 |
332–5 |
Elegy for a Lady (Miller), 706 |
and Melville, 207–8, 210, |
Eaton, Winnifred (Onoto |
Elijah Muhammed, 663, 679 |
212 |
Watanna), 332–3 |
Eliot, John, 53, 116 |
in Pinsky, 598 |
Eberhart, Richard, 477, 478, |
Eliot, T. S., 402–7 |
in Plath, 595 |
565, 643 |
and allusion, 229, 397, |
and Whitman, 237 |
ecology and environment |
403–4 |
Dubin’s Lives (Malamud), 609 |
Ammons on, 578 |
on Barnes, 434 |
Dubois, Blanche (A Streetcar |
and Austin, 327 |
influence, 470, 484, 528, |
Named Desire), 708–10, |
Macdonald, 752 |
619 |
721 |
and Matthiessen, 727 |
on James, 291, 296 |
The Duck Variations (Mamet), |
naturalist works, 300, 302, |
on Modernism, 388 |
717–18 |
303, 307 |
and Objectivism, 393 |
Dugan, Alan, 574, 575, 576 |
see also nature |
and Pound, 397 |
Dukesborough Tales |
economy |
‘Eliza Harris’ (Harper), |
(Johnston), 268 |
19th century, 100–1, 246 |
183 |
Dulles, John Foster, 555 |
20th century, 337–9, |
Elizabeth the Queen |
Dunbar, Paul Lawrence, 260, |
345–6, 553–4, 557–8, |
(Anderson), 456 |
261 |
561 |
Elkin, Stanley, 619, 741 |
Index |
859 |
Ellis, Bret Easton, 617–18, |
Puerto Rican mock, 780–1 |
The Executioner’s Song |
758 |
science fiction as, 759 |
(Mailer), 604 |
Ellison, Ralph, 353, 530, |
Westerns as, 538 |
existentialism |
674–6 |
and Wolfe, 495–7 |
and Albee, 713 |
Ellroy, James, 753–4 |
‘Epistróphe’ (Baraka), 665 |
and Ashbery, 651 |
Elmslie, Kenward, 772 |
Equiano, Olaudah, 84–5, 86 |
and Mosley, 756 |
Emerson, Ralph Waldo, |
Erdrich, Louise, 805, 811–13 |
and Percy, 617 |
130–5 |
erotic literature, see sex and |
and Wright, 536 |
on America, 1 |
sexuality |
Exley, Frederick, 726–7 |
on facts as symbols, 34 |
Esther (Adams), 318 |
Expensive People (Oates), |
and Hawthorne, 203 |
‘Ethan Brand’ (Hawthorne), |
624 |
and lectures, 104, 130, 233 |
202 |
‘Experience in the West’ |
Lowell on, 231 |
Ethan Frome (Wharton), |
(Bishop), 476 |
on Poe, 121 |
356 |
experiments, literary |
and Thoreau, 138, 139 |
Europe |
African American protest |
on Tuckerman, 232 |
20th-century literary |
writing, 664–74 |
and Whitman, 233 |
migration to, 339–40 |
Arias, 779 |
The Emperor Jones (O’Neill), |
and America, literary |
Ashbery, 652 |
460 |
treatments of contrast, |
Barrio, 774 |
The End of the Road (Barth), |
283, 289–94, 295–6 |
beat poets, 641–5 |
733, 734 |
cultural influence, 228–9, |
Black Mountain poets, |
‘Endicott and the Red Cross’ |
290 |
630, 632, 633, 634 |
(Hawthorne), 203 |
immigrant writings, |
Cha, 798 |
Enemies (Singer), 763–4 |
762–71 |
Crane, 304 |
England |
The Europe of Trusts (Howe), |
Cruz, 781 |
colonization, 25–37 |
744 |
Doctorow, 608–9 |
see also British cultural |
The Europeans (James), |
Ellison, 674–5 |
influence; British |
290–1 |
James, 288 |
imperialism |
Evangeline (Longfellow), 228 |
Kennedy, 688 |
Enlightenment, influence, 55, |
Evans, Augusta Jane, 250 |
Melville, 209–10 |
69–70, 72 |
Evans, Hiram Wesley, 344 |
Oates, 624–5 |
‘enter no (silence is the |
Evans, Mari, 668, 669, 671 |
O’Hara, 648 |
blood whose flesh’ |
Evans, Nathaniel, 61 |
Patchen, 485–6 |
(cummings), 424 |
Evening Thought (Hammon), |
postwar drama, 712–17 |
‘Entropy’ (Pynchon), 729–30 |
86 |
postwar novels, 654–8 |
environment, see ecology and |
Everhard, Ernest (The Iron |
San Francisco Renaissance, |
environment; nature |
Heel), 306 |
637–40 |
The Epic of the Wheat |
Everson, William (Brother |
Stein, 429–32 |
(Norris), 301–3 |
Antoninus), 638 |
Toomer, 518–20 |
epics |
Everything That Rises Must |
Viramontes, 779–80 |
17th century, 23 |
Converge (O’Connor), |
Whitman, 236 |
18th century, 63, 90–1 |
622–3 |
see also Modernism; |
19th century, 108–11, |
evil |
postmodernism |
236–7 |
Emerson on, 133 |
exploration |
20th century, 301–3, 480, |
Hawthorne on, 206 |
border surveys, 58–9 |
590, 631–2, 635, 653 |
Le Guin on, 761 |
English, 29–31 |
Mather, 53–4 |
Macdonald on, 752–3 |
Spanish and French, |
Modernist, 391–2, 396, |
O’Connor on, 621–3 |
18–25 |
400–1, 409–11, 428–9 |
pro-slavers on, 171 |
see also travel writings |
860 |
Index |
expressionism, 455–6, 460 |
Thompson, 751 |
Fearing, Kenneth, 482, 485 |
and Kennedy, 688 |
Tyler, 625–6 |
‘February in Sidney’ |
and postwar drama, 703, |
Viramontes, 780 |
(Komunyakaa), 673 |
704 |
Walker, 696 |
Federal Theatre Project, 348 |
and Shepard, 715 |
Welty, 620–1 |
Federal Writers’ Project, 525, |
The Exterminator (Burroughs |
Williams, 707–10 |
526, 528 |
and Gysin), 657, 658 |
The Family Muskat (Singer), |
Federalist papers (Hamilton, |
‘The Eye’ (Jeffers), 387–8 |
763 |
Jay and Madison), 96 |
|
A Fan’s Notes (Exley), 726–7 |
Federman, Raymond, 741 |
A Fable (Faulkner), 449 |
Fanshawe (Hawthorne), 202 |
The Feminine Mystique |
A Fable for Critics (Lowell), |
‘The Farewell of a Virginia |
(Friedan), 559 |
231 |
Slave Mother’ |
feminism |
Face of an Angel (Chávez), |
(Whittier), 167 |
18th century, 81 |
779 |
A Farewell to Arms |
19th century, 103, 104–5, |
factories: literary treatments, |
(Hemingway), 444, 445 |
136–8, 175–82, 183–4, |
179–80, 219–20, 226 |
‘The Farmer’s Wife’ (Sexton), |
316–18 |
facts |
572 |
Declaration of Sentiments, |
as basis for novels, 93, 95, |
farming |
178 |
98 |
Jefferson on, 77 |
feminism: 20th century |
importance to Puritans, |
Lanier on, 266–7 |
and crime novels, 754–5 |
33, 34 |
Markham on, 298 |
and Mailer, 604 |
spiritual significance for |
see also pastoral themes |
Native American writers, |
Emerson, 132 |
and pastoralism; rural |
805 |
Fahrenheit 451 (Bradbury), |
communities |
postwar, 559 |
760 |
Farnell, James T., 490 |
postwar literature, 572–3, |
faith |
Farrago, Captain John |
598, 628, 741 |
Albee on, 714 |
(Modern Chivalry), |
and science fiction, 761, |
Melville on, 211–12, 213, |
95–6 |
762 |
214 |
The Farthest Shore (Le Guin), |
and Walker, 695–6 |
Naylor on, 698 |
761 |
see also gender issues; |
A Faithful Narrative of the |
fascism |
women |
Surprising Work of God |
early 20th-century artistic |
‘A Fence’ (Sandburg), 479 |
(Edwards), 66 |
attitude to, 371 |
Fences (Wilson), 690 |
‘The Fall of the House of |
Fitzgerald on, 437 |
Fenollosa, Ernest, 399 |
Usher’ (Poe), 118, |
naturalist tendencies to, |
Fer-de-Lance (Stout), 752 |
122–3 |
302, 306 |
Fergusson, Elizabeth Graeme |
family life: literary |
and Pound, 347, 401 |
(‘Laura’), 61–2 |
treatments |
fate vs. free will, in James, |
Ferlinghetti, Lawrence, 637, |
Albee, 713 |
289, 291–4 |
641 |
Baldwin, 677–8 |
The Father (Olds), 600 |
Fern, Fanny (Sarah Payson |
Cofer, 782–3 |
The Fathers (Tate), 466, |
Willis), 178–81 |
Faulkner, 450–2 |
469–70 |
Fernandez, Roberto, 786 |
Jen, 789 |
Faulkner, William, 345, 347, |
‘Ferry’ (Zukofsky), 393, 394 |
Kincaid, 701 |
447–53 |
Field, Joseph M., 125 |
O’Neill, 463 |
and Anderson, 371, 373 |
Fields, Annie, 262 |
Proulx, 629 |
on Hollywood, 549 |
Fields, James T., 262 |
Shepard, 716 |
influence, 605, 619, 806 |
Fierstein, Harvey, 721–2 |
Smiley, 628–9 |
precursors, 176 |
Fifth Chinese Daughter |
Tan, 788–9 |
Fauset, Jessie, 510, 525 |
(Wong), 503 |
Index |
861 |
5th of July (Wilson), 717 |
The Floating World |
The Fountain (O’Neill), 460 |
Filipino immigrants, 503 |
(Kadohata), 797 |
Four Quartets (Eliot), 402, |
writings, 504, 798–9 |
Flowering Judas (Porter), 432 |
403, 405 |
‘Filling Station’ (Bishop), 584 |
The Flowering of the Rod |
‘The Fox’ (Patchen), 486 |
The Financier (Dreiser), |
(H. D.), 391–2 |
Fox, John, Jr., 269 |
366–7 |
F.O.B. (Hwang), 722 |
France |
Fink, Mike, 124, 125 |
folklore |
explorers, 20–2 |
Finn, Huckleberry |
African American, 514, |
French attempts to convert |
(The Adventures of |
515, 693 |
Puritans, 51–2 |
Huckleberry Finn), |
Hispanic Southwest, |
Frank, Waldo, 518 |
253–6 |
158–60 |
Franklin, Benjamin, 69–73 |
Fire!!, 511, 525 |
Sioux, 324 |
on America, 55, 72 |
Fire in the Flint (White), 512 |
see also myths and legends |
Evans’s poem on, 61 |
The Fire Next Time (Baldwin), |
folksongs, 222–4 |
influence on Washington, |
678 |
Fool for Love (Shepard), 716, |
350 |
Fire Sermon (Morris), 607–8 |
717 |
influences on, 52 |
Firehouse Theatre, 712 |
Fool’s Crow (Welch), 810–11 |
on poetry, 62 |
‘First Fig’ (Millay), 420 |
Foote, Julia A. J., 309–10 |
Frederic, Harold, 299 |
First World War |
for colored girls (Shange), 673 |
Frederick Douglass’ Paper, |
effects, 339 |
For My People (Walker), |
148 |
literary treatments, 440, |
532–3 |
free verse |
444, 445 |
‘For Once, Then Something’ |
and Harjo, 804 |
‘The Fish’ (Bishop), 584–5 |
(Frost), 382 |
and the Imagists, 390 |
Fisher, Rudolph, 512, 755 |
‘For the Marriage of Faustus |
and Whitman, 233 |
Fisher, Vardis, 606 |
and Helen’ (Crane), 427 |
The Freedman’s Book (Child), |
Fitch, Clyde, 453 |
‘For the Union Dead’ |
176 |
Fitzgerald, F. Scott, 347, 365, |
(Lowell), 589–90 |
freedom, see liberty and |
435–40 |
For Whom the Bell Tolls |
liberation |
friends, 475 |
(Hemingway), 444 |
Freedom, 687 |
literary treatments, 711 |
Ford, Gerald: literary |
Freedom’s Journal, 104, 160 |
precursors, 111, 371 |
treatments, 615 |
The Free-Lance Pallbearers |
Fitzgerald, Zelda, 435, 436, |
Ford, Richard, 617 |
(Reed), 681 |
439, 711 |
A Foregone Conclusion |
Freeman, Mary Wilkins, |
Fitzhugh, George, 168, 170–1 |
(Howells), 283 |
264–5 |
Fitzhugh, William, 57 |
‘Foreign Affairs’ (Kunitz), |
French, Marilyn, 628 |
The Fixer (Malamud), 609 |
581–2 |
Freneau, Philip, 88–9 |
Flaubert, Gustave, 289 |
The Forerunner, 316 |
Frescoes for Mr. Rockefeller’s |
Fleming, Henry (The Red |
Forest, John William De, 287 |
City (MacLeish), 484 |
Badge of Courage), |
Forman, A. L., 511 |
Frethorne, Richard, 32 |
304–5 |
Forrest, Leon, 685–6 |
Freud, Sigmund, influence, |
Fletcher, Bridget Richardson, |
‘The Forsaken Brother’ |
338, 396–7, 460 |
62 |
(Schoolcraft), 153–4 |
Friedan, Betty, 559 |
Fletcher, John Gould, 396 |
The 42nd Parallel (Dos |
‘The Frigate Pelican’ (Moore), |
Flight (White), 512 |
Passos), 440, 441–2 |
419 |
Flight to Canada (Reed), 681, |
47 Workshop, 459 |
From Here to Eternity (Jones), |
682 |
Foster, Hannah Webster, 92, |
601 |
Flint, F. S., 389 |
94–5 |
From Plotz to Boston (Antin), |
The Floating Opera (Barth), |
Foundation series (Asimov), |
329 |
734 |
760 |
from Sand Creek (Ortiz), 802 |
862 |
Index |
‘From the Dark Tower’ |
Gallimard, René |
The Generall Historie of |
(Cullen), 527 |
(M. Butterfly), 723 |
Virginia (Smith), 29–31 |
From the Deep Woods to |
Gandhi, Mahatma, 143 |
Generation X (Coupland), |
Civilization (Eastman), |
The Gangster of Love |
758 |
324, 325 |
(Hagedorn), 799 |
The Genius of Universal |
From the First Nine (Merrill), |
Gant, Eugene (Wolfe |
Emancipation, 164 |
652–3 |
character), 495–7 |
Gentleman of Elvas, 24 |
The Front Page (Hecht and |
Garcia, Christine, 785–6 |
Gentlewoman (Lawson), 457 |
MacArthur), 372, 455 |
‘The Garden’ (Pound), 399 |
The Geographical History of |
frontier life: literary |
A Garden of Earthly Delights |
America (Stein), 431, |
treatments |
(Oates), 624 |
432 |
19th century, 107–11, |
Gardner, Erle Stanley, 541 |
‘George Crabbe’ (Robinson), |
112–18, 124–9, 215–16, |
Gardner, John, 738, 739–40 |
376–7 |
224–5, 258–9 |
Garland, Hamlin, 296–8, |
‘George Moses Horton, |
20th century, 355, 384–8 |
303, 506 |
Myself ’ (Horton), 164 |
Bishop on, 476 |
Garnet, Henry Highland, |
Georgia Scenes (Longstreet), |
Kennedy’s use as |
162–3 |
125–6 |
metaphor, 557–8 |
Garrison, William Lloyd, |
Gernsback, Hugo, 759 |
in Westerns, 537–40 |
101, 146, 164–5, 178, |
Gerstler, Amy, 772 |
see also West |
181 |
Getting Home Alive (Morales), |
The Frontiers of Love (Chang), |
Gass, William H., 606, 740 |
782 |
792 |
The Gates Ajar (Phelps), |
‘Ghost Dance Songs’, 322 |
Frost, Carol, 598, 599 |
315 |
Gibson, William, 618 |
Frost, Robert, 374, 379–84 |
A Gathering of Old Men |
Gilbert, Olive, 181 |
and Kennedy, 557 |
(Gaines), 683 |
Gilchrist, Ellen, 626, 627 |
on New England, 261 |
Gatsby, Jay (The Great |
The Gilded Age (Twain), |
on Thoreau, 140 |
Gatsby), 111, 436–9 |
251 |
Fruitlands, 313 |
Geertz, Clifford, 563 |
Giles Goat-Boy (Barth), 733, |
The Fugitive, 464–5 |
Gelber, John, 712 |
735 |
Fugitive movement, 425–6, |
gender issues |
Gilman, Charlotte Perkins, |
464–75 |
African Americans, 670–1, |
316–18, 355 |
fulfilment: literary treatments |
696–8, 698–9 |
Gilmore, Gary, 604 |
Anderson, 372 |
Butler, 762 |
Ginsberg, Allen, 641, 642–5 |
Dreiser, 364–5, 366, 367 |
Cervantes, 773 |
and Burroughs, 657 |
Malamud, 609–10 |
Fuller on differences |
influence, 559, 666 |
Moore, 417–18 |
between sexes, 137 |
literary treatments, 655 |
O’Neill, 462 |
Hwang, 722–3 |
and Vietnam, 560, 579, |
Fuller, Henry, 299 |
Le Guin, 761 |
642, 644 |
Fuller, Margaret, 103, 104, |
machismo, 773–4, 778, |
Giorno, John, 772 |
131, 135–8, 203 |
783 |
Giovanni, Nikki, 668, |
Funnyhouse of a Negro |
Olsen, 765 |
669–70, 670–1 |
(Kennedy), 688 |
sexual equality and the |
Giovanni’s Room (Baldwin), |
Fus Fixico letters (Posey), |
Revolution, 79–81 |
678 |
261 |
slavery, 146, 148–51, |
The Girl (Le Sueur), 494 |
|
173–4, 177–8, 186–7 |
The Girl with Green Eyes |
Gabriel Tolliver (Harris), 267 |
see also feminism; women |
(Fitch), 453 |
Gaddis, William, 605 |
‘General William Booth |
Glancy, Diane, 805 |
Gage, Frances, 182 |
Enters Into Heaven’ |
Glasgow, Ellen, 355, 358–61, |
Gaines, Ernest, 682–3 |
(Lindsay), 480 |
368 |
Index |
863 |
The Glass Menagerie |
Goodhue, Sara Whipple, |
Grayson, William J., 168, |
(Williams), 707–8 |
41–2 |
169 |
The Gleaner (Murray), 81, |
Goodis, David, 543 |
Great Awakenings, 55, 102, |
94 |
Goodrich, Samuel, 202, |
164 |
Glengarry Glen Ross (Mamet), |
203 |
The Great Christian Doctrine |
718 |
‘The Goophered Grapevine’ |
of Original Sin Defended |
Glooscap (Passamaqoddy |
(Chesnutt), 278, 279–80 |
(Edwards), 67 |
character), 11 |
Gordon, Caroline, 466 |
The Great Divide (Moody), |
‘Gloucester Moors’ (Moody), |
Gordon, Dexter, 673 |
299, 454 |
299 |
Gordon, Mary, 628 |
Great Exposition, Paris |
Glück, Louise, 597 |
Gorilla, My Love (Bambara), |
(1900), 336 |
Go Tell It on the Mountain |
663–4 |
The Great Gatsby (Fitzgerald), |
(Baldwin), 677–8 |
Gothic novels and tropes |
111, 365, 436–9 |
God Bless You, Mr. Rosewater |
Alcott, 312–13 |
The Great God Brown |
(Vonnegut), 758 |
Brown, 96–7 |
(O’Neill), 460 |
The God-Seeker (Lewis), 371 |
Cable, 274, 275, 276 |
The Great God Success |
God without Thunder |
Crafts, 189–90, 190–1 |
(Phillips), 330 |
(Ransom), 466 |
Doctorow, 608 |
The Great Meadow (Roberts), |
God’s Grace (Malamud), 609 |
Morrison, 693 |
433 |
God’s Trombones (Johnson), |
O’Connor, 622 |
Greeley, Horace, 136 |
353 |
postwar, 601 |
Green, Jacob D., 185 |
Godey’s Lady’s Book, 104, 121 |
Selby, 727 |
Green, Paul, 457 |
Godfrey, Thomas, 453 |
Southern Gothic, 118, |
Green Grass, Running Water |
Gods Determinations touching |
122–3 |
(King), 805 |
his Elect (Taylor), 48 |
Spofford, 314 |
Greenfield Hill (Dwight), |
Godwin, Gail, 626 |
Stoddard, 218, 219 |
89–90 |
Godwin, William, influence, |
Wright, 535 |
‘Gregorio Cortez’ (corrido), |
96 |
The Gourd Dancer |
321–2 |
Goin’ a Buffalo (Bullins), 689 |
(Momaday), 806 |
Grendel (Gardner), 739–40 |
Going for Cacciato (O’Brien), |
government, American |
Grenier, Robert, 745, 746 |
727 |
Cooper on, 111–12 |
Grey, Zane, 538, 539 |
Going for Rain (Ortiz), 802 |
Ferlinghetti on, 637 |
Griffith, D. W., 441 |
Gold, Michael, 347, 486, |
Martí on, 323 |
Griffiths, Clyde (An American |
487–8 |
Miller on, 705–6, 707 |
Tragedy), 367–8 |
The Golden Apples of the Sun |
Morrison on, 695 |
Grimes, William, 185 |
(Bradbury), 760 |
see also democracy |
Grimké, Angelina, see Weld, |
Golden Boy (Odets), 456, 457 |
Graham, Sheila, 439 |
Angelina Grimké |
Goldsmith, Oliver, influence, |
‘The Grandfather’ (Cary), |
Grimké, Sarah Moore, 176, |
106 |
216–17 |
177 |
Gone With the Wind |
‘Grandfather’ (Miles), 421 |
Grisham, John, 757 |
(Mitchell), 533, 546–9 |
The Grandissimes (Cable), |
The Group (McCarthy), |
Good Housekeeping, 333 |
276–7 |
491–2 |
A Good Man is Hard to Find |
‘Grapes Making’ (Adams), |
Group Theatre, 456–8 |
(O’Connor), 622–3 |
422 |
The Groves of Academe |
A Good Scent from a Strange |
The Grapes of Wrath |
(McCarthy), 491 |
Mountain (Butler), 727 |
(Steinbeck), 347, 497–9 |
Guare, John, 712 |
Good Wives (Alcott), 312 |
The Grass Roof (Kang), 504 |
Guest, Barbara, 649 |
Goodbye, Columbus (Roth), |
Gravity’s Rainbow (Pynchon), |
Guie, Heister Dean, |
613 |
732 |
509 |
864 |
Index |
guilt: literary treatments |
Hanson, Elizabeth Meader, |
Hayden, Robert, 528–9 |
Hawthorne, 201–2, 203 |
51 |
Hayes, Alfred, 481 |
Ignatow, 576 |
‘The Happiest Man on Earth’ |
Haynes, Lemuel, 83 |
Logan, 571 |
(Maltz), 489 |
A Hazard of New Fortunes |
Miller, 703–7 |
Harding, Warren, 343 |
(Howells), 286 |
Schwartz, 574–5 |
Harjo, Joy, 804 |
Heading West (Betts), 628 |
Styron, 606 |
Harlem (Thurman), 511 |
‘Heart’s Needle’ (Snodgrass), |
‘Gulls’ (Nemerov), 582 |
Harlem Gallery (Tolson), 528 |
571 |
Gurdjieff, Georgei I., 520 |
Harlem Renaissance, 342–3, |
Hecht, Anthony, 567, 582 |
Guy Domville (James), 294 |
509–27 |
Hecht, Ben, 372, 455 |
Gyles, John, 51 |
Harlem Shadows (McKay), |
Hedged In (Phelps), 315 |
Gysin, Brion, 657 |
513 |
The Heidi Chronicles |
|
Harmonium (Stevens), 393, |
(Wasserstein), 721 |
H. D. (Hilda Doolittle), |
411, 413 |
Heinlein, Robert, 759 |
388–9, 390–2, 416, 636 |
Harper, Frances E. W., |
Heirs of Columbus (Vizenor), |
Hagedorn, Jessica, 799 |
182–4 |
814–15 |
Hahn, Kimiko, 599, 600 |
Harper, Michael, 671–2 |
Hejinian, Lyn, 744–5, 746–7 |
Haines, John, 597 |
Harper’s Ferry raid, 166 |
A Hell of a Woman |
The Hairy Ape (O’Neill), |
Harper’s Monthly Magazine, |
(Thompson), 751 |
458, 459, 460 |
282 |
Heller, Joseph, 602 |
Hakluyt, Richard, the elder, |
Harris, George Washington, |
Hellman, Lillian, 348, 490–1, |
26 |
128–9 |
541–2 |
Hakluyt, Richard, the |
Harris, Joel Chandler, 267–8 |
Hemingway, Ernest, 347, |
younger, 24, 26–7 |
Harris, Thomas, 757–8 |
348, 442–7 |
Haida people, 14 |
Harrison, William Henry, |
and Anderson, 371, 373 |
Hale, Janet Campbell, 805 |
102 |
and Crane, 303 |
Hale, Sara Josepha, 104 |
Harryman, Carla, 745, 746–7 |
and Gold, 488 |
Haley, Alex, 679 |
Hart, Lorenz, 702 |
influence, 619 |
Hall, Donald, 574 |
Hart, Moss, 455, 702 |
and Stein, 432 |
Hall, Prince, 83–4 |
Harte, Francis Bret, 251, 258 |
on Twain, 255–6 |
Hallek, Fitz-Greene, 105 |
Hartigan, Grace, 647 |
Hemphill, Essex, 674 |
Hamilton, Alexander, 96 |
‘The Hasty Pudding’ (Barlow), |
Henderson, David, 665 |
The Hamlet (Faulkner), 449 |
90 |
Henley, Beth, 720 |
Hammer, Mike (Spillane |
Hathorne, John, 201–2 |
Henri, Robert, 365 |
character), 750 |
Hathorne, William, 201 |
Hentz, Caroline Lee, 171–3 |
Hammerstein, Oscar, 702 |
Haun, Mildred, 490 |
Hepburn, Katharine, 546 |
Hammett, Dashiel, 491, |
Hawkes, John, 735, 736, |
Herbert, Frank, 760 |
541–2 |
737–8 |
‘Heritage’ (Cullen), 527 |
Hammon, Briton, 185 |
Hawthorne, Nathaniel, |
Herland (Gilman), 316 |
Hammon, Jupiter, 83, 86 |
200–7 |
heroes and heroism: literary |
Hammond, James Henry, |
and cooperative |
treatments |
168, 170 |
communities, 135 |
baseball players as heroes, |
Hammond, John, 28–9 |
on Eliot, 53 |
609 |
Hamor, Ralph, 27–8 |
and Emerson, 131 |
Berger, 739 |
Handke, Peter, 742 |
and human behaviour, 34 |
Cooper, 108–9, 111 |
Handsome Lake, 32 |
and literary magazines, 104 |
democratic epic, 91, 236–7 |
Handy, W. C., 520, 530, 531 |
precursors, 99 |
detectives as heroes, 540, |
Hannah, Barry, 618, 727 |
and Stoddard, 217 |
542, 754 |
Hansberry, Lorraine, 686–7 |
on Tuckerman, 232 |
Ellison, 675 |
Index |
865 |
heroes and heroism: literary |
Latino/a writers, 780–6 |
James Madison |
treatments (cont’d) |
postwar conditions, 562–3 |
(Adams), 318 |
Hemingway, 446, 447 |
Southwest folklore, |
Hobomok (Child), 175 |
London, 306, 308 |
158–60 |
Hoffman, William M., 721 |
Malamud, 609–10 |
see also Mexican |
Hogan, Linda, 805 |
Melville, 211–12, 213, 214 |
Americans |
Holiday, Billie, 531 |
Native American stories, 5, |
Historia de la Nueva Mexico |
The Hollow Men (Gold), |
9, 10–14 |
(Villagrá), 23 |
488 |
naturalists, 300 |
historians, 113–14, 318 |
Hollywood |
Olson, 631 |
historical novels: 19th |
dramatists as screenwriters, |
Pound, 401 |
century, 108–11, 112, |
455 |
Stevens, 413 |
168–9, 175, 201–7, 256 |
and Faulkner, 449 |
vernacular, 124–9 |
historical novels: 20th |
and Fitzgerald, 439, 549 |
Westerns, 537, 538–9 |
century |
literary treatments, 440, |
Whitman, 236–7 |
early, 364, 520–2, 546–9 |
549, 552, 718 |
Wright, 536 |
Korean, 798 |
and Maltz, 489 |
The Heroic Slave (Douglass), |
Native American, 810–13, |
and Yezierska, 500 |
184–5 |
814–15 |
Holmes, Oliver Wendell, |
Herr, Michael, 728 |
postmodern, 732–3, 735, |
133–4, 230, 231 |
Herzog (Bellow), 611–12 |
737, 738–9, 740–1 |
Holocaust: literary treatments, |
Heyward, DuBose, 454 |
postwar, 608, 620, 693–4, |
606, 706, 763–7 |
Hiawatha |
699, 762 |
Homage to Mistress Bradstreet |
in Native American |
history |
(Berryman), 591–2 |
stories, 11 |
Abish on, 742 |
Home: Social Essays (Baraka), |
The Song of Hiawatha |
African American writers |
666 |
(Longfellow), 228 |
on, 684–5 |
The Home Place (Morris), |
The Hidden Hand |
Asimov on, 760 |
607, 608 |
(Southworth), 104 |
Ashbery on, 652 |
Home to Harlem (McKay), |
Hiding Place (Wideman), |
Barth on, 735 |
513 |
685 |
Coover on, 740–1 |
Homebase (Wong), 793 |
Higgins, George V., 753, 754 |
Howe on, 749 |
‘The Homecoming Singer’ |
Higginson, Thomas |
see also past |
(Wright), 599 |
Wentworth, 164, 166, |
History (Lowell), 590 |
homelessness, and McCarthy, |
239, 243 |
The History and Present State |
619 |
Highsmith, Patricia, 751–2 |
of Virginia (Beverley), |
Homer, influence on |
Hijuelos, Oscar, 785 |
57 |
Longfellow, 228 |
Hillerman, Tony, 757 |
A History of New York |
Homewood trilogy |
Himes, Chester, 755–6 |
(Irving), 105–6 |
(Wideman), 685 |
Hinojosa, Rolando, 562, 757, |
History of the Conquest of |
homosexuality: literary |
777 |
Mexico (Prescott), |
treatments |
‘Hints to Young Wives’ |
113–14 |
Baldwin, 676, 678 |
(Fern), 179 |
The History of the Dividing |
blues songs, 531 |
hip-hop, 669 |
Line betwixt Virginia |
Burroughs, 656 |
‘The Hireling and the Slave’ |
and North Carolina |
Capote, 724 |
(Grayson), 169 |
(Byrd), 58–9 |
Duncan, 637 |
Hispanics |
History of the United |
Hemphill, 674 |
Chicano/a writings, |
States During the |
Merrill, 653 |
771–80 |
Administration of |
Native American writings, |
detective novels, 757 |
Thomas Jefferson and |
805 |
866 |
Index |
O’Hara, 648 |
‘The House on the Hill’ |
Hugo, Richard, 570 |
postwar drama, 721–2 |
(Robinson), 375 |
A Humble Romance |
postwar poetry, 599, 600 |
House Un-American |
(Freeman), 264–5 |
Whitman, 233 |
Activities Committee, |
Humboldt’s Gift (Bellow), |
Hongo, Garrett, 796 |
489, 491, 555, 705 |
612 |
Hooper, Johnson Jones, |
housekeeping manuals, 175, |
humility, Crane on, 303, |
126 |
179 |
305 |
The Hoosier Schoolmaster |
‘How Annandale Went Out’ |
humour, see comedy and |
(Eggleston), 259 |
(Robinson), 376 |
humour |
Hoover, Herbert, 345 |
How German It Is (Abish), |
Humphreys, Josephine, 626 |
Hope Leslie (Sedgwick), |
742 |
Hunter, Albert, 531 |
115–18 |
‘How Should Women Write’ |
Hunter, Evan, see McBain, |
The Hope of Liberty (Horton), |
(Bryan), 104 |
Ed |
163 |
How Stella Got Her Groove |
‘The Hunters of Men’ |
Hopi people, 9, 803 |
Back (McMillan), 699 |
(Whittier), 167 |
Hopkins, Pauline Elizabeth, |
How the Garcia Girls Lost |
Huron people, 21 |
309–12 |
Their Accent (Alvarez), |
Hurston, Zora Neale, 353, |
The Horizon, 351 |
784 |
510, 511, 512, 514–16 |
Horne, James, 453 |
‘How You Sound??’ (Baraka), |
and Toomer, 518 |
Horniblow, Molly, 149 |
665 |
and Walker, 696 |
‘A Horseman in the Sky’ |
Howe, Irving, 554 |
Hutchinson, Anne, 36–7, 39, |
(Bierce), 287 |
Howe, Julia Ward, 224 |
205 |
Horton, George Moses, |
Howe, Susan, 744, 747, |
Hwang, David Henry, 722–3 |
163–4 |
749 |
|
Hospital Sketches (Alcott), |
Howells, William Dean, |
I, the Jury (Spillane), 750 |
312 |
282–6 |
‘I, Too’ (Hughes), 524 |
Hoss (The Tooth of Crime), |
and Cahan, 328 |
I Can’t Remember Anything |
715–16 |
and Crane, 303 |
(Miller), 706 |
The Hot l Baltimore |
and James, 287 |
‘I felt a Funeral, in my Brain’ |
(Wilson), 717 |
and Stoddard, 217 |
(Dickinson), 242 |
‘Hotgun on the Death of |
and Twain, 252 |
‘I Have a Dream’ speech |
Yadeka Harjo’ (Posey), |
Howl (Ginsberg), 641, 642–3 |
(King), 680 |
260–1 |
Hua, Chuang, 559, 792 |
‘I Know a Man’ (Creeley), |
The House Behind the Cedars |
Huckleberry Finn, The |
634 |
(Chesnutt), 281 |
Adventures of (Twain), |
I Know Why the Caged Bird |
House Made of Dawn |
128, 253–6 |
Sings (Angelou), 664 |
(Momaday), 559, |
and Salinger, 660 |
I Love Lucy (television |
804–5, 806–8 |
Hudibrastic verse, 63 |
show), 785 |
The House of Blue Leaves |
Hue and Cry (McPherson), |
I Should Have Stayed Home |
(Guare), 712 |
685 |
(McCoy), 549 |
The House of Connelly |
Hugh Selwyn Mauberley |
‘I Want You Women Up |
(Green), 457 |
(Pound), 400 |
North to Know’ |
The House of Mirth |
Hughes, Henry, 168, 169–70 |
(Olsen), 482 |
(Wharton), 356 |
Hughes, Langston, 482, 510, |
‘I Was Marching’ (Le Sueur), |
The House of the Seven |
511, 522–5 |
494 |
Gables (Hawthorne), |
and Bontemps, 520, 521 |
Icarus’s Mother (Shepard), |
200, 201 |
influence, 666, 687 |
715 |
The House on Mango Street |
literary treatments, 512 |
The Iceman Cometh (O’Neill), |
(Cisneros), 778–9 |
and Toomer, 518–19 |
458, 461 |
Index |
867 |
Ida (Stein), 431–2 |
327–35, 499–505, 757, |
India Christiana (Mather), |
‘The Idea of Order at Key |
762–801 |
52–3 |
West’ (Stevens), 411, |
immigration |
Indian Boyhood (Eastman), |
415 |
18th century, 55 |
324 |
identity: literary treatments |
19th century, 100, 246–7 |
‘The Indian Burying Ground’ |
Bellow, 610–13 |
20th century, 341, 562–3, |
(Freneau), 89 |
Brown, 99 |
762–3, 771, 786 |
‘Indian Camp’ (Hemingway), |
Douglass, 147 |
The Imported Bridegroom |
442–3 |
Hurston, 514 |
(Cahan), 328 |
Indian Lawyer (Welch), 810 |
Kennedy, 688 |
improvisation, 712 |
The Indian Princess (Barker), |
Lowell, 587–90 |
‘In a Coffee Pot’ (Hayes), |
453 |
McPherson, 685 |
481 |
The Indian Today (Eastman), |
Malamud, 609–10 |
In Cold Blood (Capote), |
324 |
postwar poetry, 567–73 |
724–6 |
‘The Indian’s Welcome to |
Roth, 613–14 |
In Country (Mason), 626 |
the Pilgrim Fathers’ |
Shepard, 715 |
In Our Time (Hemingway), |
(Sigourney), 224 |
Thoreau, 142 |
442–3, 444 |
Indians (Kopit), 713 |
Wright, 534–5 |
In Search of Our Mothers’ |
individualism |
see also self |
Gardens (Walker), 695, |
postwar, 556, 563 |
identity, black, see African |
696 |
individualism: literary |
Americans: writings |
In the American Tree, 745 |
treatments |
identity, immigrant see |
In the Bar of a Tokyo Hotel |
Brautigan, 661 |
immigrant experience: |
(Williams), 711 |
Chopin, 270–4 |
literary treatments |
In the Heart of the Heart of |
Cooper, 110–11 |
identity, Native American |
the Country (Gass), 606 |
cummings, 422–4 |
see Native Americans: |
In the Heart of the Valley of |
DeLillo, 616–17 |
writings |
Love (Kadohata), 797 |
Dickinson, 243–4 |
If I Die in a Combat Zone |
In the Lake of the Woods |
Dos Passos, 441–2 |
(O’Brien), 727 |
(O’Brien), 727 |
Ellison, 675–6 |
‘If We Must Die’ (McKay), |
‘In the Land of the Free’ |
Emerson, 130, 131–5 |
512–13 |
(Eaton), 334 |
Fuller, 136–8 |
Ignatow, David, 575, 576 |
In the Midst of Life (Bierce), |
H. D., 391–2 |
I’ll Take My Stand (‘Twelve |
286–7 |
Hawthorne, 204–5 |
Southerners’), 466, |
In the Presence of the Sun |
James, 289, 293–4 |
471–2 |
(Momaday), 806 |
Jeffers, 384–8 |
illusion, Wilson on, 717 |
In the Tennessee Mountains |
Kesey, 661–3 |
‘Ilu, the Talking Drum’ |
(Murfree), 269 |
Moore, 416–17, 422 |
(Knight), 671 |
‘In the Waiting Room’ |
naturalists, 300, 302–5, 308 |
images |
(Bishop), 584 |
Poe, 121 |
H. D.’s use of, 392 |
In This Our Life (Glasgow), |
Thoreau, 138–44 |
Hongo’s use of, 796 |
361 |
Twain, 254–7 |
‘Imaginary Elegies’ (Spicer), |
‘Incident’ (Cullen), 527 |
Whitman, 234–6 |
638–9 |
Incident at Vichy (Miller), |
Williams, 408 |
imagination, Stevens on, |
706 |
see also self-help |
411–16 |
Incidents in the Life of a Slave |
Infants of the Spring |
Imagism, 388–97, 464–5 |
Girl (Jacobs), 148–51 |
(Thurman), 511–12 |
and Winters, 477 |
‘Independence’ (Fern), 179 |
‘Information to Those Who |
immigrant experience: |
Independence Day (Ford), |
Would Remove to |
literary treatments, |
617, 618 |
America’ (Franklin), 72 |
868 |
Index |
Inge, William, 711–12 |
Ishmael (Moby-Dick), |
jazz |
Ingraham, Prentiss, 538 |
212–13 |
and African American |
Inhumanism, 384, 387–8 |
Islam, and African Americans, |
poetry, 671–2, 673 |
injustice, social: literary |
663, 679 |
and beat poetry, 641, 642, |
treatments |
An Island Like You (Cofer), |
666 |
20th century, 347 |
782 |
and Creeley, 633 |
naturalists, 298–9, 301–3, |
Islands in the Stream |
Ellison on, 674 |
305–6 |
(Hemingway), 443 |
Gelber’s use of, 712 |
radicals, 478–95 |
isolation, see loneliness; |
and Hughes, 523 |
Steinbeck, 497–9 |
solitude and solitariness |
literary treatments, 511, |
see also African Americans; |
Israel Potter (Melville), 213 |
684, 697 |
immigrant experience; |
It Can’t Happen Here |
and Morrison, 694 |
Native Americans; race |
(Lewis), 371 |
and Naylor, 698 |
issues and relations; |
Italie, Jean-Claude van, 712 |
Shepard’s use of, 715 |
slavery |
‘Its Wavering Image’ (Eaton), |
Jazz (Morrison), 694 |
innocence |
334–5 |
‘Jean-ah Poquelin’ (Cable), |
and the past, 257 |
‘I’ve Been to the Mountaintop’ |
274–6 |
Twain on, 254–7 |
speech (King), 680 |
Jeffers, Robinson, 374, |
The Innocents Abroad (Twain), |
|
384–8, 638 |
250, 251 |
‘Jacinto Treviño’ (corrido), |
Jefferson, Thomas, 76–9, 80, |
insanity, see mental illness |
322 |
160–1, 186 |
‘Inscription for the Entrance |
Jackson, Andrew, 102, 124, |
Jen, Gish, 788, 789 |
to a Wood’ (Bryant), |
480 |
Jennie Gerhardt (Dreiser), |
227 |
Jackson, Helen Hunt, 239 |
366 |
The Interesting Narrative of |
Jacobs, Harriet, 148–52 |
Jerusalem (Blake), 236 |
the Life of Olaudah |
James, Alice, 288–9 |
The Jewels of Aptor (Delany), |
Equiano (Equiano), |
James, Henry, 287–96 |
761 |
84–5 |
and Cather, 361 |
Jewett, Sarah Orne, 261–4 |
Inuit people, 17 |
on Civil War, 257 |
and Cather, 262, 264, 355, |
Invisible Man (Ellison), |
and Crane, 303 |
361–2 |
675–6, 681 |
on Garland, 296–7 |
and Howells, 283 |
Iola Lerry (Harper), 184 |
on Hawthorne, 201, 207, |
and Stowe, 200 |
Irigaray, Luce, 743 |
289–90 |
‘The Jewish Cemetery at |
Irish immigrants, 100 |
and Howells, 283, 288 |
Newport’ (Longfellow), |
literary treatments, |
and Wharton, 355, 356 |
229 |
327–8 |
James, Henry Sr., 288, 294 |
Jewish Daily Forward, 328, 763 |
The Iron Heel (London), |
James, William, 288 |
Jews: immigration, 763–4 |
305–6 |
Jameson, Fredric, x |
Jews: literary treatments, 687, |
Iron John (Bly), 578 |
Jane Talbot (Brown), 98 |
707, 720 |
Ironweed (Kennedy), 617 |
Japanese Americans: |
see also Holocaust; Jews: |
Iroquois people |
writings, 503–4, 793–7 |
writings |
and French, 21 |
Japanese poetry, influence on |
Jews: writings |
stories, 11 |
Pound, 399 |
early to mid-20th century, |
The Irresponsibles (MacLeish), |
Jargon Press, 632 |
328–9, 487–8, 499–500, |
484 |
Jarrell, Randall, 564–5, |
609–14 |
Irving, John, 741 |
565–6, 582, 727 |
late 20th century, 763–4, |
Irving, Washington, 105–7, |
Jasmine (Mukherjee), |
766–7, 782 |
155 |
800–1 |
Jews without Money (Gold), |
Is 5 (cummings), 393 |
Jay, John, 96 |
488 |
Index |
869 |
Jicarilla people, 7 |
and muckrakers, 330 |
Kenyon Review, 469 |
Joans, Ted, 666 |
poetry, 745 |
Kern, Jerome, 702 |
Joaquin Murieta, Life and |
see also individual journals |
Kerouac, Jack, 556, 641, 642, |
Adventures of (Ridge), |
by name; magazines; |
645, 654–6 |
153 |
newspapers |
Kesey, Ken, 645, 654, 661–3 |
Joe Turner’s Come and Gone |
The Journey of Simon |
A Key into the Language of |
(Wilson), 690 |
McKeever (Maltz), 489 |
America (Williams), |
John Andross (Davis), 220 |
The Joy Luck Club (Tan), |
39–41 |
‘John Brown’s Body’, 224 |
788–9 |
Khlebnikov, Velimir, 742 |
John March, Southerner |
Joyce, James, 341, 432, 456, |
‘Kiansas’ (corrido), 321 |
(Cable), 277 |
742, 806 |
Killens, John O., 684 |
John Marr and Other Sailors |
Jubilee (Walker), 533 |
The Killer Inside Me |
(Melville), 214 |
Judson, Edward, see Buntline, |
(Thompson), 750–1 |
John Ward, Preacher (Deland), |
Ned |
Killers of the Dream (Smith), |
299 |
The Jungle (Sinclair), 329–32 |
490 |
John Winthrop’s Christian |
Junkie (Burroughs), 656 |
Kincaid, Jamaica, 700, 701 |
Experience (Winthrop), |
Jurgen (Cabell), 368–9 |
Kindred (Butler), 762 |
36 |
Justice, Donald, 567, 582 |
King, Grace, 269–70 |
Johnny Johnson (Green and |
Juvenile Miscellany, 175, 176 |
King, Martin Luther, 143, |
Weill), 457 |
|
560, 678–9, 680 |
Johns, Jasper, 647 |
Kadohata, Cynthia, 797 |
literary treatments, 685 |
Johnson, Charles R., 684, 685 |
Kafka, Franz, 346 |
King, Stephen, 757 |
Johnson, Esther, 744 |
Kalar, Joseph, 482 |
King, Thomas, 805 |
Johnson, James Weldon, |
Kang, Younghill, 503, 504, |
King Blood (Thompson), |
348–9, 352–5, 511 |
505 |
751 |
Johnson, Lyndon B., 560 |
Kanin, Garson, 455 |
‘King Juke’ (Fearing), 485 |
Johnson, Robert, 531, 816 |
Kansas City Death Trap |
‘The Kingfisher’ (Clampitt), |
Johnston, Basil H., 805 |
Series (Hinojosa), 777 |
597 |
Johnston, Mary, 250, 355 |
Karenga, Moulana, 669 |
‘The Kingfishers’ (Olson), |
Johnston, Richard Malcolm, |
Karenga, Ron, 665 |
631 |
250, 268 |
Karok people, 13 |
Kingsblood Royal (Lewis), |
Jonah’s Gourd Vine (Hurston), |
Katz, Steve, 740 |
371 |
514 |
Kaufman, Bob, 666 |
Kingsolver, Barbara, 628 |
Jonathan (The Contrast), 92 |
Kaufman, George S., 455, |
Kingston, Maxine Hong, |
Jones, Hugh, 57, 58 |
702 |
788, 789–92 |
Jones, James, 601 |
Kavanagh (Longfellow), |
Kinnell, Galway, 569, 580 |
Jones, Leroi, see Baraka, |
228–9 |
Kiowa people, 6, 806 |
Imamu Amiri |
Kazan, Elia, 702, 708 |
Kirkland, Caroline, 214–16 |
Jones, Richard M., 531 |
Keats, John, 527 |
Kizer, Carolyn, 598, 599 |
Jong, Erica, 628, 741 |
Kees, Weldon, 567, 582 |
Klein, Charles, 454 |
Jordan, Jone, 671 |
Keller, Nora Okja, 797–8 |
‘The Klupzy Girl’ (Bernstein), |
Josephson, Matthew, 344 |
Kelly, Robert, 569 |
747–8 |
‘The Journal of Julius |
Kennedy, Adrienne, 687–8 |
Knickerbocker School, 105 |
Rodman’ (Poe), 118–19 |
Kennedy, John F., 556–7, |
Knight, Denis, 579 |
journals and periodicals |
559, 561 |
Knight, Etheridge, 671, 672 |
19th century, 249 |
Kennedy, John Pendleton, |
Knight, Sarah Kemble, 55–6 |
African American, 310 |
121, 171 |
The Knights of the Golden |
anti-slavery, 101, 104, 145, |
Kennedy, William, 617 |
Horseshoe (Caruthers), |
148, 160, 163, 164 |
Kennedy, X. J., 567, 582 |
172 |
870 |
Index |
Koch, Kenneth, 645, 647, |
language |
Leaves from My Life (Cahan), |
649, 650 |
and Barth, 733–5 |
329 |
Kokomaht, 8–9 |
and Burroughs, 657–8 |
‘Leaves from the Mental |
Komunyakaa, Yusef, 598, |
Dove on, 672 |
Portfolio of an |
599, 673 |
Duncan on, 636 |
Eurasian’ (Eaton), 333 |
Kooning, Willem de, 647, |
Maclow on, 743 |
Leaves of Grass (Whitman), |
746 |
and Mamet, 718 |
233–7 |
Kopit, Arthur, 712–13 |
and Native American |
lectures, public, 104, 165, |
Korean Americans: writings, |
writers, 802–9 |
251 |
503, 504, 757, 797–8 |
and Walker, 697 |
Ledbetter, Huddie |
Kosinski, Jerzy, 741–2 |
Welty on, 620–1 |
(‘Leadbelly’), 531 |
Kowalski, Stanley (A Streetcar |
L=A=N=G=U=A=G=E, 745 |
Lee, Chang-Rae, 757 |
Named Desire), 708–9 |
language, transrational, 742 |
Lee, Chin Yang, 787 |
Kramer, Larry, 721 |
‘Language’ Poetries, 745 |
Lee, Don L., see Madhubuti, |
Kristeva, Julia, 743 |
language poetry, 742–9 |
Haki R. |
Ku Klux Klan, 247, 344 |
Lanier, Sidney, 266–7 |
Lee, Li-Young, 599, 600 |
Kumashtam’hu, 8 |
Lapham, Col. Silas (The Rise |
Lee, Manfred, 541 |
Kumin, Maxine, 598, 599 |
of Silas Lapham), 283–4 |
Lee, Mary Paik, 798 |
Kunitz, Stanley, 567, 581–2 |
Larcom, Lucy, 225, 226 |
The Left Hand (Le Guin), |
|
Lardner, Ring, 455, 545 |
761 |
L.A. Confidential (Ellroy), |
Larsen, Nella, 514, 516–18 |
legal procedural novels, 757 |
753–4 |
Larsen, Wolf (The Sea-Wolf ), |
legal world: literary |
labour: literary treatments |
306, 307, 308 |
treatments, 727 |
Di Donato, 500–2 |
Last Exit to Brooklyn (Selby), |
‘The Legend of Sleepy |
Howells, 286 |
727 |
Hollow’ (Irving), 106 |
Le Sueur, 494 |
‘The Last Leaf ’ (Holmes), |
Lennon, John, 688 |
muckrakers, 331–2 |
230 |
Lensman novels (Smith), 759 |
Sinclair, 330 |
The Last of the Mohicans |
Leonard, Elmore, 753, 754 |
labour unions |
(Cooper), 108 |
lesbianism: literary |
Filipino, 505 |
The Last Poets, 669 |
treatments |
spread of, 341 |
The Last Tycoon (Fitzgerald), |
blues songs, 531 |
El Theatre Campesino, |
440 |
Native American writings, |
559 |
Latino/a writers, 780–6 |
805 |
Lacan, Jacques, 743 |
Laudonnière, René Goulaine |
postwar poetry, 599, 600 |
The Lady from Dubuque |
de, 21–2 |
Less Than Zero (Ellis), |
(Albee), 714 |
‘Laura’, see Fergusson, |
617–18 |
‘Lady Lazarus’ (Plath), 568, |
Elizabeth Graeme |
A Lesson Before Dying |
595 |
Laviera, Tato, 781 |
(Gaines), 683 |
A Lady of Aroostook |
The Law of Civilization and |
Letters (Barth), 734 |
(Howells), 283 |
Decay (Adams), 318 |
Letters from an American |
Laforgue, Jules, 403 |
Lawrence, D. H., 338, 340, |
Farmer (Crèvecoeur), |
Laguna people, 808 |
658 |
73 |
Lamantia, Philip, 639 |
Lawson, John Howard, |
Letters from New York |
L’Amour, Louis, 540 |
457 |
(Child), 176 |
The Lamplighter (Cummins), |
Le Guin, Ursula, 760–1, |
‘The Letters of Jonathan |
104 |
762 |
Oldstyle, Gent.’ |
The Land of Little Rain |
Le Sueur, Meridel, 490–5 |
(Irving), 105 |
(Austin), 326–7 |
Leatherstocking Tales |
Letters on the Equality of the |
Langley, Samuel P., 320 |
(Cooper), 108–11 |
Sexes (Grimké), 177–8 |
Index |
871 |
Letters to Catharine Beecher |
Lincoln (Markham), 298–9 |
Locke, Alain, 342, 510, |
(Weld), 177 |
Lincoln, Abraham |
511–12, 514 |
Letting Go (Roth), 613 |
death, 245–6 |
Locke, John, 55, 68 |
Levertov, Denise, 390, 579, |
and Douglass, 148 |
Logan (Neal), 112 |
632, 646 |
and Lindsay, 480 |
Logan, John, 568, 570, 571 |
Levine, Philip, 576–7 |
literary treatments, 682 |
logopoeia, 399 |
Levitation (Ozick), 766 |
Sandburg’s biography, |
Lolita (Nabokov), 768, |
Lewis, Richard, 63–4 |
479–80 |
769–71 |
Lewis, Sinclair, 368, 369–71 |
and Stowe, 196 |
Loman, Willy (Death of a |
The Liberator (20th-century |
Lindbergh, Charles, 343 |
Salesman), 703–5 |
magazine), 487 |
Linden Hills (Naylor), 698 |
London: literary treatments, |
The Liberator (anti-slavery |
Lindsay, Howard, 455 |
58 |
journal), 101, 145, 163, |
Lindsay, Vachel, 371, 480–1, |
London, Jack, 299–300, |
164 |
666 |
305–8, 330 |
The Liberties (Howe), 744 |
The Linwoods (Sedgwick), |
loneliness: literary treatments |
liberty and liberation |
115, 117 |
Dickinson, 237–44 |
Cisneros on, 778 |
The Lion and the Mouse |
Eliot, 402–6 |
Dos Passos on, 442 |
(Klein), 454 |
Heinlein, 759 |
Foster on, 95 |
Lippman, Walter, 543 |
Inge, 711–12 |
Herbert on, 760 |
literary criticism: New |
McCullers, 624 |
James on, 289, 293–4 |
Criticism, 466–7, 471 |
Melville, 210, 212–13 |
Johnson on, 685 |
‘Literary Importation’ |
Niedecker, 396 |
naturalists on, 300 |
(Freneau), 89 |
Pound, 400 |
Plath on, 595 |
Literary Magazine and |
Reznikoff, 395–6 |
pro-slavers on, 171 |
American Register, |
Robinson, 374–9 |
Winthrop on, 36 |
98 |
Whitman, 236 |
see also individualism |
literary salons, 61, 216 |
Williams, 707–11 |
‘Liberty Further Extended’ |
‘The Literary Voyager or |
see also solitude and |
(Haynes), 83 |
Muzzenyegun’, 153–4 |
solitariness |
liberty of conscience, |
Little Big Man (Berger), |
Long, Huey, 475 |
Williams on, 39 |
738–9 |
Long, John L., 454 |
Lie Down in Darkness |
A Little Book of Friendships |
A Long Day in a Short Life |
(Styron), 605 |
(Spofford), 314 |
(Maltz), 489 |
Life and Adventures of |
‘The Little Convent Girl’ |
Long Day’s Journey into |
Joaquin Murieta |
(King), 270 |
Night (O’Neill), 461–3 |
(Ridge), 153, 505 |
The Little Foxes (Hellman), |
The Long March (Styron), |
The Life, History and Travels |
490–1 |
606 |
of Kah-ge-ga-gah-bowh |
Little Review, 341, 372, 518 |
Longfellow, Henry |
(Copway), 155 |
Little Women (Alcott), 312 |
Wadsworth, 152, 202, |
‘Life in the Iron Mills’ |
Littlepage manuscripts |
228–30, 231, 232 |
(Davis), 219–20 |
(Cooper), 112 |
Longstreet, Augustus |
Life on the Mississippi |
The Living is Easy (West), |
Baldwin, 125–8 |
(Twain), 251, 252 |
532 |
Look Homeward, Angel |
Life Studies (Lowell), 589, |
Living Theatre, 712 |
(Wolfe), 495, 496 |
593 |
La Llorona (Hispanic folklore |
Looking Backward (Bellamy), |
‘Lift Every Voice and Sing’ |
character), 159–60 |
285 |
(Johnson), 353 |
‘La Llorona, Malinche, and |
Lookout Cartridge (McElroy), |
The Lime Twig (Hawkes), |
the Unfaithful Maria’, |
740 |
737 |
159–60 |
Loon Lake (Doctorow), 608 |
872 |
Index |
Lord Weary’s Castle (Lowell), |
Lowell, James Russell, 118, |
Macdonald, Ross, 752–3 |
588 |
231–2 |
McElroy, Joseph, 740 |
Lorde, Audre, 599, 664, 671 |
Lowell, Robert, 554, 568, |
McGee, Travis (Macdonald |
Los Angeles, 19th-century |
573, 587–91 |
character), 752 |
development, 246 |
influence, 593 |
Machine Dreams (Phillips), |
Los Angeles quartet (Ellroy), |
O’Hara on, 645 |
626–7 |
753–4 |
on Plath, 596 |
machismo: literary treatments, |
Losing Battles (Welty), 621 |
and Vietnam, 560, 580 |
773–4, 778, 783 |
loss: literary treatments |
Lowell Offering, 226 |
McInerney, Jay, 617 |
Bradstreet, 45–6 |
The Luck of Roaring Camp |
McKay, Claude, 510, 512–14, |
Cahan, 328–9 |
(Harte), 258 |
524 |
Pound, 400 |
Lucy (Kincaid), 701 |
Mackaye, Steele, 454 |
see also bereavement; |
Lumpkin, Grace, 347 |
Mackey, Nathaniel, 673 |
nostalgia |
lunacy, see mental illness |
MacLeish, Archibald, 482, |
Lost in the Funhouse (Barth), |
Lundy, Benjamin, 164 |
484–5, 488 |
734 |
Lurie, Alison, 625 |
McLennan, Tommy, 531 |
The Lost Son (Roethke), 585 |
‘Lying in a Hammock’ |
Maclow, Jackson, 743 |
love: literary treatments |
(Wright), 570 |
McMillan, Terry, 699 |
18th-century women’s |
Lyrical Ballads (Wordsworth), |
McMurphy, Randle (One |
poetry, 61 |
236 |
Flew Over the Cuckoo’s |
Austin, 327 |
Lyrics from Lowly Life |
Nest), 662 |
blues songs, 531 |
(Dunbar), 260 |
McMurtry, Larry, 606, 607 |
Bradstreet, 45 |
Lytle, Andrew Nelson, 466 |
McNally, Terrence, 719 |
cummings, 423 |
|
McNickle, D’Arcy, 506, |
Dickinson, 240–2 |
M. Butterfly (Hwang), 722–3 |
507–8 |
Hawthorne, 203–6 |
‘Ma Rainey’ (Brown), 526 |
McPherson, James Alan, 685 |
Miller, 704–5, 706 |
Ma Rainey’s Black Bottom |
McTeague (Norris), 298, 301 |
Morrison, 694 |
(Wilson), 690 |
McWhorter, Lucullus, 509 |
Native American stories, |
McAdoo, Uncle Julius |
Madame Butterfly (Belasco), |
14–16 |
(The Conjure Woman), |
454 |
Osgood, 225–6 |
278–80 |
Madhubuti, Haki R. (Don L. |
Parker, 546 |
MacArthur, Charles, 372, |
Lee), 529, 668–9 |
Shepard, 717 |
455 |
Madison, James, 75, 77, 88, |
Taylor, 47 |
McBain, Ed (Evan Hunter), |
96 |
Updike, 615 |
751 |
madness, see mental illness |
Wharton, 356–8 |
McCarthy, Cormac, 618–19 |
Magawisca (Hope Leslie), |
Williams, 409 |
McCarthy, Joseph, 555 |
116–17 |
see also marriage; sex and |
McCarthy, Mary, 490, 491–2 |
magazines, see also individual |
sexuality |
McCarthyism, 555–6 |
magazines by name; |
Love & Fame (Berryman), |
literary treatments, 705–6 |
journals and periodicals; |
593 |
see also House Un- |
newspapers |
Love and the Soul Maker |
American Activities |
magazines, children’s, 175, |
(Austin), 326 |
Committee |
176 |
Love Medicine (Erdrich), 811 |
McClure, Michael, 639 |
magazines, literary and |
‘The Love Song of J. Arthur |
McClure, S. S., 361 |
political |
Prufrock’ (Eliot), 403, |
McClure’s, 330, 361 |
19th century, 98, 104, 121, |
404 |
McCoy, Horace, 543, 549 |
249 |
Lovecraft, H. P., 758–9 |
McCullers, Carson, 623–4 |
African American, 351, |
Lowell, Amy, 389, 390 |
Macdonald, John D., 752 |
511 |
Index |
873 |
magazines, literary and |
The Man Who Had All the |
‘Marriage’ (Corso), 645 |
political (cont’d) |
Luck (Miller), 703 |
Married or Single? (Sedgwick), |
anti-slavery, 195 |
The Man Who Killed the |
115, 117 |
feminist, 316 |
Deer (Waters), 606 |
The Marrow of Tradition |
Native American, 153–4, |
The Man with the Hoe |
(Chesnutt), 281 |
156 |
(Markham), 298–9 |
Mars, James, 185 |
poetry, 371, 388, 393, 411 |
Manfred, Frederick, 606 |
Marshall, Paule, 700–1 |
magazines, pulp, 539–40 |
Manhattan Transfer (Dos |
Martí, José, 323 |
magazines, science fiction, |
Passos), 440–1 |
The Martian Chronicles |
759 |
Manly, Colonel (The |
(Bradbury), 760 |
magazines, thriller and |
Contrast), 91–2 |
Mártin and Meditations on |
detective, 368, 750, 753 |
Mao II (DeLillo), 617 |
the South Valley (Soto), |
Maggie (Crane), 303–4 |
‘The Map’ (Bishop), 583 |
772 |
magic |
The Marble Faun (Faulkner), |
Marvin X, 668 |
and Alexei, 815–17 |
448 |
Marxism |
and Barthelme, 736–7 |
The Marble Faun |
and Baraka, 666–7 |
in Hispanic folklore, |
(Hawthorne), 206 |
early 20th century, 338, |
158–60 |
Marching Men (Anderson), |
347 |
and Kingston, 791–2 |
372 |
and Wright, 532, 534 |
Shepard on, 715 |
Marcos de Niza, Fray, 18–19, |
see also Communism |
magic realism, 727, 741, 779, |
23 |
Mason, Bobbie Ann, 626, |
785, 811–13 |
Mardi (Melville), 207, 208–9 |
726, 727 |
Magnalia Christi Americana |
Margaret Fleming (Horne), |
Mason and Dixon (Pynchon), |
(Mather), 53–4 |
453 |
732–3 |
Magritte, René, 743 |
marginalized subjects and |
Masons, 83–4 |
Mahicans, 156 |
voices |
Massachusetts Bay Colony, |
Mailer, Norman, 560, 600–1, |
and Hongo, 796 |
31, 35–7, 39 |
602–4, 616, 724 |
and language poets, 744, |
Massachusetts Bay Company, |
Main Street (Lewis), 369–70 |
749 |
35, 39 |
Main-Travelled Roads |
Marilyn (Mailer), 604 |
‘Massachusetts to Virginia’ |
(Garland), 297 |
‘Marina’ (Eliot), 393 |
(Whittier), 167–8 |
Major, Clarence, 740 |
Markham, Edwin, 298–9, 302 |
The Masses, 487 |
Malamud, Bernard, 609–10 |
Marlowe, Philip (Chandler |
Masters, Edgar Lee, 371, 481, |
Malcolm X, 663, 668, |
character), 542 |
576 |
678–80 |
Marquand, John B., 604 |
materialism: literary |
Malinche, 159–60 |
Marquis, Don, 423 |
treatments |
The Maltese Falcon |
marriage: literary treatments |
O’Neill, 458–9, 460 |
(Hammett), 541 |
Alcott, 313 |
Pinsky, 598 |
Maltz, Albert, 486, 488–9 |
Bradstreet, 45 |
Shepard, 715–17 |
Mama Day (Naylor), 698 |
Chopin, 270–4 |
Thoreau, 140–1 |
The Mambo Kings Play Songs |
Corso, 645 |
Warren, 474 |
of Love (Hijuelos), 785 |
Eaton, 334 |
West, 549, 551–2 |
Mamet, David, 713, 717–19 |
Hawthorne, 203–6 |
see also commodity culture; |
‘The Man Against the Sky’ |
James, 293–4, 295 |
consumerism |
(Robinson), 378–9 |
Miller, 706 |
The Materials (Oppen), |
‘Man on a Road’ (Maltz), |
Olsen, 765 |
395 |
489 |
Taylor, 47 |
Mather, Cotton, 41, 42, |
The Man Who Cried I Am |
Wharton, 356–8 |
52–4, 62 |
(Williams), 684 |
see also divorce |
Matisse, Henri, 431 |
874 |
Index |
Matthews, John Joseph, 506, |
Memoirs of a Shy Pornographer |
folklore, 158–60 |
508 |
(Patchen), 485, 486 |
immigration, 771 |
Matthiessen, Peter, 727 |
Memoirs of Carwin (Brown), |
postwar conditions, 559, |
Mauberley (Pound), 400 |
98 |
562–3 |
Maximus Poems (Olson), |
Memories of a Catholic |
El Theatre Campesino, |
631–2 |
Girlhood (McCarthy), |
559 |
Maya (Oates), 625 |
492 |
Miami and the Siege of |
Mayer, Bernadette, 747 |
Memories of the Ford |
Chicago (Mailer), 604 |
Mean Spirit (Hogan), 805 |
Administration |
Middle Passage (Johnson), |
meaning |
(Updike), 615 |
685 |
and Abish, 742 |
memory and memories: |
Midwest: histories, 494 |
and Ashbery, 651 |
literary treatments |
Midwest: literary treatments, |
and Barthelme, 737 |
Cather, 363–4 |
19th century, 259, |
and Dorn, 635 |
Miller, 704 |
296–8 |
in Faulkner, 447 |
Morrison, 693 |
Midwest: literary treatments, |
in Fitzgerald, 438–9 |
Native American writers, |
20th century |
and Hemingway, 446 |
802–17 |
early, 369–73, 479, 576–7, |
and Howe, 749 |
Stein, 429–30 |
597 |
and Johnson, 685 |
Williams, 707–8 |
New Journalism, 725 |
in Melville, 207–14 |
see also nostalgia; past |
postwar novels, 606, |
and Moore, 417 |
The Men of Brewster Place |
607–8 |
and Morrison, 693 |
(Naylor), 699 |
Miles, Josephine, 421 |
in Of Plymouth Plantation, |
Mencken, H. L., 368, 540 |
military: literary treatments, |
33–4 |
Menéndez de Avilés, Pedro, |
727–8 |
in O’Neill, 458–63 |
22 |
see also war |
and Pynchon, 731–2 |
mental illness |
The Milk Train Doesn’t |
in Robinson, 375–9 |
and beat poets, 641 |
Stop Here Anymore |
Whitman on, 235–7 |
and Exley, 726–7 |
(Williams), 710–11 |
in Winthrop, 36 |
and Kesey, 661–3 |
Millay, Edna St Vincent, |
and Zukofsky, 393 |
psychosis, 750–1 |
420–1 |
media: literary treatments, |
and Salinger, 660–1 |
Miller, Arthur, 702–7 |
616–17, 799 |
and Thompson, 750–1 |
Miller, Henry, 654, 658–9 |
‘Meditations of an Old |
Williams on, 707 |
Miller, Jason, 719 |
Woman’ (Roethke), |
Meridian (Walker), 696 |
Miller, Joaquin, 259 |
586–7 |
‘Merlin’ (Emerson), 134, |
Milner, Ron, 688 |
melopoeia, 398 |
135 |
Milton, John, 315 |
Melville, Herman, 207–14 |
Merrill, James, 581, 652–3 |
mime, 712 |
Crane’s poem to, 428 |
Merwin, W. S., 566, 574, 579 |
Minatoya, Lydia, 797 |
and Hawthorne, 200–1, |
Meshugah (Singer), 763, 764 |
mining: literary treatments, |
209 |
Messerli, Douglas, 745 |
258, 372 |
and human behaviour, |
messianic impulse: literary |
‘The Minister’s Black Veil’ |
34 |
treatments, 760, 763 |
(Hawthorne), 202 |
influence, 619 |
Metacomet (King Philip), |
The Minister’s Wooing |
influences on, 132, 209–10 |
154 |
(Stowe), 200 |
Olson on, 630 |
Method acting, 702 |
‘Miniver Cheevy’ |
precursors, 99, 111 |
Mexican Americans |
(Robinson), 377 |
quoted, ix |
19th century, 247 |
Minnie’s Sacrifice (Harper), |
The Member of the Wedding |
Chicano/a writers, 771–80 |
183 |
(McCullers), 624 |
corridos, 321–2 |
Mirikitani, Janice, 795–6 |
Index |
875 |
miscegenation: literary |
Objectivism, 393–5 |
moral relativism: literary |
treatments |
poetry, 388–429, 518–20, |
treatments |
Brown, 186–7 |
528 |
Berger, 738–9 |
Chesnut, 173–4 |
prose, 429–53, 516–20, |
crime novels, 752–4, 756 |
Chesnutt, 280–1 |
792 |
Morales, Alejandro, 779 |
Child, 176 |
Vorticism, 389 |
Morales, Aurora Levins, 782 |
Douglass, 146 |
Mohr, Nicholasa, 783 |
Morales, Rosa, 782 |
Grimké, 177–8 |
Momaday, N. Scott, 559, |
Moran of the Lady Letty |
Hellman, 491 |
804–8 |
(Norris), 300 |
Hopkins, 310–12 |
Monk, Thelonious, 673 |
More Die of Heartbreak |
Jacobs, 148–51 |
Monkey, 792 |
(Bellow), 612 |
Larsen, 516–18 |
Monkey Bridge (Cao), |
Morgan, J. Pierpoint, 248 |
musicals, 702 |
799–800 |
Morgeson, Cassandra (The |
Southern regionalists, 270, |
Monroe, Harriet, 371, 389, |
Morgesons), 217–19 |
271 |
481 |
The Morgesons (Stoddard), |
The Miss Firecracker Contest |
Monroe, Marilyn, 604, 706 |
217–19 |
(Henley), 720 |
Monsieur Motte (King), 270 |
Mori, Kyoko, 797 |
Miss Lonelyhearts (West), |
monsters, in Native American |
Mori, Toshio, 793 |
550–2 |
stories, 10–11 |
Moriarty, Dean (On the |
Miss Ravenel’s Conversion |
Mont-Saint-Michel and |
Road), 655 |
from Secession to Loyalty |
Chartres (Adams), 318, |
Morning Chronicle, 105 |
(Forest), 287 |
319, 320 |
Morris, Wright, 607–8 |
missions, Christian, see |
Montage of a Dream Deferred |
Morrison, Toni, 691–5 |
conversion to |
(Hughes), 523 |
and Hurston, 516 |
Christianity |
Montagu, Elizabeth |
on immigrants’ effect on |
Mississippi: literary |
Robinson, 62 |
literature, 329, 563 |
treatments, 125, 250–6, |
Monthly Magazine and |
and Williams, 684 |
270 |
American Review, |
mortality, see death |
Mitchell, Margaret, 533, |
98 |
Morton, Sarah Wentworth, |
546–9 |
Moods (Alcott), 313 |
62, 92 |
Mixquiahuala Letters |
Moody, William Vaughn, |
Morton, Thomas, 37–9 |
(Castillo), 779 |
299, 454 |
Moses, Man of the Mountains |
Moby-Dick (Melville), 207, |
The Moon, 351 |
(Hurston), 515 |
208, 209–13 |
Moon-Calf (Dell), 372 |
Mosley, Walter, 756 |
Emerson’s influence, 132 |
Moore, Marianne, 393, |
Mosquitoes (Faulkner), 448, |
influence, 685, 733 |
416–19, 422, 545 |
449 |
precursors, 111 |
and Bishop, 582, 583 |
Mosses from an Old Manse |
A Modell of Christian Charity |
and Stevens, 411 |
(Hawthorne), 203, 209 |
(Winthrop), 35–6 |
Mora, Pat, 780 |
‘The Most of It’ (Frost), |
Modern Chivalry |
moral purpose |
383 |
(Brackenridge), 95–6 |
in Cheever, 605 |
The Mother’s Book (Child), |
A Modern Instance |
early 20th-century poetry, |
175 |
(Howells), 283 |
374 |
The Moths and Other Stories |
A Modern Mephistopheles |
early novels, 92–5, 96 |
(Viramontes), 779–80 |
(Alcott), 313 |
Emerson on, 133 |
Motley, John Lothrop, 113 |
Modernism |
in Hawthorne, 201, 207 |
The Mound Builders |
definition, 340 |
in Miller, 702–7 |
(Wilson), 717 |
drama, 455–63 |
in Olson, 631 |
‘Mountain Building’ (Cruz), |
Imagism, 388–97 |
and Stowe, 200 |
781 |
876 |
Index |
Mourning Becomes Electra |
musicals, 702 |
myths and legends: Native |
(O’Neill), 458, 460–1 |
musicians: literary treatments, |
American, 4–18, 153–4, |
Mourning Dove, 344, 506, |
690, 816–17 |
326, 509 |
508–9 |
My Ántonia (Cather), 344, |
Erdrich’s use of, 811–13 |
A Movie Star Has to Star in |
362–4 |
Harjo’s use of, 804 |
Black and White |
‘My Burial Place’ ( Jeffers), |
Momaday’s use of, 806 |
(Kennedy), 688 |
388 |
Vizenor’s use of, 813–15 |
The Moviegoer (Percy), 617 |
My Heart’s in the Highlands |
|
The Moving Target |
(Saroyan), 457 |
NAACP, see National |
(Macdonald), 752 |
My Life (Hejinian), 744–5 |
Association for the |
‘Mr Flood’s Party’ (Robinson), |
My Life by Water (Niedecker), |
Advancement of |
377–8 |
396 |
Colored People |
Mr Sammler’s Planet (Bellow), |
‘My Lost Youth’ (Longfellow), |
Nabokov, Vladimir, 601, |
610, 612–13, 766 |
229 |
729, 741, 768–71 |
‘Mrs Adolphus Smith |
My Mother’s Body (Piercy), |
The Naked and the Dead |
Sporting the “Blue |
767–8 |
(Mailer), 602–3 |
Stocking”’ (Fern), 179 |
Myrdal, Gunnar, 525 |
Naked Genius (Horton), 164 |
Mrs. Spring Fragrance |
The Mysterious Stranger |
The Naked Lunch |
(Eaton), 335 |
(Twain), 256–7 |
(Burroughs), 656–7 |
muckrakers, 330–1 |
mystery novels, 112, 751–7 |
The Names: A Memoir |
Mukherjee, Bharati, 786–7, |
see also crime novels; |
(Momaday), 806 |
800–1 |
thrillers |
Nanapush (Tracks), 812–13 |
Mules and Men (Hurston), |
mysticism |
Narrative of Sojourner Truth |
514 |
and Duncan, 635–6 |
(Truth), 181, 182 |
Mumbo Jumbo (Reed), 681, |
and Modernist poets, 424, |
Narrative of the Life of |
682 |
427–9 |
Frederick Douglass |
Munsey, Frank A., 539 |
and Silko, 808–9 |
(Douglass), 145–7, 148 |
murder: literary treatments, |
and Toomer, 520 |
narrators |
122, 724–6, 750–1, 807, |
myths and legends |
African American, 354 |
814–15 |
Baraka on, 689 |
in Barth, 733 |
see also crime novels |
Delany’s use of, 761 |
in Brown, 97–8 |
‘The Murders in the Rue |
Ellison on, 676 |
in Ellis, 758 |
Morgue’ (Poe), 122 |
Jeffers’s use of, 385–7 |
in James, 288, 295 |
Murfree, Mary Noailles, |
Kingston’s use of, 789–92 |
and Nabokov, 770 |
269 |
Le Sueur’s use of, 492–3 |
Narváez, Pánfilo de, 24 |
Murray, Albert, 682, 683–4 |
in postwar poetry, 565–6 |
Nash, Ogden, 423, 544 |
Murray, Judith Sargent, |
Pound’s use of, 398 |
Nassagansett people, 40, |
80–1, 94 |
Roethke’s use of, 586 |
50–1 |
music |
Rukeyser’s use of, 425 |
Nathan, George Jean, 368, |
African American, 523–4, |
Updike’s use of, 615 |
540 |
526, 530–1 |
West’s use of, 551 |
Nation, 282 |
African American, |
myths and legends: American, |
Nation of Islam, 663, 679 |
influence, 669–70 |
105–29 |
National Anti-Slavery |
and Bullins, 689 |
baseball, 609 |
Standard, 176 |
and Knight, 671 |
Berger on, 739 |
National Association for |
Latin American, literary |
Kopit on, 713 |
the Advancement of |
treatments, 785 |
Mamet on, 719 |
Colored People |
rock and roll, 556 |
Shepard on, 717 |
(NAACP), 351, 352, 353 |
see also blues; jazz |
Westerns, 537–9 |
National Era, 195 |
Index |
877 |
National Negro Business |
see also Native Americans: |
Melville, 210 |
League, 349 |
writings and narratives |
Moore, 419 |
National Negro Convention, |
Native Americans: writings |
naturalists, 300, 302, 303, |
163 |
and narratives |
307 |
Native Americans |
18th century, 81–3 |
New York poets, 649 |
Columbus on, 1–2 |
19th century, 152–8, |
Niedecker, 396 |
conversion to Christianity, |
260–1, 322 |
Oppen, 395 |
21–3, 31, 52–3 |
first female autobiography, |
postmodernists, 734 |
cultural disorientation, |
325–6 |
Snyder, 640 |
324–6 |
first novel, 505 |
Taylor, 47 |
culture, 324–5 |
first novel by woman, 509 |
Thoreau, 138–44 |
Dwight on, 89–90 |
oral traditions, 4–18, 152, |
Twain, 255 |
first use of term, 156 |
153–4, 326 |
see also ecology and |
Franklin on, 72 |
regionalist, 260–1 |
environment; pastoral |
Freneau on, 89 |
Native Americans: writings |
themes and pastoralism |
Fuller on, 136 |
and narratives: 20th |
Nature (Emerson), 130, |
history, 154 |
century, 324–6, 344, |
131–3, 135 |
Jefferson on, 78 |
505–9, 559, 802–17 |
‘Nature’ (Longfellow), 229 |
and Le Sueur, 493, 494 |
crime novels and thrillers, |
Navajo people, 9 |
Mather on, 50–1 |
756–7 |
Naylor, Gloria, 698–9 |
newspapers, 104, 261 |
short stories, 509 |
Neal, John, 112 |
Parkman on, 114, 115 |
songs, 322, 326 |
Neal, Larry, 558 |
and the Revolution, 81–3 |
Native Son (Wright), 347, |
‘The Negro Artist and the |
rights, 324–6 |
532, 535–6 |
Racial Mountain’ |
and Spanish, 18–25 |
Native Speaker (Lee), 757 |
(Hughes), 522 |
Thoreau on, 143 |
The Natural (Malamud), 609 |
The Negro Christianized |
Wounded Knee massacre, |
naturalism, 299–308 |
(Mather), 52–3 |
322, 325, 559 |
definition, 286, 300 |
‘The Negro Speaks of Rivers’ |
Native Americans: |
Hansberry on, 686 |
(Hughes), 524–5 |
conditions |
nature |
Nelson, David, 668, 669–70 |
19th century, 247–8 |
Native Americans’ |
Nemerov, Howard, 567, 582, |
20th century, 341–2, 559 |
relationship with, |
727 |
assimilation, 247–8, 324, |
17–18, 40, 324 |
Neruda, Pablo, 782 |
325 |
nature: literary treatments |
A Nest of Ninnies (Ashbery |
land dispossessions, 102–3, |
Adams (Henry), 318–19 |
and Schuyler), 650 |
157–8 |
Adams (Léonie), 422 |
Neville, Morgan, 125 |
postwar popularity and |
Anaya, 776 |
The New Atlantis (Le Guin), |
importance, 562 |
Cervantes, 773 |
761 |
Native Americans: literary |
Cooper, 110 |
New Challenge, 532 |
treatments |
Copway, 155 |
New Criticism, 466–7, 471, |
18th century, 59 |
Crèvecoeur, 73 |
652 |
19th century, 109–10, 113, |
Dickey, 476–7 |
New England |
115–18, 175, 176, 224, |
Dickinson, 240, 241 |
colonization, 29, 31, |
228 |
Eliot, 405 |
35–7 |
20th century, 371, 738–9 |
Emerson, 130, 131–5 |
and Creeley, 633–4 |
captivity narratives, 24–5, |
Frost, 379–81, 383 |
literary treatments, 261–5, |
29–31, 50–1, 52 |
Jeffers, 384–8 |
460, 532 |
in colonial writings, 37–41 |
Knight, 56 |
Mather’s history, 53–4 |
postwar novels, 606, 662 |
Longfellow, 229 |
suffrage, 55 |
878 |
Index |
waning of Puritan |
Laviera, 781 |
Nine Worthies, 105 |
influence, 55 |
McKay, 513 |
1919 (Dos Passos), 440, |
work ethic, 58 |
Naylor, 698 |
441–2 |
A New England Nun |
O’Hara, 648, 649 |
Nisei Daughter (Sone), 793–4 |
(Freeman), 264–5 |
Paley, 625 |
Nixon, Richard, 555, 560–1 |
The New England Primer, 42, |
Reznikoff, 395–6 |
noir fiction, 750–1 |
43–4 |
Simon, 719–20 |
The No-No Boy (Okada), |
A New England Tale |
Wharton, 355, 356–8 |
794–5 |
(Sedgwick), 115, 116 |
New York poets, 645–53, 748 |
Norman, Marsha, 720 |
New English Canaan |
New York trilogy (Auster), |
Norris, Frank, 298, 300–3, |
(Morton), 37–9 |
617, 618 |
365 |
New Found Land (MacLeish), |
Newfoundland: literary |
North American Review, 231, |
484 |
treatments, 629 |
289, 318 |
A New Home (Kirkland), |
newspapers |
North Carolina, Byrd on, 59 |
215–16 |
19th century, 104, 157, |
North Georgia Review, 490 |
New Journalism, 604, 723–5, |
249 |
The North Star, 148, 163, 184 |
728 |
alternative culture, 680 |
North Star Country (Le |
A New Life (Malamud), 609 |
anti-slavery, 176 |
Sueur), 494 |
The New Masses, 348, 372, |
Jewish, 328 |
Northern Lights (O’Brien), |
487–8, 489, 534, 546 |
Native American, 104, |
727 |
The New Negro (Locke), |
261 |
Northup, Solomon, 185 |
509–11, 514 |
Newton, Benjamin F., 239 |
Norton, Charles Eliot, 231, |
New Negro movement, |
‘next to god of course america’ |
289 |
342–3, 509–27 |
(cummings), 423 |
nostalgia |
New York City |
Nexus (Miller), 658 |
early 20th-century |
19th-century development, |
‘Nick and the Candlestick’ |
prevalence, 343–5 |
246 |
(Plath), 581 |
reasons for prevalence, |
African American history |
Nick of the Woods (Bird), |
257 |
of, 353 |
112–13 |
nostalgia: literary treatments |
and Howells, 285 |
Niedecker, Lorine, 395, 396 |
Cather, 363–4 |
origin of Gotham |
Nielsen, Helen, 752 |
Fitzgerald, 437 |
nickname, 105 |
The Nigger (Sheldon), 454 |
Jewett, 261–4 |
and theatre, 701–2, 703, |
Nigger Heaven (Van Vechten), |
Southern regionalists, 266, |
712 |
513 |
267–9 |
New York City: literary |
’night, Mother (Norman), |
Stickney, 298 |
treatments |
720 |
traditionalists, 463–78 |
Arenas, 786 |
A Night in Acadie (Chopin), |
Twain, 250–7 |
Auster, 618 |
270–1 |
Wolfe, 495–7 |
Bellow, 766 |
The Night of the Iguana |
see also past |
Berrigan, 650 |
(Williams), 710 |
Notebook (Lowell), 590, 591 |
Capote, 724–5 |
Night Over Taos (Anderson), |
Notes for Echo Lake (Palmer), |
Chu, 787 |
456 |
748 |
Doctorow, 608 |
Night Rider (Warren), 473–4 |
Notes on the State of Virginia |
Dos Passos, 441 |
Nightwood (Barnes), 434–5 |
(Jefferson), 77–8 |
Hijuelos, 785 |
nihilism |
Notes Toward a Supreme |
Himes, 755–6 |
and Gardner, 739 |
Fiction (Stevens), 411, |
Irving, 105–6 |
in naturalist works, 304 |
416 |
Jen, 789 |
see also alienation; |
le nouveau roman, 741, 742 |
Kincaid, 701 |
existentialism |
Nova (Delany), 761 |
Index |
879 |
novels |
immigrant, 328–9, 331–2, |
The Octopus (Norris), 300, |
dime novels, 249, 537–40 |
333, 500, 503–4 |
301–3 |
fact as basis of, 93, 95, 98 |
Latina, 783, 784, 785–6 |
‘Ode to Sequoya’ (Posey), |
first African American, |
Modernist, 432, 433–53, |
260 |
184 |
516–20 |
‘Ode to the Confederate |
first African American |
muckrakers, 330–2 |
Dead’ (Tate), 470 |
detective, 512 |
Native American, 505–9, |
Oden, G. C., 665 |
first by African American |
804–17 |
Odets, Clifford, 456, 457–8 |
woman, 193–4 |
naturalist, 298–308 |
Odyssey Theatre, 712 |
first by African American |
popular, 537–52 |
Of Mice and Men (Steinbeck), |
woman to sell |
postmodern, 728–42 |
497 |
1 million-plus, 532 |
postwar, 601–29, 650, |
Of One Blood (Hopkins), |
first Japanese American, |
654–63, 726–8 |
310 |
794 |
prophetic, 495–9 |
Of Plymouth Plantation |
first Native American, 505 |
radicals, 488–90, 491–2, |
(Bradford), 32–4 |
first by Native American |
494 |
Of Time and the River |
woman, 509 |
science fiction, 601, 602, |
(Wolfe), 495, 496 |
James on, 290 |
758–62, 814–15 |
Of Women and Their |
realism, 250 |
traditionalist, 475–7 |
Elegance (Mailer), |
novels: 18th century, 92–9 |
women, see women: |
604 |
novels: 19th century |
writings, 20th century |
‘Off from Swing Shift’ |
African American, 183–94 |
nuclear weapons and war, |
(Hongo), 796 |
early, 107–18, 175 |
555–6 |
‘Often I Am Permitted to |
late, 249, 318 |
literary treatments, 580–1, |
Return to a Meadow’ |
mid-, 168–9, 171–3, 176, |
760, 809 |
(Duncan), 636 |
180, 194–214 |
Nugent, Elliot, 545 |
Oh Dad, Poor Dad, Mamma’s |
realist, 282–96 |
Nuyorican Poets Café, 772, |
Hung You in the Closet |
regionalist, 250–7, 261–4, |
780 |
and I’m Feelin’ So Sad |
267, 269–74, 276–8, 281 Nye, Naomi Shihab, 598, 599 |
(Kopit), 712–13 |
|
women, 214–16, 217–20, |
|
Oh What a Paradise It Seems |
309, 310–14, 315–16, |
‘O City, City’ (Schwartz), |
(Cheever), 605 |
323–4 |
575 |
O’Hara, Frank, 645–9, |
novels: 20th century |
O-gî-mäw-kwe Mit-i-gwä-ki |
649–51, 665 |
African American, 352–5, |
(Pokagon), 505 |
O’Hara, John, 604, 702 |
510, 511–22, 532–6, |
O Pioneers! (Cather), 362 |
O’Hara, Scarlett (Gone With |
674–8, 680–6, 691–701 |
Oakley, Dorinda (Barren |
the Wind), 547–8 |
Asian American, 787, |
Ground), 360 |
oil industry, 248 |
788–93, 794–5, |
Oates, Joyce Carol, 624–5 |
Ojibwa people |
797–801 |
Objectivism, 393–5 |
history and culture, 155 |
beat, 654–8 |
O’Brien, Tim, 618, 727 |
stories, 152, 153 |
Black Arts, 666 |
Observations (Moore), 393 |
Okada, John, 794–5 |
Chicano/a, 773–7, 779–80 |
O’Casey, Sean, 687 |
Okanogan people, 6, 508–9 |
detective and thrillers, |
Occom, Samson, 82–3 |
Oklahoma! (Rodgers and |
540–2, 750–8 |
‘An Occurrence at Owl |
Hammerstein), 702 |
early, 326, 347, 355–73 |
Creek Bridge’ (Bierce), |
old age: literary treatments |
European immigrant, |
287 |
Holmes, 230 |
763–4, 766–7, 768–71 |
O’Connor, Flannery, 621–3, |
Longfellow, 229 |
Fugitives, 469, 473–5 |
737 |
Miller, 706 |
‘hardboiled’, 541–4 |
October Light (Gardner), 739 |
Roethke, 587 |
880 |
Index |
Old Creole Days (Cable), |
O’Neill, Eugene, 458–63, |
Orpheus Descending |
274–6 |
487, 701 |
(Williams), 707, 710 |
Old Indian Legends (Bonnin), |
Onoto Watanna, see Eaton, |
Ortiz, Simon, 802 |
326 |
Winnifred |
Osage people, 805 |
‘The Old Order’ (Porter), |
‘The Open Boat’ (Crane), |
Osgood, Frances Sargent, |
432–3 |
305 |
225–6 |
Old Washington (Spofford), |
Open House (Roethke), 585 |
Other Voices, Other Rooms |
314 |
Open Theatre, 712 |
(Capote), 724 |
Olds, Sharon, 599, 600 |
Oppen, George, 393, 394–5 |
otherness: literary treatments |
Oldtown Fireside Stories |
Opportunity, 518, 525, 527 |
Eliot, 405–6 |
(Stowe), 200 |
Oral History (Smith), 627 |
Faulkner, 450–2 |
Oldtown Folks (Stowe), 200 |
orality |
regionalists, 269 |
Oleander (Mamet), 718 |
African American, 86 |
see also alienation |
Olenska, Ellen (The Age of |
and Baraka, 666 |
‘Our America’ (Martí), 323 |
Innocence), 357–8 |
blues, 530 |
‘Our Greatest Want’ (Harper), |
Olsen, Tillie, 482, 764–5 |
corridos, 321–2 |
183 |
Olson, Charles, 629–32, |
and Faulkner, 447 |
Our Nig (Wilson), 193–4 |
645–6, 665, 673, 749 |
folksongs, 222–4 |
Our Old Home (Hawthorne), |
Omensetter’s Luck (Gass), |
and Gaines, 683 |
206 |
606 |
and Hinojosa, 777 |
Our Town (Wilder), 456 |
Omoo (Melville), 208 |
Hispanic Southwest, |
‘Out, Out –’ (Frost), 382–3 |
‘On a Soldier Fallen in the |
158–60 |
The Outsider (Wright), 536 |
Philippines’ (Moody), |
and Hurston, 514–15 |
‘The Oven Bird’ (Frost), 382 |
299 |
and Knight, 672 |
‘The Over-Soul’ (Emerson), |
‘On Being Brought from |
and Laviera, 781 |
130 |
Africa to America’ |
and Native Americans, |
Overland Monthly, 258, 333 |
(Wheatley), 87–8 |
4–18, 152, 322, 326, |
The Owl Answers (Kennedy), |
‘On Hearing of the Intention |
802–17 |
688 |
of a Gentleman to |
performance poetry, 664, |
Oxata (Hejinian), 747 |
Purchase the Poet’s |
669–70, 673, 771–3, 781 |
Oxherding Tale (Johnson), |
Freedom’ (Horton), |
and postwar novels, 627 |
685 |
163 |
and Shange, 673 |
Ozick, Cynthia, 766 |
‘On Leaving California’ |
spirituals, 220–2 |
|
(Taylor), 258–9 |
order |
Padgett, Ron, 649 |
On Newfound River (Page), |
Adams on, 318–21 |
Page, Thomas Nelson, 250, |
267 |
and Eliot, 405 |
267, 268 |
‘On the Duty of Civil |
and Stevens, 411–12 |
Pai, Margaret K., 798 |
Disobedience’ |
‘Oread’ (H. D.), 390–1 |
Paine, Thomas, 74–6, 80 |
(Thoreau), 142–3 |
O’Regan, Teague (Modern |
‘A Pair of Silk Stockings’ |
‘On the Equality of the |
Chivalry), 95–6 |
(Chopin), 271 |
Sexes’ (Murray), 81 |
The Oregon Trail (Parkman), |
Pal Joey (Hammerstein, |
On the Road (Kerouac), 556, |
113–15 |
Kaufman and Hart), |
641, 654, 655–6 |
Origin, 632 |
702 |
On Trial (Rice), 455 |
origin, myths of, see creation |
Pale Fire (Nabokov), 768 |
Oñate, Juan de, 23 |
Orlovsky, Peter, 645 |
Pale Horse, Pale Rider |
One Flew Over the Cuckoo’s |
Ormond (Brown), 96, 98 |
(Porter), 432, 433 |
Nest (Kesey), 661–3 |
orphanhood, Forrest on, |
Paley, Grace, 625, 767 |
One Hour (Smith), 490 |
686 |
Palmer, Michael, 747, 748 |
Oneida people, 803 |
Orpheus (Rukeyser), 425 |
Papago people, 6 |
Index |
881 |
‘Papermill’ (Kalar), 482 |
pastoral themes and |
‘Persephone’ (Le Sueur), |
Papp, Joseph, 722 |
pastoralism |
492–3 |
Paradise (Morrison), 694, |
18th-century poetry, 63–4, |
Person, Place and Thing |
695 |
89–90 |
(Shapiro), 565 |
Paradise, Sal (On the Road), |
in Byrd, 57–8 |
Personal Narrative (Edwards), |
655 |
in Cather, 363 |
66 |
Paredes, Américo, 771 |
in Cooper, 109 |
personality, Ashbery on, 652 |
Paretsky, Sara, 754–5 |
in images of the South, |
Personism, 647–8 |
Parker, Charlie, 633, 666, |
169–70 |
Petry, Ann, 531, 532 |
672, 673 |
in Jewett, 264 |
phanopoeia, 399 |
Parker, Dorothy, 348, 545, |
in McCarthy, 618 |
Phelps, Elizabeth Stuart, |
546, 549 |
in Roth, 614 |
315–16 |
Parker, Robert B., 754 |
The Pat Hobby Stories |
Philadelphia Fire (Wideman), |
Parker, Theodore, 135 |
(Fitzgerald), 439–40 |
685 |
Parkman, Francis, 113–15, |
Patchen, Kenneth, 482, |
Philip II, king of Spain, 22 |
155 |
485–6 |
Philip, King (Metacomet), |
The Partisan Leader (Tucker), |
Paterson (Williams), 392, |
154 |
172 |
409–11 |
Philippines, immigration |
Partisan Review, 348, 534 |
The Pathfinder (Cooper), |
from, 503 |
Passamaqoddy people, 11, 14 |
108–9 |
writings, 504, 798–9 |
Passing (Larsen), 516, 517–18 |
Patrick, Robert, 719 |
Phillips, David Graham, |
‘The Passing of Grandison’ |
Patternist series (Butler), 762 |
330–1 |
(Chesnutt), 280–1 |
Paul Kauvar (Mackaye), 454 |
Phillips, Jayne Anne, 626–7, |
‘A Passionate Pilgrim’ |
Paulding, James Kirke, 105, |
726, 727 |
(James), 289 |
124 |
Phillips, Wendell, 146, 164, |
past: literary treatments |
Pavelka, Anna, 362 |
165, 171 |
Alexei, 816–17 |
Pawnee people, 109 |
philosophical writings, 18th |
Berger, 739 |
Payne, John Howard, 453 |
century, 67–8 |
Bradley, 686 |
Peabody, Elizabeth, 135, 136 |
The Piano Lesson (Wilson), |
Cather, 363–4 |
Peabody, Sophia, 203 |
690 |
Eliot, 402 |
Pearl (The Scarlet Letter), |
The Piazza Tales (Melville), |
Faulkner, 345, 448 |
203, 204, 206 |
213–14 |
Fugitives, 463–75 |
The Pearl of Orr’s Island |
picaresque narratives |
Jeffers, 385–7 |
(Stowe), 200 |
19th century, 253–6 |
Macdonald, 753 |
Peckham, Sir George, 26 |
20th century, 676 |
Miller, 703, 704 |
Pecquot people, 34 |
Revolutionary period, |
Morris, 607–8 |
The Penitent (Singer), 763, |
95–6 |
Morrison, 692, 693, 694 |
764 |
Picasso, Pablo, 430, 431 |
Reed, 681 |
Pennington, James W. C., |
Picture Bride (Song), 787–8 |
Shepard, 716 |
185 |
Pictures of Country Life (Cary), |
Stegner, 606–7 |
Percy, Walker, 617 |
216–17 |
Walker, 696 |
Perelman, Bob, 744, 745, 746 |
Pictures of Fidelman |
Welty, 620 |
Perelman, S. J., 544–5 |
(Malamud), 609 |
Whitman, 234 |
The Pérez Family (Bell), 786 |
Pictures of the Floating World |
Wideman, 685 |
Performance Group, 712 |
(Lowell), 389 |
Wilson (August), 690 |
performance poetry, 664, |
Pierce, Franklin, 202 |
Wilson (Lanford), 717 |
669–70, 673, 771–3, 781 |
Piercy, Marge, 767–8 |
Wolfe, 496–7 |
periodicals, see journals and |
Pierre (Melville), 207–8, 213 |
see also history; nostalgia |
periodicals |
Pierrepoint, Sarah, 68 |
882 |
Index |
Pietri, Pedro, 780–1 |
‘The Poet’ (Emerson), 134 |
poetry: 19th century |
The Pilot (Cooper), 108 |
The Poet at the Breakfast |
African American, 163–4, |
Pima people, 10, 13 |
Table (Holmes), 230 |
183 |
Pink and White Tyranny |
poetry |
early and mid-, 119–21, |
(Stowe), 200 |
Ashbery on, 651–2 |
166–8, 169, 214, |
Pinsky, Robert, 597–8 |
Ciardi on, 575 |
224–44 |
The Pioneers (Cooper), 108, |
Crane on, 426, 427 |
late, 258–61, 265–7 |
109 |
cummings on, 422–3 |
Native American, 152–3 |
The Pit (Norris), 301 |
Dugan on, 575 |
poetry: 20th century |
A Place to Come To (Warren), |
Duncan on, 635–6 |
African American, 353, |
474 |
Emerson on, 132–3, |
512–13, 518–20, |
‘Plain Language from Truthful |
134–5 |
522–30, 532–3 |
James’ (Harte), 258 |
Ferlinghetti on, 637 |
African American protest, |
Plain Song (Morris), 607, |
Franklin on, 62 |
664–74 |
608 |
Frost on, 379–81 |
Asian American, 502–3, |
‘A Plan for Romantic |
Ginsberg on, 642, 643 |
787–8, 795–6, 800 |
Fiction’ (Norris), 300 |
Ignatow on, 575 |
beat poets, 641–5 |
plantation romances and |
language poets on, 742–9 |
Black Arts movement, |
novels, 171–3, 533, |
magazines, 371, 388, 393, |
664–8 |
546–9, 621 |
411 |
Black Mountain writers, |
and Styron, 606 |
Merrill on, 653 |
629–37 |
The Planter’s Northern Bride |
Moore on, 418 |
Chicano/a, 771–3, 780 |
(Hentz), 171–3 |
O’Hara on, 645–6 |
comic, 544 |
Plath, Sylvia, 568, 573, 578, |
Olson on, 629–30 |
early, 298–9, 300, 303, |
593–6, 581 |
Poe on, 119–20 |
353, 373–88 |
Play It As It Lays (Didion), |
Pound on, 388–90, 397, |
Fugitives, 464–6, 467–9, |
628 |
398 |
470–3 |
plays, see drama |
Puritans on, 41, 62 |
Imagism, 388–97 |
Plexus (Miller), 658 |
Rexroth on, 482–3 |
language poetry, 742–9 |
The Plum Pickers (Barrio), |
(Riding) Jackson on, |
Latino/a, 780, 782–3 |
774 |
426 |
Modernism, 388–429, |
Plus (McElroy), 740 |
Rukeyser on, 425 |
518–20, 528 |
Plymouth Plantation, 32–4, |
Spicer on, 638–9 |
Native American, 802–4, |
37 |
Stein on, 431 |
806, 808, 815 |
Pocahontas, 30–1, 453 |
Stevens on, 412–13 |
naturalist, 303 |
Pocho (Villareal), 773–4 |
Schwartz on, 575 |
New York poets, 645–53 |
Podhoretz, Norman, 641–2 |
Stafford on, 575 |
Objectivism, 393–5 |
Poe, Edgar Allan, 104, |
Whitman on, 235–7 |
performance, 664, 669–70, |
118–24 |
Wilbur on, 566–7 |
673, 771–3, 781 |
influence, 651 |
Williams on, 408 |
populist, 479–81 |
on Longfellow, 228 |
Zukofsky on, 393 |
postmodernist, 742–9 |
Lowell on, 231 |
poetry: 17th and 18th |
postwar, 564–600, 659 |
and Osgood, 225 |
centuries |
postwar immigrant, 767–8 |
‘Poem About My Rights’ |
18th century, 60–4 |
radicals, 481–6, 494–5 |
(Jordan), 671 |
African American, 62, 78, |
realist, 298–9, 300 |
‘A Poem for Myself ’ (Knight), |
86–8 |
San Francisco Renaissance, |
671 |
colonial, 41–9 |
637–40 |
Poems on Several Occasions |
Revolutionary period, |
traditionalist, 475–8 |
(Evans), 61 |
86–91 |
Vorticism, 389 |
Index |
883 |
‘Poetry’ (Moore), 418 |
Pop. 1280 (Thompson), 751 |
Powers, J. F., 727 |
Poetry: A Magazine of Verse, |
population, 19th century, |
Powhatan people, 30–1 |
371, 388, 393, 411, 479 |
100, 246 |
The Prairie (Cooper), 108, |
Poganuc People (Stowe), 200 |
populism, early 20th century, |
109, 110, 111 |
Poictesme novels (Cabell), |
478–81 |
‘The Prairies’ (Bryant), 227 |
368–9 |
Porgy (Heyward), 454 |
Praise to the End (Roethke), |
‘A Point at Issue’ (Chopin), |
‘The Portent’ (Melville), |
586 |
271 |
214 |
Precaution (Cooper), 108 |
Pokagon, Simon, 505 |
Porter, Katherine Anne, |
Prejudices (Mencken), 368 |
Poland: literary treatments, |
432–3 |
Prelude (Wordsworth), |
763 |
Portnoy’s Complaint (Roth), |
236 |
Polaroid (Coolidge), 743 |
613–14 |
Preparatory Meditations |
The Political Economy of |
‘Portrait’ (Bogan), 421 |
before My Approach |
Slavery (Ruffin), 169 |
The Portrait of a Lady (James), |
to the Lords Supper |
‘A Political Litany’ (Freneau), |
288, 291–4, 296 |
(Taylor), 48–9 |
88–9 |
Posey, Alexander Lawrence, |
Prescott, William Hinckling, |
politics |
260–1 |
113 |
20th-century growth in |
Posey, George (The Heroes), |
The Present State of Virginia |
literature to promote |
469–70 |
(Jones), 57 |
causes, 558–9 |
Possessing the Secret of Joy |
The Presidential Papers |
20th-century radicals and |
(Walker), 697–8 |
(Mailer), 600 |
populists, 478–95 |
The Postman Always Rings |
Presley (The Octopus ), 300, |
African American, 512–14, |
Twice (Cain), 543 |
302 |
515–16, 534, 536 |
postmodernism, 563–4, 740 |
The Price (Miller), 706 |
African American protest |
definition, 558 |
The Price of Parthia (Godfrey), |
poetry, 663–74 |
immigrant writings, 766, |
453 |
and Gold, 488 |
768, 777 |
pride: literary treatments |
and Hemingway, 444 |
Native American writings, |
Cable, 277 |
and Hurston, 515–16 |
814–15 |
Hawthorne, 202, 203 |
and McKay, 512–14 |
poetry, 742–9 |
primitivism |
and Native Americans, |
prose, 616–17, 618, |
and Dickey, 476–7 |
802–17 |
728–42 |
in naturalists, 300, 301, |
in naturalist works, 298–9, |
and science fiction, 762 |
306, 307 |
301–3, 305–6 |
poststructuralism, 741, |
in Roethke, 585–6 |
political novels, 608 |
742–3 |
The Princess Casamassima |
political poetry, 635 |
Pound, Ezra, 347, 397–402 |
(James), 294 |
and Wright, 534, 536 |
and Frost, 379 |
prison life: literary treatments, |
see also civil rights |
and Hemingway, 445 |
672 |
movement; |
and Imagism, 388–90 |
The Prisoner of Sex (Mailer), |
Communism; |
influence, 484, 646 |
604 |
democracy; feminism; |
and Objectivism, 393 |
private eyes, see detective |
government, American; |
and Vorticism, 389 |
stories and novels |
Marxism; socialism |
on Whitman, 232, 237 |
The Pro-Slavery Argument, |
Pollock, Jackson, 633, 651 |
power |
170–1 |
polyphonic prose, 389, 396 |
Mailer on, 603–4 |
Proctor, John (The Crucible), |
Pomo people, 14 |
naturalists on, 300–8 |
705–6 |
Pontellier, Edna (The |
Rukeyser on, 424–5 |
‘Proem’ (Whittier), 166–7 |
Awakening), 271–4 |
The Power of Sympathy |
The Professor at the Breakfast |
Poor White (Anderson), 373 |
(Brown), 92–3 |
Table (Holmes), 230 |
884 |
Index |
progress |
Puritans and Puritanism |
Mitchell, 547, 548–9 |
Southern regionalists on, |
captivity narratives, 50–2 |
Oates, 625 |
267 |
and Catholicism, 51–2 |
Sheldon, 454 |
and US economy, 246 |
challenges to, 36–41 |
Smith, 490 |
and Westerns, 538, 539 |
conspiracy theory, 52 |
Southern regionalists, 268, |
prohibition, 343–4 |
and Hawthorne, 200, 201, |
270 |
projectivist poetry, see Black |
203, 204, 206 |
Twain, 254 |
Mountain writers |
and Lowell, 587, 588 |
Warren, 471–2 |
proletarian literature, 487, |
on poetry, 41 |
see also African Americans; |
488 |
poetry by, 42–4, 47–9 |
Hispanics; immigrant |
The Promised Land (Antin), |
values, 68–9 |
experience; Mexican |
329 |
waning of influence, 55–6 |
Americans; Native |
protest, postwar, 559–61 |
writings, 32–6, 52–4 |
Americans; slavery |
African American writing, |
‘Putting the good things |
racial stereotyping |
663–74, 688–90 |
away’ (Piercy), 767 |
in Hopkins, 311 |
literary treatments, 604 |
Puyat, Pauline (Tracks), 812 |
in Poe, 118–19 |
Proulx, E. Annie, 628, 629 |
Pynchon, Thomas, 729–33, |
in Stowe, 198–9 |
Proust, Marcel, 432 |
742 |
radicalism, 20th century, |
Providence, Rhode Island, 39 |
|
481–95 |
Provincetown Players, 434, |
Quakers, 65, 167 |
radio, spread of, 337–8 |
459, 488 |
Queen, Ellery (Frederic |
Ragtime (Doctorow), 608 |
provincial life: literary |
Dannay), 541 |
railroads |
treatments, 368–73, 471 |
Queenborough trilogy, |
initial effects, 101 |
‘Prufrock, The Love Song of |
359–60 |
late 19th century, 246 |
J. Arthur’ (Eliot), 403, |
Queer (Burroughs), 656 |
literary treatments, 301–2 |
404 |
Queneau, Raymond, 741 |
Rain of Gold (Villaseñor), |
Prynne, Hester (The Scarlet |
Quicksand (Larsen), 516–17 |
779 |
Letter), 203, 204, 205 |
Quiet Odyssey (Lee), 798 |
Rainey, Ma, 526, 531 |
Pseudopodia, 490 |
Quinney, John Wannuaucon, |
Raining Backwards |
psychosis: literary treatments, |
156 |
(Fernandez), 786 |
750–1 |
Quotations from Chairman |
A Raisin in the Sun |
see also mental illness |
Mao (Albee), 714 |
(Hansberry), 687 |
The Public Burning (Coover), |
|
Rakosi, Carl, 393 |
740–1 |
Rabbit novels (Updike), 614, |
Ransom, John Crowe, 344, |
Public Theatre, 722 |
616 |
419, 464, 466, 467–9 |
publishing industry |
Rabe, David, 719 |
and Hecht, 582 |
19th century, 104, 249, |
race issues and relations |
and Tate, 470 |
268, 537 |
1919 riots, 510, 512–13 |
and Warren, 473 |
20th century, 539–40, 750, |
early 20th century, 342, |
rapping, 669, 670 |
753 |
344 |
Rauschenberg, Robert, 647 |
Pudd’nhead Wilson, The |
lynching, 512 |
Rave (Broumas), 600 |
Tragedy of (Twain), 256 |
South, 19th century, 247 |
‘The Raven’ (Poe), 120, 123 |
Puerto Rican Obituary (Pietri), |
race issues and relations: |
Raven the Great (Tsimshian |
780–1 |
literary treatments |
character), 9 |
Puerto Rican Americans: |
Albee, 713 |
Rawlings, Marjorie Kinnan, |
writings, 780–3 |
detective novels and |
355 |
pulp magazines, 539–40, |
thrillers, 755–7 |
Rawlins, Ezekiel ‘Easy’ |
750 |
Douglas, 627 |
(Mosley character), 756 |
Purdy, James, 617 |
Lewis, 371 |
Ray (Hannah), 727 |
Index |
885 |
Ray (Home to Harlem), 513 |
O’Connor, 621–3 |
and Tate, 470–1 |
readers, authors’ relationship |
Welch, 811 |
see also Buddhism; |
with |
The Redskins (Cooper), 112 |
Catholicism; |
Barth, 733 |
Redwood (Sedgwick), 115–16 |
Christianity; Islam; |
Barthelme, 736–7 |
Reed, Ishmael, 562, 680–2 |
spirituality |
language poets, 743–4 |
Reed, John, 487 |
‘Remember’ (Harjo), 804 |
McClure, 639 |
Reed, Lou, 815 |
Remember to Remember |
Morrison, 693–4 |
regionalism |
(Miller), 658 |
Nabokov, 770 |
African American and |
renewal: literary treatments |
O’Hara, 647 |
Native American, |
Douglass, 147 |
postwar poets, 567 |
259–61 |
Native American stories, |
Whitman, 235–7 |
definition, 257 |
16–17 |
Wieners, 633 |
Fugitives and traditionalists, |
naturalists, 302 |
Reagan, Ronald, 554, 561 |
463–77 |
Thoreau, 142 |
The Real Life of Sebastian |
New England, 261–5 |
repetition |
Knight (Nabokov), 768 |
South, 265–81 |
and Everson, 638 |
realism |
Twain, 250–7 |
and Faulkner, 447–53 |
19th-century drama, |
West and Midwest, 258–9 |
Hejinian on, 744–5 |
453–4 |
religion |
and Le Sueur, 494 |
19th-century novels, 250, |
in 18th-century works, |
and Olson, 631 |
282–6 |
65–8 |
and Stein, 431 |
dirty realism, 601, 726–8 |
in 19th-century works, |
and Welch, 810 |
domestic realism, in |
195, 196, 224 |
and Whitman, 233–4 |
postwar drama, 702–12, |
African American services, |
The Repository (Murray), |
713–14, 716–17 |
174 |
81 |
Hansberry on, 686 |
and Baldwin, 676–7 |
repression: literary |
and New Journalists, |
in colonial poetry, 42–4, |
treatments |
723–5 |
48–9 |
Gilman, 316–18 |
reality |
Douglass on, 146–7 |
Glasgow, 359–60 |
Nabokov on, 768–9 |
in early 20th-century |
Thurber, 545 |
Stevens on, 411–12 |
literature, 299 |
Wharton, 357–8 |
The Rebels (Child), 175 |
Edwards on emotion’s |
Requiem for a Nun (Faulkner), |
‘Recipe’ (Mirikitani), 795 |
place in, 67 |
447 |
Recollections of a Forest Life |
Emerson on, 130, 133, 135 |
‘Requiem for the Spanish |
(Copway), 155 |
evangelical writings, 18th |
Dead’ (Rexroth), 483 |
The Red Badge of Courage |
century, 82–3 |
Reservation Blues (Alexei), |
(Crane), 304–5 |
evangelism, 55, 65–7, 102 |
815, 816–17 |
Red Rock (Page), 267 |
and Foote, 309–10 |
reservations: literary |
Redburn (Melville), 208, 209 |
and King, 680 |
treatments, 815–16 |
The Redeemed Captive |
and Lowell, 588 |
Resolutions (Edwards), 66 |
Returning to Zion |
Melville on faith, 211–12, |
‘A Respectable Woman’ |
(Williams), 51 |
213, 214 |
(Chopin), 271 |
redemption: literary |
Native American, 40, |
‘The Return of the Private’ |
treatments |
324–5 |
(Garland), 297 |
Crane, 427 |
and O’Connor, 621–3 |
revenge: literary treatments, |
Delany, 761 |
and O’Neill, 458–9, 462 |
203, 205–6 |
Fugitives, 464, 472–5 |
and Puritan writings, |
Review of the Debate in the |
Grey, 539 |
33–6, 42, 50–4 |
Virginia Legislature |
Merrill, 653 |
Stevens on, 413–14 |
(Dew), 170 |
886 |
Index |
‘The Revolt of “Mother” ’ |
The Rising Glory of America |
Rothko, Mark, 651 |
(Freeman), 264, 265 |
(Freneau and |
Roughing It (Twain), 250, |
The Revolt of the Cockroach |
Brackenridge), 88 |
251 |
People (Acosta), 779 |
‘Rites of Ancient Ripening’ |
Rowlandson, Mary White, |
‘The Revolution Will Not |
(Le Sueur), 493 |
50–1, 52 |
Be Televised’ (Scott- |
Rituals of Survival (Mohr), |
Rowson, Susanna Haswell, |
Heron), 670 |
783 |
92, 93–4 |
Rexroth, Kenneth, 393, |
river life: literary treatments, |
Ruffin, Edmund, 168, 169, |
482–4, 537, 641 |
125, 250–6 |
170 |
Reynolds, J. N., 209 |
Rivera, Tomás, 774–5, 776–7 |
Rukeyser, Muriel, 424–5 |
Reznikoff, Charles, 393, |
Rivers, Larry, 645, 646, 647 |
A Rumor of War (Caputo), |
395–6 |
Rives, Amélie, 250 |
728 |
‘Rhapsody’ (O’Hara), 648–9 |
The Road to Tamazunchale |
Running Sketches of Men and |
Rhea, Miranda (‘The Old |
(Arias), 779 |
Places (Copway), 155–6 |
Order’), 432–3 |
‘Roan Stallion’ (Jeffers), |
Runyon, Damon, 718 |
Rice, Elmer, 455–6, 546 |
385–7 |
rural communities: literary |
Rich, Adrienne, 568, 570, |
The Robber Bridegroom |
treatments |
572–3 |
(Welty), 620 |
19th century, 261–5, |
influence, 782 |
Roberts, Elizabeth Madox, |
266–7, 269, 297–8 |
and Vietnam, 579, 580 |
432, 433–4 |
20th century, 344, 376–9, |
Rich, Robert, 28 |
Robeson, Paul, 687 |
497–9 |
‘Richard Cory’ (Robinson), |
Robinson, Edwin Arlington, |
in Modernist works, 396, |
375–6 |
374–9 |
433–4, 447–53 |
Richardson, Samuel, |
rock and roll, 556 |
postwar novels, 607–8, |
influence, 96 |
Rockefeller, John D., 248 |
624 |
Riders of the Purple Sage |
Roderick Hudson (James), |
Rushing, Jimmy, 531 |
(Grey), 538, 539 |
289 |
Ruth Hall (Fern), 180–1 |
Ridge, John Rollin, 152–3, |
Rodgers, Richard, 702 |
|
505 |
Roethke, Theodore, 573, |
A Sabine Woman (Moody), |
Ridge, Lula, 482 |
585–7 |
299 |
Riding, Laura, 464, 742 |
Rolfe, Edwin, 482 |
Saffin, John, 41 |
(Riding) Jackson, Laura, 424, |
Romance, Norris on, 300–1 |
Salem witch trials, 52, 54 |
425–6 |
A Romance of the People |
and Hawthorne, 201–2 |
The Rights of Man (Paine), |
(Child), 176 |
literary treatments, 112, |
75 |
The Romantic Comedians |
705–6 |
Riley, James Whitcomb, 259, |
(Glasgow), 359–60 |
Salinger, J. D., 556, 654, |
261 |
Ronyoung, Kim, 798 |
659–61 |
Rimbaud, Arthur, 121 |
Roosevelt, Theodore, 330, |
Salmagundi (Irving), 105 |
rime-breaking, 417 |
346, 374 |
Salute to Spring (Le Sueur), |
‘Rip Van Winkle’ (Irving), |
Rope and Faggot (White), |
494 |
106 |
512 |
‘The Same Old Jazz’ |
Ripley, George, 135 |
Roper, Moses, 185 |
(McClure), 639 |
Ripley novels (Highsmith), |
Rose, Wendy, 803–4 |
San Francisco Renaissance, |
752 |
Rosenberg, Julius and Ethel: |
637–40 |
Ripostes (Pound), 399 |
literary treatments, 608, |
San Francisco Talk Series, |
The Rise of David Levinsky |
740–1 |
745 |
(Cahan), 328–9 |
Rosewater, Eliot, 762 |
Sanchez, Sonia, 558, 668, |
The Rise of Silas Lapham |
Roth, Henry, 347 |
669, 671 |
(Howells), 282, 283–5 |
Roth, Philip, 613–14 |
Sandburg, Carl, 371, 479–80 |
Index |
887 |
Santayana, George, 413 |
Schuyler, James, 649, 650 |
secret histories |
Santiago, Esmerelda, 783 |
Schwartz, Delmore, 568, |
and Hongo, 796 |
Santos, Bienvenido, 799 |
574–5 |
and language poets, 744, |
Sappho, 389 |
literary treatments, 612 |
749 |
Saroyan, William, 457 |
science, Adams on, 318–19, |
slavery, 165, 166 |
Sartoris (Faulkner), 449 |
320 |
The Secret History of the |
Sartre, Jean-Paul, 536, 651 |
science fiction, 601, 602, |
Dividing Line (Byrd), 59 |
Satan in Gusay (Singer), |
758–62 |
Sedgwick, Catharine Maria, |
763 |
early African American, |
115–18 |
Satanstoe (Cooper), 112 |
310 |
Segregation (Warren), 472 |
satire |
Native American, 814–15 |
Selby, Hubert, 727 |
17th century, 38, 63 |
Scopes trial, 341, 465–6 |
self: literary treatments |
19th century, 105, 231–2, |
Scott, Sir Walter, influence |
Aiken, 396–7 |
254–6 |
on Cooper, 108 |
Ammons, 577 |
Revolutionary period, |
on Douglass, 145 |
Austin, 327 |
88–9, 95–6 |
on Irving, 106 |
Bellow, 611 |
satire: 20th-century |
on Norris, 300 |
Berryman, 592–3 |
early and mid-, 359–60, |
on Parkman, 115 |
Dickinson, 237–44 |
369–71, 511–12, 544–5 |
on Prescott, 113 |
Eliot, 404–6 |
postmodern novels, 738, |
Scott-Heron, Gil, 670 |
Faulkner, 448–53 |
741 |
Scoundrel Time (Hellman), |
Fitzgerald, 435 |
postwar novels, 601–2, |
491 |
H. D., 391–2 |
604–5, 609, 650, 684, |
sea novels |
James, 292 |
724 |
Cooper, 108, 111, 112 |
Kincaid, 701 |
radicals, 484, 486 |
and Johnson, 685 |
Lowell, 587–90 |
science fiction as, 759–62 |
London, 307–8 |
Malamud, 609–10 |
Satires Against the Tories |
Melville, 208, 209–13 |
Plath, 593–6 |
(Freneau, Brackenridge |
Norris, 300 |
Porter, 432–3 |
and Madison), 88 |
sea poems, 428 |
postmodernists, 734 |
Saturday Evening Post, 540 |
The Sea-Wolf (London), 300, |
postwar poetry, 567–73, |
Savage Night (Thompson), |
306, 307–8 |
599–600 |
751 |
‘The Seafarer’ (Pound), |
Roethke, 585 |
The Scarlet Letter |
398–9 |
Stevens, 414–16 |
(Hawthorne), 201, 202, |
The Searching Wind |
Walker, 697 |
203–6 |
(Hellman), 491 |
see also individualism |
Schaefer, Jack, 538, 539 |
‘Season of Death’ (Rolfe), |
self-help |
Schneck, Stephen, 740 |
482 |
Douglass on, 147 |
Schomburg, Arthur A., |
‘Seasons of the Soul’ (Tate), |
Emerson on, 130–5 |
511 |
471 |
Fitzgerald on, 438 |
‘School Day in Man Quang’ |
‘Second Fig’ (Millay), 420 |
Franklin on, 69–71 |
(Knight), 579 |
Second Great Awakening, |
Fuller on, 136–8 |
Schoolcraft, Henry Rowe, |
102 |
Thoreau on, 138–44 |
153, 155, 228 |
Second World War: literary |
selling: literary treatments, |
Schoolcraft, Jane Johnston, |
treatments |
703–5, 718 |
153–4 |
Japanese American writers, |
see also commodity |
‘The Schooldays of an Indian |
793–5 |
culture; consumerism; |
Girl’ (Bonnin), 325 |
novels, 601–3, 606, 732 |
materialism |
Schulberg, Budd, 439 |
poetry, 564–6, 588 |
The Selling of Joseph (Sewall), |
Schuyler, George, 512, 526 |
see also Holocaust |
54 |
888 |
Index |
Seneca Falls Convention, 179 |
Shalako, 16 |
comic, 545–6 |
Sent for You Yesterday |
Shane (Schaefer), 538, 539 |
early, 305, 334, 372–3, |
(Wideman), 685 |
Shange, Ntozake (Paulette |
499–500, 504 |
Sentences (Grenier), 746 |
Williams), 673–4 |
immigrant, 334, 372–3, |
Seraph on the Sewanee |
Shapiro, Karl, 528, 565, 567, |
499–500, 504, 763, |
(Hurston), 515 |
570–1 |
764–5 |
sermons, 18th century, 68 |
Shaw, Irwin, 457 |
Latina, 782, 783 |
The Serpent (van Italie), 712 |
The Shawl (Ozick), 766, 767 |
Modernist, 432–3, 435–6, |
Seven Arts, 372 |
Sheldon, Edward, 454 |
439–40, 442–4 |
The Seven League Boots |
Shelley, Percy Bysshe, 420 |
Native American, 509, |
(Murray), 684 |
The Sheltered Life (Glasgow), |
805, 814, 815–16 |
Seventeen Syllables |
359–60 |
naturalist, 305 |
(Yamamoto), 793 |
Shepard, Sam, 713, 714–17 |
postmodern, 729–30, 734, |
Several Poems Compiled with |
Sheridan, Gen. Philip: |
735–6, 740 |
Great Variety of Wit and |
literary treatments, 817 |
postwar, 605, 606, 659, |
Learning (Bradstreet), |
Sheridan, Richard Brinsley, |
661, 726, 727 |
45 |
influence, 91 |
radicals, 489, 492–3, 494 |
Sewall, Samuel, 54 |
Sherwood, Robert, 454, 455 |
science fiction, 760 |
sex and sexuality |
Sherwood Anderson & |
women, 619, 622–9 |
plantation life, 173–4 |
Other Famous Creoles |
Show Boat (Kern and |
sex and sexuality: literary |
(Faulkner), 373 |
Hammerstein), 702 |
treatments |
Shigekuni, Julie, 797 |
The Sign in Sidney Brustein’s |
African American novels, |
Ship of Fools (Porter), 433 |
Window (Hansberry), |
190 |
The Shipping News (Proulx), |
687 |
blues songs, 531 |
629 |
‘The Significance of a |
Bogan, 421 |
A Short Narration of my Last |
Veteran’s Day’ (Ortiz), |
Broumas, 600 |
Journey to the Western |
802 |
Cain, 543 |
Country (Aupaumut), |
Sigourney, Lydia Howard |
Chopin, 271–4 |
81–2 |
Huntley, 224–5 |
cummings, 423 |
short stories |
‘Silence Dogood’ papers |
Delany, 762 |
earliest, 106 |
(Franklin), 71 |
Ginsberg, 644 |
first African American, |
The Silence of the Lambs |
Harryman, 747 |
183 |
(Harris), 757–8 |
Miller, 658 |
short stories: 19th century |
The Silent Partner (Phelps), |
Native American stories, |
early, 121–3 |
315 |
10, 13 |
late, 258, 264–5, 267–8, |
The Silent South (Cable), 277 |
slave narratives, 146, 150 |
270, 274–6, 278–81, |
Silko, Leslie Marmon, 805, |
Wylie, 419–20 |
286–7, 295, 297 |
808–9 |
Sexton, Anne, 568, 570, 572, |
immigrant, 328 |
Silliman, Ron, 745, 746 |
593–4 |
mid-, 201–2, 206–7, |
Simic, Charles, 598 |
sexual harassment: literary |
213–14, 216–17, 219–20 |
Simms, William Gilmore, |
treatments, 718 |
women, 314–15, 316–18 |
168–9, 170 |
Sexual Perversity in Chicago |
short stories: 20th century |
Simon, Neil, 719–20 |
(Mamet), 717–18 |
African American, 512, |
‘Simple Autumnal’ (Bogan), |
Sexus (Miller), 658 |
520, 663–4, 676, 683, |
421–2 |
Shadows on the Rock (Cather), |
685 |
‘Simple Stories’ (Hughes), |
364 |
Asian American, 789, |
522 |
Shakespeare, William, |
792–3 |
Simpson, Louis, 565, 568, |
influence, 209–10 |
Chicana, 778–9, 779–80 |
570–1 |
Index |
889 |
‘since feeling is first’ |
Woolman on, 65 |
Smith, Lillian, 490 |
(cummings), 422 |
see also African Americans |
snakes, in Native American |
Sinclair, Upton, 329–32 |
slavery: abolition and |
stories, 14–15, 152 |
Singer, Isaac Bashevis, 763–4 |
abolitionism |
Snelling, Paula, 490 |
Sinners in the Hands of an |
19th century, 101, 103, |
Snodgrass, W. D., 568, 570, |
Angry God (Edwards), |
104, 164–8, 175–8 |
571 |
68 |
abolition achieved, 245, |
Snow-Bound (Whittier), 167 |
Sioux people |
247 |
‘The Snow-Storm’ (Emerson), |
Cooper on, 109–10 |
African American writers |
135 |
history and folklore, 324 |
on, 83–8, 160–4, 181–2, |
Snow White (Barthelme), |
stories, 5, 6–7, 9–10, 12, |
183–4 |
736–7 |
13, 14 |
and Emerson, 135 |
‘The Snows of Kilimanjaro’ |
’Sippi (Killens), 684 |
and feminism, 178 |
(Hemingway), 444 |
Sir Rohan’s Ghost (Spofford), |
and Harper, 183–4 |
Snyder, Gary, 639–40, 641 |
314 |
and Stowe, 195, 196–7 |
social change |
Sister Carrie (Dreiser), |
and Thoreau, 143 |
and Christianity, 102–3, |
365–6, 367 |
slavery: literary treatments |
164 |
Six Nations, 152 |
18th century, 62 |
early 20th century, 338–9 |
The Sketch Book of Geoffrey |
19th century, 194–200, |
social change: literary |
Crayon, Gent. (Irving), |
231–2, 254, 278–81 |
treatments |
106 |
20th-century fiction, |
early 20th century, 355–6 |
Sketches of Southern Life |
520–2, 533, 546–9, 686, |
Jewett, 261–4 |
(Harper), 184 |
693–4, 694–5 |
Twain, 250–7 |
Slaughterhouse-Five |
20th-century science |
social convention and |
(Vonnegut), 602 |
fiction, 762 |
conditioning: literary |
‘The Slave Mother’ (Harper), |
African American 19th- |
treatments |
183 |
century fiction, 184–93 |
Austin, 327 |
‘The Slave Ship’ (Whittier), |
secret histories, 165, 166 |
Chopin, 270–4 |
167 |
slave narratives, 84–5, 86, |
Corso, 645 |
slavery |
144–51, 181, 185–6 |
James, 289, 291–4 |
conversion to Christianity |
slave narratives, modern |
Heinlein, 759 |
as justification, 86 |
versions, 682, 685, 693, |
Herbert, 760 |
Crèvecoeur on, 74 |
699 |
Kesey, 662–3 |
Dwight on, 89–90 |
slave writings, 62 |
Lewis, 369–71 |
early 19th-century |
‘Slavery’s Pleasant Homes’ |
Twain, 254–7 |
conditions, 101–2 |
(Child), 176 |
Wharton, 356, 357–8 |
Franklin on, 72 |
‘Slim in Hell’ (Brown), 526 |
socialism: literary treatments |
Freneau on, 89 |
Slinger (Dorn), 635 |
early 20th century, 347, |
Fuller on, 136–7 |
Sloan, John, 365 |
456 |
Jefferson on, 78, 80 |
‘A Small, Good Thing’ |
naturalists, 298–9, 301–3, |
plantation owners’ |
(Carver), 726 |
305–6 |
attitude, 58, 60 |
Smart Set, 540 |
Sinclair, 330, 331–2 |
pro-slavers’ writings, |
Smiley, Jane, 628–9 |
society |
168–73 |
Smith, Bessie, 531, 690 |
Doctorow on, 608 |
Puritan writers on, 53, 54 |
Smith, Dave, 598 |
Faulkner on, 448 |
spirituals, 220–2 |
Smith, Edward Elmer (‘Doc’), |
pro-slavers on, 170–1 |
Washington on, 349 |
759 |
see also community |
and women, 146, 148–51, |
Smith, Captain John, 29–31 |
Society of Friends, see |
173–4, 177–8, 186–7 |
Smith, Lee, 626, 627 |
Quakers |
890 |
Index |
Sociology for the South |
Johnson, 353 |
postwar drama, 707–10, |
(Fitzhugh), 168 |
musicals, 702 |
720 |
Sojourner Truth (Truth), 181 |
Native American, 322, |
postwar novels, 605, 618, |
Soldier’s Pay (Faulkner), |
326 |
619–24, 626–7, 696 |
448–9 |
spirituals, 220–2, 353 |
postwar poetry, 598 |
‘Soliloquy of a Housemaid’ |
Sontag, Susan, 627–8 |
radicals, 490 |
(Fern), 179 |
Sophie’s Choice (Styron), 606, |
traditionalists, 475–7 |
solipsism |
766 |
South Today, 490 |
and Poe, 121 |
Sorrentino, Gilbert, 740 |
Southern, Terry, 741 |
and Stevens, 413 |
The Sot-Weed Factor (Barth), |
Southwest: literary |
solitude and solitariness |
735 |
treatments |
and Hawthorne, 202 |
The Sot-weed Factor (Cook), |
19th century, 124–9 |
and Hemingway, 442–7 |
63 |
20th century, 355, 362–4 |
and Poe, 121 |
Soto, Gary, 772 |
corridos, 321–2 |
and Thoreau, 140–2 |
Soto, Hernando De, 24 |
oral traditions, 158–60 |
see also loneliness |
The Soul of the Indian |
Southwest humorists, 125–8 |
Solomon, Carl, 643 |
(Eastman), 324–5 |
and Caldwell, 489–90 |
Solstice (Oates), 625 |
Soul on Ice (Cleaver), 663 |
and nostalgia, 268 |
Some Kind of Love Story |
The Souls of Black Folk (Du |
and Twain, 254 |
(Miller), 706 |
Bois), 342, 350–1, 352 |
Southworth, E. D. E. N., 104 |
‘Some Trees’ (Ashbery), 652 |
sound, and Zukofsky, 393 |
The Sovereignty and Goodness |
‘Someone is Harshly |
The Sound and the Fury |
of GOD (Rowlandson), |
Coughing as Before’ |
(Faulkner), 447, 450–2 |
50–1 |
(Schwartz), 575 |
South |
Spanish Civil War |
‘Something Whispered in the |
freed slaves, condition of, |
literary treatments, 482, |
Shakukachi’ (Hongo), |
247 |
483 |
796 |
slavery, attitudes to, 101–2 |
Parker on, 546 |
‘somewhere i have never |
see also slavery |
Spanish explorers, 18–20, |
travelled, gladly beyond’ |
South: literary treatments, |
21–5 |
(cummings), 423 |
18th century, 58–60 |
speech |
A Son of the Forest (Apess), |
South: literary treatments, |
language poets on, 745 |
154 |
19th century, 118–24, |
see also vernacular |
A Son of the Middle Border |
168–74, 250–7 |
Speed-the-Plow (Mamet), 718 |
(Garland), 297–8 |
regionalists, 265–81 |
Spencer, Anne, 526, 527 |
Sondheim, Stephen, 702 |
Southern Gothic, 118, |
Spicer, Jack, 638–9 |
Sone, Monica, 793–4 |
122–3 |
Spider Man (Sioux character), |
Song (M. Butterfly), 722–3 |
South: literary treatments, |
6–7 |
Song, Cathy, 787–8 |
20th century |
Spider Woman (Navajo |
The Song of Hiawatha |
African American, 518–22, |
character), 9 |
(Longfellow), 228 |
533–5, 683, 696, 699 |
Spillane, Micky, 750 |
‘Song of Myself ’ (Whitman), |
Agrarians, 466 |
Spires, Elizabeth, 598, 599 |
234–5, 236, 237 |
early, 344, 347, 355, |
Spirit House, 667 |
Song of Solomon (Morrison), |
358–61, 368 |
Spirit of the Times, 125 |
692 |
Fugitives, 464, 465–6, |
spirituality |
The Song of the Lark (Cather), |
468–75 |
Emerson on, 130–5 |
362 |
Modernist, 432–3, 448–53 |
and Shepard, 715 |
songs |
plantation romances, |
Taylor’s poetry, 47–9 |
corridos, 321–2 |
546–9 |
Thoreau on, 138–44 |
folksongs, 222–4 |
postmodern novels, 741 |
Very’s poetry, 230–1 |
Index |
891 |
spirituals, 220–2, 353 |
‘Stopping by Woods on a |
suburban life: literary |
Spofford, Harriet, 314–15 |
Snowy Evening’ (Frost), |
treatments |
Spokane people, 816–17 |
379–81 |
postwar novels, 605, |
Spoon River Anthology |
The Stories of John Cheever |
615–16, 624, 650 |
(Masters), 481 |
(Cheever), 605 |
postwar poetry, 598 |
The Sportswriter (Ford), 617, |
Storm, Hyemeyohsts, 805 |
success, see American dream |
618 |
‘The Storm’ (Chopin), 271 |
Suddenly Last Summer |
Spring and All (Williams), |
The Story of Avis (Phelps), |
(Williams), 710 |
393, 409 |
315–16 |
suffrage |
The Spy (Cooper), 108 |
The Story of Margaretta |
New England, 55 |
The Spyglass Tree (Murray), |
(Murray), 94 |
women, 340 |
684 |
Stout, Rex, 752 |
Sugimoto, Etsu, 503–4 |
Stackpole, Henrietta (The |
Stowe, Calvin, 195 |
Sui Sin Far, see Eaton, Edith |
Portrait of a Lady), |
Stowe, Harriet Beecher, 104, |
Sukenick, Ronald, 740 |
292–3 |
194–200 |
Sula (Morrison), 692 |
Stafford, William, 575, 576, |
and abolitionism, 103 |
A Summary View of the |
580 |
influence, 172, 183 |
Rights of British America |
Standing Bear, 322 |
on Truth, 181 |
(Jefferson), 76 |
Standish, Miles, 37, 38 |
Straight Cut (Bell), 617, |
Summer on the Lakes |
Stanton, Elizabeth Cady, 103, |
618 |
(Fuller), 136, 138 |
178 |
Strange Fruit (Smith), 490 |
The Sun Also Rises |
‘Stanzas’ (Bogan), 421 |
Stranger in a Strange Land |
(Hemingway), 443–4, |
Stark, Willie (All the King’s |
(Heinlein), 759 |
445–7 |
Men), 474–5 |
Strangers on a Train |
‘Sunday Morning’ (Stevens), |
steel industry, 248 |
(Highsmith), 751–2 |
414 |
‘The Steeple-Jack’ (Moore), |
Strasberg, Lee, 456 |
Sundown (Matthews), 508 |
416–17, 418 |
stream of consciousness, in |
surrealism |
Steere, Richard, 41 |
Bierce, 287 |
and Arenas, 786 |
Steffens, Lincoln, 330 |
Streamers (Rabe), 719 |
and Kennedy, 688 |
Stegner, Wallace, 606–7 |
The Street (Petry), 532 |
and New York poets, 646, |
Stein, Gertrude, 429–32 |
‘Street Corner College’ |
648, 649, 650, 652 |
on Europe, 339 |
(Patchen), 486 |
and postwar novels, 601, |
influence, 445, 651, 742, |
street life, and rap, 670 |
603 |
746 |
street life: literary treatments |
and postwar poetry, |
Steinbeck, John, 347, 497–9 |
Brooks, 529–30 |
638–9 |
Stevens, Wallace, 393, |
Bullins, 688, 689 |
and West, 549 |
411–16, 451, 651 |
detective stories, 540–2 |
and Wright, 535 |
Stickney, Trumbull, 298 |
Fearing, 485 |
The Surrounded (McNickle), |
Sticks and Bones (Rabe), |
Patchen, 486 |
506, 507 |
719 |
see also city life; New York |
Sut Lovingood (Harris), |
Stieglitz, Alfred, 365 |
City |
128–9 |
Stockton, Annis Boudinot, |
Street Scene (Rice), 456 |
Swallow Barn (Kennedy), |
61 |
A Streetcar Named Desire |
171 |
Stockton, Frank R., 249 |
(Williams), 708–10 |
Sweet Medicine (Cheyenne |
Stoddard, Elizabeth, 215, |
‘Strong Men’ (Brown), 526 |
character), 10, 11–12 |
217–19 |
Studs Lonigan trilogy |
Swift, Jonathan: literary |
Stoddard, Richard, 217 |
(Farnell), 490 |
treatments, 744 |
The Stoic (Dreiser), 366–7 |
Styron, William, 605–6, 699, |
The Sword and the Distaff |
Stone, Robert, 727–8 |
766 |
(Simms), 169 |
892 |
Index |
symbolism |
Tell Me a Riddle (Olsen), |
Thomas, Augustus, 454 |
in Bullins, 689 |
764–5 |
Thomas, Edward, 379 |
in Hawthorne, 201, 205 |
Temple House (Stoddard), |
Thomas and Beulah (Dove), |
in Hemingway, 446 |
217 |
673 |
in Jeffers, 386–7 |
The Temple of My Familiar |
Thompson, Jim, 750–1 |
in postwar drama, 703, |
(Walker), 697 |
Thompson, John, 185 |
704, 710 |
Tender Buttons (Stein), 431 |
Thomson, James, 63 |
reasons for prevalence, 34 |
Tender is the Night |
Thoreau, Henry David, |
in Rukeyser, 425 |
(Fitzgerald), 347, 439 |
138–44 |
in Shepard, 715 |
Tennyson, Alfred Lord, 232 |
and abolitionism, 103 |
Symbolism (movement), |
The Tenth Muse Lately |
and Emerson, 131 |
403, 484 |
Sprung Up in America |
and Hawthorne, 203 |
Symonds, William, 28 |
(Bradstreet), 44–5 |
and Snyder, 640 |
Symons, Arthur, 352 |
Terence, influence, 87 |
on writers, 590 |
The System of Dante’s Hell |
Terry, Lucy, 62, 86 |
Thoreau, John, 139 |
(Baraka), 666 |
Testimony (Reznikoff ), 396 |
Thorpe, Thomas Bangs, 125, |
|
‘Thanatopsis’ (Bryant), 227, |
126 |
Taggard, Genevieve, 481, |
228 |
A Thousand Acres (Smiley), |
482 |
theatre, see drama |
629 |
Take It Or Leave It |
El Theatre Campesino, 559 |
Three Lives (Stein), 431 |
(Federman), 741 |
Their Eyes Were Watching |
‘Three Moves’ (Logan), 571 |
The Talented Mr. Ripley |
God (Hurston), 514–15 |
Three Soldiers (Dos Passos), |
(Highsmith), 752 |
Them (Oates), 624–5 |
440 |
Tales of a Traveller (Irving), |
‘Theory of Flight’ |
Three Years in Europe |
107 |
(Rukeyser), 425 |
(Brown), 186 |
Tales of Soldiers and Civilians |
There is a Tree More Ancient |
thrillers, 751–8 |
(Bierce), 286–7 |
than Eden (Forrest), 686 |
magazines, 750 |
Tales of the Jazz Age |
Theroux, Paul, 727 |
postmodern, 742 |
(Fitzgerald), 435, 436 |
They Shoot Horses, Don’t |
see also crime novels |
Tan, Amy, 788–9 |
They? (McCoy), 543 |
Through the Eye of the Needle |
Tar Baby (Morrison), 692–3 |
They Stooped to Folly |
(Howells), 285–6 |
Tarbell, Ida, 330 |
(Glasgow), 359–60 |
Thurber, James, 545 |
Tate, Allen, 425–6, 469–71 |
The Things They Carried |
Thurman, Wallace, 511–12 |
on capitalism, 347 |
(O’Brien), 727 |
‘Thursday’ (Millay), 420 |
on Fugitive movement, |
The Third Life of Grange |
‘Thy Brother’s Blood’ (Very), |
464, 465 |
Copeland (Walker), 696 |
230 |
on Glasgow, 361 |
‘Thirteen Ways of Looking at |
The Ticket that Exploded |
influence, 473, 588 |
a Blackbird’ (Stevens), |
(Burroughs), 657 |
and New Criticism, 466 |
415 |
Tierra (Rivera), 774–5, |
Taylor, Bayard, 258–9 |
This, 745 |
776–7 |
Taylor, Edward, 44, 46–9 |
‘This Age of Conformity’ |
Till the Day I Die (Odets), |
Taylor, Peter, 618 |
(Howe), 554 |
457 |
Tayo (Ceremony), 809 |
‘This is my letter to the |
The Time of Man (Roberts), |
technology |
World’ (Dickinson), |
433–4 |
and Crane, 429 |
237–8 |
Timoleon (Melville), 214 |
Merrill on, 653 |
‘This Place in the Ways’ |
Timrod, Henry, 265–6 |
and science fiction, 758, |
(Rukeyser), 425 |
Tiny Alice (Albee), 714 |
760, 761 |
This Side of Paradise |
The Titan (Dreiser), 365, |
telephones, spread of, 337 |
(Fitzgerald), 435, 436 |
366–7 |
Index |
893 |
Tjanting (Silliman), 746 |
Toussaint L’Ouverture, 520 |
A Traveler from Altruria |
To a God Unknown |
‘Toussaint L’Ouverture’ |
(Howells), 285–6 |
(Steinbeck), 497 |
(Phillips), 165 |
Travesty (Hawkes), 737 |
‘To a Waterfowl’ (Bryant), |
‘Toward Proletarian Art’ |
Treat, Lawrence, 751 |
227–8 |
(Gold), 487 |
A Treatise Concerning |
To Be of Us (Piercy), 767–8 |
Tracks (Erdrich), 812–13 |
Religious Affections |
To Have and Have Not |
tradition |
(Edwards), 67 |
(Hemingway), 347, 444 |
Asian American writers |
A Treatise on Sociology |
‘To Helen’ (Poe), 120–1 |
on, 787–8, 796 |
(Hughes), 169–70 |
‘To my baby Paul’ (Zukofsky), |
and Fugitives, 464–6, 467, |
Tribute to the Angels (H. D.), |
394 |
469–75 |
391–2 |
‘To the Hopi in Richmond |
Native American writers |
tricksters |
(Santa Fe Village)’ |
on, 505–9, 802–17 |
in 20th-century Native |
(Rose), 803 |
see also nostalgia; past |
American writings, 805, |
‘To the Negro People’ |
‘The Traditional History and |
813–15 |
(Taggard), 482 |
Characteristic Sketches |
in Melville, 214 |
‘To the Town of Providence’ |
of the Ojibway Nation’ |
in Native American |
(Williams), 39 |
(Copway), 155 |
stories, 5, 6, 7, 12–14, |
To What Strangers, |
The Tragedy of Pudd’nhead |
509 |
What Welcomes |
Wilson (Twain), 256 |
in Reed, 682 |
(Cunningham), 477 |
Trail of Tears, 102–3, 157–8 |
in Uncle Remus stories, |
tobacco, in Native American |
Train Whistle Guitar |
267–8 |
stories, 9 |
(Murray), 684 |
Trilling, Diana, 642 |
Tocqueville, Alexis de, 140 |
Trakl, Georg, 570 |
Trinidad, David, 772 |
Todd, Almira (The Country |
A Tramp Abroad (Twain), |
Tripmaster Monkey |
of the Pointed Firs), |
250 |
(Kingston), 791–2 |
262–3 |
‘Trans-National America’ |
Triton (Delany), 762 |
Todd, Mabel L., 239 |
(Bourne), 487 |
Tropic of Cancer (Miller), |
The Token, 202 |
Transcendental Wild Oats |
658 |
Toklas, Alice B., 431, 432 |
(Alcott), 313 |
Trout Fishing in America |
Tolson, Melvin B., 528 |
Transcendentalists, 130–44 |
(Brautigan), 661 |
Tolstoy, Leo, influence, 285 |
Hawthorne on, 200 |
True West (Shepard), 716–17 |
Tom Sawyer, The Adventures |
literary treatments, 313 |
Truth, Sojourner, 181–2, 200 |
of (Twain), 252–3 |
and science fiction, 760 |
Tsimshian people, 9 |
The Tombs of Atuan (Le |
transformation (acting |
Tsukiyama, Gail, 797 |
Guin), 761 |
technique), 712 |
Tucker, George, 171 |
Tompson, Benjamin, 41 |
transportation, early 19th |
Tucker, Nathaniel Beverley, |
Toole, John Kennedy, 741 |
century, 100–1 |
172 |
Toomer, Jean, 344, 371, 510, |
transrational language, 742 |
Tuckerman, Frederick |
512, 518–20 |
travel writings |
Goddard, 231, 232 |
The Tooth of Crime (Shepard), |
15th and 16th centuries, |
‘Tulips’ (Plath), 594–5 |
715–16 |
18–31 |
Turell, Jane Colman, 62 |
The Torch Song Trilogy |
17th and 18th centuries, |
Turgenev, Ivan, 289 |
(Fierstein), 721–2 |
55–60, 73–4 |
‘The Turn of the Screw’ |
The Torrents of Spring |
19th century, 113–15, 250, |
(James), 295 |
(Hemingway), 373 |
251, 283 |
Turner, Frederick Jackson, |
A Tour of the Prairie (Irving), |
20th century, 296, 492, 727 |
246 |
107 |
first African American, 186 |
Turner, Nat, 101, 166, 199, |
La Tourista (Shepard), 715 |
Native American, 155–6 |
605–6 |
894 |
Index |
Turow, Scott, 757 |
Uncommon Women |
The Valley of Shenandoah |
Tuskegee Institute, 349–50, |
(Wasserstein), 721 |
(Tucker), 171 |
674 |
The Underground Stream |
Van Vechten, Carl, 513, 522 |
Twain, Mark (Samuel |
(Maltz), 489 |
Vandover and the Brute |
Langhorne Clemens), |
‘Underground Water’ |
(Norris), 301 |
128, 250–7 |
(Wideman), 803 |
‘Vapour Trail Reflected in a |
and Howells, 283 |
Underworld (DeLillo), 617 |
Frog Pond’ (Kinnell), |
on humour, 544 |
‘Unfold! Unfold!’ (Roethke), |
580 |
precursors, 176 |
586 |
Vãsquez, Richard, 779 |
Twentieth-Century Cycle |
Unholy Loves (Oates), 625 |
veritism, 297 |
(Bullins), 689 |
The Universal Baseball |
vernacular, use of |
Twice-Told Tales |
Association (Coover), |
Berger, 739 |
(Hawthorne), 202–3 |
618 |
Brooks, 529 |
twins, in Native American |
Unspeakable Practices, |
Brown, 526 |
stories, 7–8 |
Unnatural Acts |
Bullins, 689 |
Two Dissertations (Edwards), |
(Barthelme), 735–6, 737 |
Chesnutt, 279, 280 |
67 |
Up From Slavery |
Dunne, 327–8 |
Two Men (Stoddard), 217 |
(Washington), 349, 350 |
Higgins, 753 |
‘The Two Offers’ (Harper), |
‘Up-State Depression |
Hurston, 515 |
183 |
Summer’ (Taggard), 481 |
Leonard, 753 |
Two Trains Running (Wilson), |
‘Up the Coulé’ (Garland), |
Miller, 704 |
690 |
297–8 |
regionalists, 258–61, |
Two Wings Veil My Face |
Updike, John, 614–16 |
264–5, 274 |
(Forrest), 686 |
‘Upon a Spider Catching a |
Southwest heroes, 124–9 |
Tyler, Anne, 625–6 |
Fly’ (Taylor), 47 |
Twain, 251–6 |
Tyler, Royall, 91–2, 453 |
‘Upon Wedlock, & Death |
Wilson, 690 |
Typee (Melville), 208, 214 |
of Children’ (Taylor), |
Very, Jones, 139, 230–1, |
Typical American (Jen), 789 |
47–8 |
232 |
typography |
urbanization |
The Victim (Bellow), 610 |
and cummings, 424 |
19th century, 246 |
Vidal, Gore, 601 |
and Marquis, 423 |
20th century, 337 |
Vietnam War, 560, 561 |
|
and rise of nostalgia, 257 |
literary treatments, 626, |
‘The Ugliest Woman in the |
see also city life |
673, 719, 727–8, 761 |
World’ (Rose), 803 |
USA, see America |
protest poems, 579–80, |
Ulysses (Joyce), 341 |
U.S.A. (Dos Passos), 440, |
644 |
Un-American Activities |
441–2 |
Vietnamese Americans: |
Committee, see House |
utopian communities, 135, |
writings, 799–80 |
Un-American Activities |
203, 313 |
A View from the Bridge |
Committee |
utopian literature |
(Miller), 705 |
The Unbearable Heart |
19th century, 285–6 |
‘The Village Blacksmith’ |
(Hahn), 600 |
early English colonists, 29, |
(Longfellow), 229 |
Uncle Remus stories (Harris), |
35 |
‘A Village Dressmaker’ |
267–8 |
feminist, 316 |
(Spofford), 314 |
Uncle Tom’s Cabin (Stowe), |
|
Villagrá, Gaspar Pérez de, |
104, 172, 183, 194–9 |
V (Pynchon), 730–2 |
23 |
Uncle Tom’s Children |
Valdez, Luis, 559 |
Villanueva, Alma Luz, 779 |
(Wright), 534, 535 |
The Valley (Hinojosa), 777 |
Villareal, José Antonio, |
‘Uncle Wellington’s Wives’ |
The Valley of Decision |
773–4 |
(Chesnutt), 280 |
(Wharton), 356 |
Villaseñor, Victor, 779 |
Index |
895 |
violence |
Waiting for Lefty (Odets), |
regionalists, 265–6 |
African American protest |
457 |
Styron, 606 |
writing, 663–74, 679–80 |
Waiting for the Verdict |
Tate, 469–70 |
Capote, 724–6 |
(Davis), 220 |
Vietnam War protest |
‘hardboiled’ novels, 541–4 |
Waiting to Exhale (McMillan), |
poetry, 579–80 |
O’Connor, 621–3 |
699 |
Whitman, 233–4 |
postmodern novels, 737–8 |
‘Wakefield’ (Hawthorne), |
Ward, Diane, 747 |
postwar novels, 727, |
202 |
Warner, Charles Dudley, 251 |
750–1 |
‘Waking Early Sunday |
Warner, Susan, 104 |
see also protest; war |
Morning’ (Lowell), 580 |
Warren, Mercy Otis, 62 |
The Violent Bear It Away |
Wakoski, Diane, 599 |
Warren, Robert Penn, 464, |
(O’Connor), 622–3 |
Walden (Thoreau), 138–42 |
471–5 |
Viramontes, Helena Maria, |
Walker, Alice, 516, 695–8, |
Warshawski, Victoria |
779–80 |
782 |
Iphigenia (Paretsky |
Virgil, influence |
Walker, David, 160–2 |
character), 754–5 |
on Cather, 363 |
Walker, Margaret, 521, |
Washington, Booker T., |
on Lewis, 63 |
531–2, 532–3 |
348–51 |
on Longfellow, 228 |
Wall Street Crash, 345 |
Washington, Madison, 185 |
on Mather, 54 |
Wallace, David Foster, 619 |
Wasserstein, Wendy, 720, |
on Villagrá, 23 |
Wallace, Lew, 249 |
721 |
Virgin, Adams on, 318, |
The Walls Do Not Fall |
The Waste Land (Eliot), |
319–20 |
(H. D.), 391–2 |
404–5 |
Virgin of Guadalupe, 64–5, |
Walter, Eugene, 453 |
allusiveness, 229, 397, |
159 |
The Wapshot Chronicle |
404 |
Virginia |
(Cheever), 605 |
and Fugitives, 470 |
18th century, 56–60 |
war: literary treatments |
and Pound, 397 |
exploration and |
19th-century prose, 286–7 |
publication, 393 |
colonization, 25–30 |
Chesnut, 173–5 |
and the sea, 402 |
slavery, 101 |
Crane, 304–5 |
Williams on, 407 |
Virginia (Hawkes), 737 |
Dos Passos, 440 |
Watch on the Rhine |
Virginia Company, 29–30 |
Ginsberg, 560, 579, 642, |
(Hellman), 491 |
The Virginian (Wister), |
644 |
Waters, Frank, 606 |
538–9 |
Harper, 184 |
Waters, Muddy, 668 |
‘Vision’ (Hinojosa), 804 |
Hemingway, 444, 445 |
The Waterworks (Doctorow), |
The Vision of Columbus |
Japanese American writers, |
608 |
(Barlow), 63, 90 |
793–5 |
Watten, Barrett, 745, 746 |
The Vision of Sir Launfal |
Komunyakaa, 673 |
The Way to Rainy Mountain |
(Lowell), 231 |
Le Guin, 761 |
(Momaday), 806 |
Vizenor, Gerald, 805, 813–15 |
Lowell, 560, 580, 588 |
The Way to Wealth (Franklin), |
A Voice from the South |
Mailer, 602–3 |
71 |
(Cooper), 323–4 |
Mason, 626 |
‘We Real Cool’ (Brooks), |
Vonnegut, Kurt, 602, 758 |
Miller, 706 |
529–30 |
Vorticism, 389 |
Mitchell, 546–9 |
wealth, individual |
‘Voyages’ (Crane), 428 |
Moody, 299 |
19th century, 248–9 |
|
postwar novels, 601–2, |
20th century, 345–6, |
Wadsworth, Rev. Charles, 239 |
727–8 |
557–8 |
Wagner, Richard, 688 |
postwar poetry, 564–6 |
‘Weaving’ (Larcom), 226 |
Wah’kon-tah (Matthews), |
Pynchon, 732 |
The Web and the Rock |
508 |
Rabe, 719 |
(Wolfe), 496–7 |
896 |
Index |
Webber, George (Wolfe |
Wharton, Edith, 355–8 |
on the Civil War, 246 |
character), 496–7 |
What I Believe Transpiration/ |
Cunningham on, 477 |
A Week on the Concord and |
Transpiring Minnesota |
Eberhart on, 478 |
Merrimack Rivers |
(Grenier), 746 |
and Eliot, 405–6 |
(Thoreau), 139 |
What Maisie Knew (James), |
and Gold, 488 |
Weill, Kurt, 457 |
295 |
and Hughes, 524–5 |
Weiner, Hannah, 747 |
‘What mystery pervades a |
Ignatow on, 576 |
Weird Tales, 759 |
well!’ (Dickinson), 240, |
influence, 642, 646, 658 |
Welch, James, 805, 810–11 |
382 |
Kafka on, 346 |
Welcome to Hard Times |
what the hell for you left your |
and newspapers, 104 |
(Doctorow), 608 |
heart in san francisco |
Stein on, 430 |
Weld, Angelina Grimké, |
(Santos), 799 |
Whittemore, Reed, 567, 582 |
176–7 |
Wheatley, Phillis, 78, 83, |
Whittier, John Greenleaf, |
Wells, H. G., 303 |
86–8 |
166–8 |
Welty, Eudora, 619–21, 752 |
Wheatley, Susanne, 86 |
‘Who Among You Knows |
West |
‘When de Saints Go |
the Essence of Garlic?’ |
American right to settle, |
Ma’ching Home’ |
(Hongo), 796 |
258–9 |
(Brown), 526 |
Who Speaks for the Negro? |
West: literary treatments, |
‘When the Frost is on the |
(Warren), 472 |
19th century, 107–11, |
Punkin’ (Riley), 259 |
Who’s Afraid of Virginia |
112–18, 215–16, 224–5, |
‘Where Are You Going, |
Woolf ? (Albee), 713–14 |
258–9 |
Where Have You Been?’ |
Why Are We in Vietnam? |
West: literary treatments, |
(Oates), 625 |
(Mailer), 603 |
20th century |
Where is Vietnam? American |
‘Wichita Vortex Sutra’ |
detective novels, 756–7 |
Poets Respond, 579 |
(Ginsberg), 644 |
early, 326–7, 344, 355, |
‘Where Knock is Open |
The Wide, Wide World |
362–4, 371, 499 |
Wide’ (Roethke), 586 |
(Warner), 104 |
musicals, 702 |
Whitaker, Alexander, 27, 28 |
Wideman, John Edgar, |
poetry, 384–7, 477, 570, |
White, E. B., 545 |
684–5 |
586 |
White, Hayden, x |
Wideman, Robert Hill, 803 |
postmodern novels, 738–9 |
White, Walter, 512 |
Wieland (Brown), 96, 97–8 |
postwar drama, 716–17 |
‘White Foolscap’ (Howe), 749 |
Wieners, John, 632–3 |
postwar novels, 606–7, |
White Jazz (Ellroy), 753–4 |
Wife (Mukherjee), 800 |
608, 618–19, 628–9 |
‘The White Negro’ (Mailer), |
The Wife of His Youth |
postwar poetry, 634–5 |
603, 604 |
(Chesnutt), 278, 280–1 |
Westerns, 537–40, 753 |
White-Jacket (Melville), 209 |
Wigglesworth, Michael, 42 |
West, Dorothy, 531–2 |
White Noise (DeLillo), |
Wilbur, Richard, 542, 566–7, |
West, Nathanael, 347, |
616–17 |
581 |
549–52 |
Whitecloud, Thomas S., |
Wild Fruits (Thoreau), |
West Indians: literary |
506–7 |
143–4 |
treatments, 700–1 |
whites, in Native American |
‘The Wild Honey Suckle’ |
‘The Western Emigrant’ |
stories |
(Freneau), 89 |
(Sigourney), 224–5 |
creation of, 8, 10 |
Wild Tree Press, 696 |
Western Story, 539 |
encounters with Native |
Wilder, Thornton, 456 |
Westerns, 537–40, 753 |
Americans, 4, 5–7, 11, |
wilderness |
Westward Ho! (Miller), 259 |
12, 13–14 |
Twain on, 255 |
Weyden, Humphrey Van |
Whitman, Walt, 232–7 |
see also clearing vs. |
(The Sea-Wolf ), 307–8 |
on America, 89, 232–7, |
wilderness |
Whalen, Philip, 639, 641 |
481 |
Williams, Edward, 26, 27 |
Index |
897 |
Williams, John, 51–2 |
Wister, Owen, 538–9 |
women: literary treatments |
Williams, John A., 684 |
witchcraft |
19th century, 92–3, 117 |
Williams, Jonathan, 632 |
Franklin on, 72 |
African American, 519, 688 |
Williams, Oscar, 565 |
see also Salem witch trials |
Hispanic folklore, 159 |
Williams, Paulette, see |
The Witches of Eastwick |
marginalized subjects, 744 |
Shange, Ntozake |
(Updike), 615 |
Mexican American, 482 |
Williams, Raymond, x |
With Shuddering Fall (Oates), |
Modernist prose, 450–2 |
Williams, Roger, 37, 39–41 |
624 |
Native American stories, 7 |
Williams, Sherley Anne, 516, |
Wittgenstein, Ludwig, 733, |
postwar drama, 708–10 |
699 |
742 |
see also women: writings |
Williams, Tennessee, 688, |
A Wizard of Earthsea (Le |
women: rights |
702–3, 707–11, 714 |
Guin), 761 |
and Adams, 318 |
Williams, William Carlos, |
Wolfe, Hugh (‘Life in the |
African American women, |
347, 392, 406–11 |
Iron Mills’), 220 |
323–4 |
on the bomb, 581 |
Wolfe, Thomas, 495–7, 504 |
Asian immigrants, 503–4 |
on creative process, 390, |
Wolfe, Tom, 663, 723–4, 728 |
and Alcott, 313–14 |
408 |
Woman in the Nineteenth |
James on, 294 |
on Ginsberg, 642 |
Century (Fuller), 136–8 |
Le Sueur on, 493–4 |
influence, 576, 589, 646 |
‘Woman Poem’ (Giovanni), |
Revolutionary period, |
Moore on, 416 |
670–1 |
79–81, 96 |
and Objectivism, 393 |
The Woman Warrior |
and Smith, 490 |
and Pound, 388 |
(Kingston), 789–91 |
voting, 340 |
on Rexroth, 483, 484 |
The Woman Within |
women: writings |
Willis, Nathaniel Parker, 179 |
(Glasgow), 358, 360 |
first autobiography by |
Willis, Sarah Payson, see |
women |
Native American, |
Fern, Fanny |
and abolitionism, 178 |
325–6 |
Wilson, August, 688, 690–1 |
Adams on feminine force, |
first novel by African |
Wilson, Edmund, 475, 491, |
318, 319–20 |
American, 193–4 |
769 |
Byrd on, 59 |
first novel by African |
Wilson, Harriet E., 193–4, |
colonial expectations of, |
American to sell |
354 |
44–5 |
1 million-plus, 532 |
Wilson, Lanford, 713, 717 |
Fuller on, 136–8 |
first novel by Native |
Wilson, Woodrow, 339 |
Hawthorne on, 206 |
American, 509 |
Windy McPherson’s Son |
housekeeping manuals, |
mutual support networks, |
(Anderson), 372 |
175, 179 |
355 |
Winesburg, Ohio (Anderson), |
Hwang on male |
writing style and attitude |
371, 372–3 |
perceptions, 722–3 |
to, 104 |
Winona (Hopkins), 310 |
and slavery, 146, 148–51, |
women: writings, 17th and |
Winter in the Blood (Welch), |
173–4, 177–8, 186–7 |
18th centuries, 44–6, |
810 |
see also feminism |
61–2, 93–5 |
‘Winter Remembered’ |
women: conditions |
women: writings, 19th century |
(Ransom), 467, 468 |
18th century, 61 |
novels, 214–16, 217–20, |
Winters, Yvor, 421, 477 |
19th century, 103, 179–80, |
309, 310–14, 315–16 |
Winterset (Anderson), 456 |
249–50, 261–5 |
short stories, 314–15, |
Winthrop, John, 32, 35–7 |
20th century, 340–1 |
316–18 |
Wise Blood (O’Connor), |
Austin on, 326–7 |
women: writings, 20th |
622–3 |
frontier life, 215–16 |
century |
‘Wiser than a God’ (Chopin), |
Hopkins on, 310–12 |
African American drama, |
271 |
plantation life, 173–4 |
686–8 |
898 |
Index |
African American novels, |
‘Woodchucks’ (Kumin), 599 |
Wurlitzer, Rudolph, 740 |
510, 514–18, 532–3, |
Woodcraft (Simms), 169 |
Wylie, Elinor, 419–20 |
691–701 |
Woolf, Virginia, 340, 747 |
|
African American poetry, |
Woolman, John, 65 |
Yakima people, 7 |
525, 529–30, 532–3 |
Woolrich, Cornell, 543 |
Yamamoto, Hisaye, 793 |
African American protest |
The Word for World Forest |
Yeats, W. B., influence, 591 |
writing, 663–4, 665, |
(Le Guin), 761 |
Yekl (Cahan), 328 |
668–74 |
Wordsworth, William, 130, |
‘Yellow Light’ (Hongo), 796 |
Asian American, 332–5, |
236, 527 |
‘The Yellow Wall-Paper’ |
787–92, 793–4, 795–6, |
Work (Alcott), 313–14 |
(Gilman), 316–18 |
797–8, 800–1 |
work ethic |
The Yemassee (Simms), 168 |
Chicana, 772–3, 778–80 |
Depression’s effect, 345–6 |
Yerby, Frank, 699 |
comic, 546 |
late 19th century, 248–9 |
Yerkes, Charles T., 366 |
crime and mystery novels, |
Puritan origins, 68–9 |
Yezierska, Anna, 499–500 |
751–2, 754–5 |
Work Projects Administration |
‘Yittischer Charleston’ |
early, 326, 355–64 |
(WPA), 346, 348 |
(Pound), 393 |
immigrants, 329, 499–500, |
‘The Working-Girls of New |
Yokohama, California (Mori), |
503–4, 764–5, 766–8 |
York’ (Fern), 179–80 |
793 |
language poetry, 744–5, |
Works Progress |
Yonnondio (Olsen), 764 |
746–7, 749 |
Administration (WPA), |
‘You, Andrew Marvell’ |
Latina, 782–4, 785–6 |
346, 532 |
(MacLeish), 484–5 |
Modernist poetry, 389–3, |
World Anti-Slavery |
‘You are my friend’ |
396–7, 416–22, 424–6 |
Convention (1840), |
(Niedecker), 396 |
Modernist prose, 429–34 |
178 |
You Can’t Go Home Again |
Native American, 508–9, |
World War I, see First World |
(Wolfe), 496–7 |
803–4, 805, 808–9, |
War |
You Must Remember This |
811–13 |
World War II, see Second |
(Oates), 625 |
popular novels, 546–9 |
World War |
Young, Starke, 466 |
populist, 482–3 |
World’s Columbian |
‘Young Sycamore’ (Williams), |
postwar drama, 720–1 |
Exposition, Chicago |
407–8 |
postwar novels, 619–29 |
(1893), 336 |
The Young Woman Citizen |
postwar poetry, 572–3, |
World’s Fair (Doctorow), |
(Austin), 326 |
581–5, 593–600, 649 |
608 |
Youngblood (Killens), 684 |
radicals, 490–5 |
Wounded Knee massacre, |
‘Yourself ’ (Very), 230–1 |
science fiction, 760–1, 762 |
322, 325, 559 |
Yuchi people, 4 |
short stories, 619, 622–9 |
WPA, see Work Projects |
Yuma people, 7–9 |
Women and Economics |
Administration; Works |
Yutang, Lin, 787 |
(Gilman), 316 |
Progress Administration |
Yvernelle (Norris), 300 |
The Women of Brewster |
Wright, Charles, 596 |
|
(Naylor), 698 |
Wright, Col. George: literary |
zaum, 742 |
Women of Silk (Tsukiyama), |
treatments, 817 |
Zen Buddhism, 640 |
797 |
Wright, James, 569–70 |
Zitkala-Sa, 325–6 |
Women’s Suffrage |
Wright, Jay, 598, 599 |
Zola, Émile, 300, 301 |
Association, 166 |
Wright, Richard, 347, 353, |
The Zoo Story (Albee), 713 |
Wonderland (Oates), 625 |
515, 532–7, 674 |
Zukofsky, Louis, 393–4, |
The Wonders of the Invisible |
writing, see creative process |
742 |
World (Mather), 52 |
Writing/Talks, 745 |
Zuni people |
Wong, Jade Snow, 502 |
The Writing of Fiction |
and Spanish, 18–19 |
Wong, Shawn, 793 |
(Wharton), 356 |
stories, 9, 15–18 |
Index |
899 |